American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.
Susan P. Stroman is an American theatre director, choreographer, film director and performer. Her notable theater productions include Oklahoma!, The Music Man, Crazy for You, Contact, The Producers, The Frogs, The Scottsboro Boys, Bullets Over Broadway, POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, and New York, New York.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
The Australian Ballet (TAB) is the largest classical ballet company in Australia. It was founded by J. C. Williamson Theatres Ltd and the Australian Elizabethan Theatre Trust in 1962, with the English-born dancer, teacher, repetiteur and director Dame Peggy van Praagh as founding artistic director. Today, it is recognised as one of the world's major international ballet companies and performs upwards of 150 performances a year.
A ballet master is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet is being supplanted by gender-neutral language job titles regardless of an employee's gender.
Queensland Ballet, founded in 1960 by Charles Lisner, is the premier ballet company of Queensland, Australia, and is based in Brisbane. It is one of only three full-time, professional classical ballet companies in Australia. The company has had six previous Artistic Directors, and is currently led by Leanne Benjamin.
The Minnesota Ballet is a ballet company and school located in Duluth, Minnesota. Founded in 1965 by Donna Harkins and Jan Gibson as the Duluth Civic Ballet, the company has since expanded into a touring company with seventeen professional artists. From 1992 to 2007 the Artistic Executive Director of the Minnesota Ballet was Allen Fields, who retired to become Artistic Director Emirtus. Fields acquired rights to works by choreographers including Agnes de Mille, Antony Tudor, and George Balanchine. He was succeeded by Robert Gardner. In 2019 Karl von Rabenau was appointed Artistic Director. The Minnesota Ballet entered its 54th season in 2019/20.
Ben Stevenson OBE, is a former ballet dancer with Britain's Royal Ballet and English National Ballet, co-director of National Ballet of Washington, D.C. (1971–1974), artistic director of Chicago Ballet (1974-1975), artistic director of Houston Ballet (1976–2003), and artistic director of Texas Ballet Theater (2003–2022).
Lawrence Pech is a dancer, choreographer and teacher currently living and working in the San Francisco Bay Area.
Mats Ek is a Swedish dance and ballet choreographer, dancer and stage director. He was the manager of the Cullberg Ballet from 1985 to 1993.
Fernand Nault, OC, CQ was a Canadian dancer and choreographer.
Sir Peter Wright CBE is a British ballet teacher, choreographer, director and former professional dancer. He worked as a choreographer and as the artistic director of Birmingham Royal Ballet, a classical ballet company based in Birmingham, England. On retiring from the company in 1995, he was bestowed the honorary title of director laureate of the company.
Moses Pendleton is a choreographer, dancer and the artistic director of MOMIX. MOMIX is a dance company that he formed in 1981 as an offshoot of the Pilobolus, which he had co-founded while a senior at Dartmouth College in 1971. He remained a full-time member with the company until 1980. He choreographs dance sculptures that bring together acrobatics, gymnastics, mime, props, and film.
John Meehan is an Australian ballet director, choreographer, professor, and retired ballet dancer. He was educated at the Anglican Church Grammar School in Brisbane and studied at the Australian Ballet School. Meehan joined the Australian Ballet in 1970 and was promoted to principal dancer in 1974, creating roles in new works by Glen Tetley, John Butler, Garth Welch, Sir Robert Helpmann and Gillian Lynne as well as the role of Count Danilo in Ronald Hynd's The Merry Widow. In 1977 he performed as Guest Artist with American Ballet Theatre (ABT) joining the company as Principal Dancer in the fall of that year. He also danced as guest artist with The Boston Ballet, The National Ballet of Canada and the New York City Ballet.
John Field was an English ballet dancer, choreographer, director and teacher. He was a renowned member of the Vic-Wells Ballet and Sadler's Wells Theatre Ballet and was also artistic director of the La Scala Theatre Ballet.
Alfredo Corvino was an Uruguayan ballet dancer and ballet teacher.
Mariquita, often referred to as Madame Mariquita, (1838/40–1922) was an Algerian-born dancer who became a ballerina, and later a successful choreographer and ballet mistress at various theatres in Paris from the 1870s until 1920. Though best known for her work at the Opéra-Comique, where she was a trailblazer in modernizing French ballet during the 1900s and 1910s, Mariquita also staged popular ballets and divertissements for boulevard theatres and music halls throughout her life. Highly prolific, she created almost 300 ballets over a span of 50 years. While her life and work are not well documented in modern ballet history, contemporaries regarded her as one of the best choreographers of her time, lauding her as “French Fokine,” “model of choreographers,” and “most artistic of all dance-mistresses.”
Roudolf Kharatian is an Armenian ballet dancer, choreographer, teacher, director and painter. He is a People's Artist of Armenia (2012). He is the Principal Choreographer and artistic director of the National Ballet of Armenia at the Spendiaryan National Opera and Ballet Theatre.
Oleg Mikhailovich Vinogradov is a Russian former dancer, choreographer and ballet director. He graduated from the Vaganova Academy of Russian Ballet under Alexander Ivanovich Pushkin and went on to become a choreographer, working with some of the Soviet Union's most important ballet companies, including the Kirov Ballet and the Bolshoi Ballet. In the early 1970s he was artistic director and chief choreographer at the Maly Theatre Ballet, and became artistic director of the Kirov Ballet in 1977. During this period, relations between the Soviet Union and the United States grew warmer, and the Kirov Ballet embarked on several US tours for the first time in decades. Vinogradov became the first Soviet ballet master to invite Maurice Béjart and Roland Petit to stage works for the Kirov, and also helped to bring authorized productions of George Balanchine's ballets to Russia for the first time. He was named a People's Artist of the USSR in 1983.
