Tom Bertino is a professional animator, formerly Animation Director and Visual Effects Supervisor at Industrial Light & Magic.
He graduated from the California College of Arts and Crafts in 1981. Tom Bertino joined Industrial Light & Magic in 1986 as a Supervisor of the Rotoscope Department. Bertino later moved into the Animation Department. and contributed his talents to a number of feature films including: Star Wars , Terminator 2: Judgment Day , Death Becomes Her , The Abyss , The Mask , and Who Framed Roger Rabbit . [1] [2]
Beginning his professional animation career with Sally Cruikshank in 1978, Bertino has worked for Nepenthe, DiC, Hanna-Barbera and Colossal Pictures in a number of capacities including character design, storyboards, layouts, voices and sound effects.
In 1995, Bertino was nominated for an Academy Award for best achievement in visual effects and received a BAFTA nomination in the same category, for the groundbreaking computer graphics imagery he created in The Mask. [3]
In 2005, Bertino left ILM and became the Director of the Graduate Department of the School of Animation at the Academy of Art University in San Francisco. [4]
"HBO First Look"
Industrial Light & Magic (ILM) is an American motion picture visual effects company and computer animation studio that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original Star Wars, now the fourth episode of the Skywalker Saga.
Doug Chiang is an American film designer and artist. He is vice president and executive creative director of Lucasfilm and previous Chief Creative Officer (CCO) at Lucasfilm.
Dennis Muren, A.S.C is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor."
David W. Allen was an American film and television stop motion model (puppet) animator.
Phil Tippett is an American film director and visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation. Over his career, he has assisted ILM and DreamWorks, and in 1984 formed his own company, Tippett Studio.
John Andrew Berton Jr. is an American computer graphics animator and visual effects supervisor. His most recent completed project is Bedtime Stories. He also worked in India, supervising effects on the film Krrish 3. In the fall of 2013, he joined the faculty of Drexel University in Philadelphia.
Kenneth Ralston is an American visual effects artist, currently the Visual Effect Supervisor and Creative Head at Sony Pictures Imageworks. Ralston began his career at the commercial animation and visual effects company, Cascade Pictures in Hollywood, where he worked on over 150 advertising campaigns in the early 1970s. In 1976, he was hired at Industrial Light & Magic by Dennis Muren to help George Lucas create the effects for Star Wars. He remained at ILM for 20 years before joining Sony Pictures Imageworks as president. Ralston is best known for his work in the films of Robert Zemeckis.
Bill George is a visual effects supervisor who is known for his work for Industrial Light & Magic on, amongst others, the Star Trek franchise.
Matte World Digital was a visual effects company based in Novato, California that specialized in realistic matte painting effects and digital environments for feature films, television, electronic games and IMAX large-format productions. The company closed in 2012 after 24 years of service in the entertainment industry.
James Morris is an American film producer, production executive and visual effects producer. He is currently general manager and president of Pixar. Previously, he held key positions at Industrial Light & Magic (ILM) for 17 years.
Habib Zargarpour is an Iranian visual effects supervisor, computer graphics supervisor, art director and creative director.
Robert Blalack was a Panama-born American mass-media visual artist, independent filmmaker, and producer. He is one of the founders of Industrial Light & Magic. Blalack received the Academy Award for Best Visual Effects in 1978 for his work on the first Star Wars film. He also received the Primetime Emmy Award for Outstanding Special Visual Effects in 1984 for his work on the 1983 television film The Day After. Blalack directed experimental films and mixed-media television commercials, and he produced visual effects for theme park rides.
Stephen Rosenbaum is an American visual effects artist and supervisor, and has worked on numerous movie, tv and music productions, including six that have won Academy Awards. He has been nominated three times for an Academy Award and two times for a BAFTA Award. He has won both awards twice for his contributions on Forrest Gump and Avatar, and has played artist and supervisor roles on such pioneering films as Jurassic Park, Terminator 2: Judgment Day, The Abyss, X2: X-Men United, Death Becomes Her, Contact and The Perfect Storm.
Rob Coleman is a Canadian animation director; he is currently the creative director at Industrial Light & Magic's Sydney branch. Previously, he was the Head of Animation at the award-winning Australian visual effects and animation studio, Animal Logic from 2012-2021.
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Steven "Spaz" Williams is a Canadian special effects artist, animator, and film and commercials director.
Jon A. Farhat is a motion picture visual effects supervisor and second unit director who was nominated at the 67th Academy Awards for the film The Mask, in the category of Best Visual Effects. His nomination was shared with Tom Bertino, Scott Squires and Steve 'Spaz' Williams. He was nominated for two BAFTA awards for Visual Effects for The Mask and The Nutty Professor Prior production roles included art director, matte painting, conceptual illustrator and storyboard artist dating back to 1992. Between 2012 and 2014, he served briefly as executive vice president of Red Digital Cinema Camera Company. A commercial helicopter pilot, Farhat pioneered research and developed systems and flight planning interfaces for Unmanned Aerial Vehicles, specializing in fully autonomous flight systems.
Harley Jessup is an American production designer and visual effects art director who has been nominated for two visual effects Academy Awards, and won once. Currently working at Pixar Animation Studios, Jessup has served as production designer for Monsters, Inc., Ratatouille, Cars 2, Presto, The Good Dinosaur and Pixar's animated feature, Coco. Before coming to Pixar, Jessup was production designer on Walt Disney Pictures' James and the Giant Peach.
Wes Ford Takahashi is an American visual effects animator and animation supervisor who has worked for motion picture visual effects company Industrial Light & Magic. He is known for his special effects work on numerous films; his efforts includes animating the time travel sequences for all three Back to the Future films and the "boy on the moon" in the DreamWorks logo. He is the former head of ILM's animation department.
The special effects of the 1991 American science fiction action film Terminator 2: Judgment Day were developed by four core groups: Industrial Light & Magic (ILM), Stan Winston Studio, Fantasy II Film Effects, and 4-Ward Productions. Pacific Data Images and Video Images provided some additional effects.