Tomaso Carcassi was a 1700s Florentine instrument maker. [1] He often worked with his older sibling and business partner, Lorenzo Carcassi. [2] [3]
He and Lorenzo were probably students of Giovanni Baptista Gabrielli, another Florentine instrument maker. [4]
Lorenzo de' Medici was an Italian statesman, de facto ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy (1478), in which his brother Giuliano was assassinated. The Peace of Lodi of 1454 that he helped maintain among the various Italian states collapsed with his death. He is buried in the Medici Chapel in Florence.
Antonio Stradivari was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, Stradivarius, as well as the colloquial Strad are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survived, including 450 to 512 violins.
Francesco degli Organi, Francesco il Cieco, or Francesco da Firenze, called by later generations Francesco Landini or Landino was an Italian composer, organist, singer, poet and instrument maker. He was one of the most famous and revered composers of the second half of the 14th century, and by far the most famous composer in Italy.
Giovanni Battista Guadagnini was an Italian luthier, regarded as one of the finest craftsmen of string instruments in history. He is widely considered the third greatest maker after Antonio Stradivari and Giuseppe Guarneri "del Gesù". The Guadagnini family was known for their violins, guitars and mandolins.
Jean-Baptiste Vuillaume was a French luthier, businessman, inventor and winner of many awards. His workshop made over 3,000 instruments.
Carlo Bergonzi was an Italian luthier and is the first and most noted member of the Bergonzi family, an illustrious group of luthiers from Cremona, Italy, a city with a rich tradition of stringed instrument makers. Today his instruments are highly valued for their workmanship and tone. Although he was historically assumed to have first apprenticed with Hieronymus Amati or Antonio Stradivari, he is now known to have been the student of Vincenzo Rugeri.
The Messiah - Salabue Stradivarius of 1716 is a violin made by the Italian luthier Antonio Stradivari of Cremona. It is considered to be the only Stradivarius in existence in as new state. It is in the collection of the Ashmolean Museum in Oxford, England.
Luigi Tarisio was an Italian violin dealer and collector.
Bartolomeo Giuseppe "del Gesù" Guarneri was an Italian luthier from the Guarneri family of Cremona. He rivals Antonio Stradivari (1644–1737) with regard to the respect and reverence accorded his instruments, and for many prominent players and collectors his instruments are the most coveted of all. Instruments made by Guarneri are often referred to as Del Gesùs.
Francesco Rugeri, also known as Ruger, Rugier, Rugeri, Ruggeri, Ruggieri, Ruggerius, was the first of an important family of luthiers, the Casa Rugeri in Cremona, Italy. His instruments are masterfully constructed. His violins are inspired by Nicolò Amati's "Grand Amati" pattern. Francesco was the first to develop a smaller cello design, which has become the standard for modern cello dimensions. Today, Rugeri's instruments are nearly as renowned as Nicolò Amati's instruments.
Carcassi is a surname. Notable people with the surname include:
Antonio Gragnani (1740—1794) was an Italian violin maker. Some sources claim he has studied in Florence, Italy, although his craftsmanship style differed from that of other 18th century Florentine makers. He worked in the city of Livorno, his home town in the region of Tuscany, between the years of 1765 until his death, a seaside location that offered him materials needed in violin-making process. Most of his violins follow a Stradivari pattern.
Tarisio Auctions is a web-based auction house that specializes in string instruments and bows. Founded in 1999 with locations in New York and London, its online auctions provide a global marketplace for musical instrument sales.
Nicola Amati, Nicolò Amati or Nicolao Amati was an Italian Master Luthier from Cremona, Italy. Amati is one of the most well known luthier from the Casa Amati. Nicola was the teacher of illustrious Cremonese School luthiers such as Andrea Guarneri and Giovanni Battista Rogeri. While no clear documentation exists for being apprentices in his shop, Amati may have also apprenticed Antonio Stradivari, Francesco Rugeri, and Jacob Stainer as their work is heavily influenced by Amati.
The Bust of the Saviour (Salvator Mundi) is the last sculpture created by baroque artist Gian Lorenzo Bernini, executed in 1679, when the artist was 80 years old. He left the sculpture in his will to his friend and patron Queen Christina of Sweden. Considered lost and "rediscovered" in 2001, by Francesco Petrucci, it is currently held in the basilica of di San Sebastiano fuori le mura a Roma.
Vincenzo Rugeri, was an Italian luthier of string instruments such as violins, cellos, and, violas in Cremona, Italy. His instruments are noted for their craftsmanship and tone quality. Vincenzo came from a distinguished family of luthiers, the first of whom was his father, Francesco Rugeri. Despite the local tradition of artisan families laboring together through generations, Vincenzo left the family shop and set up a successful shop of his own in the center of Cremona. Vincenzo was the third son of luthier Francesco Rugeri. Vincenzo's work, like Francesco's, is influenced by Nicolò Amati's Grand Pattern model, however Vincenzo's work was distinguished from his father's by utilizing a lower arch inspired by Antonio Stradivari. An analysis of the body of his work reveals that the quality of Vincenzo's instruments is remarkable, perhaps even more so than his father's. Vincenzo's instruments, though less numerous, are valued at least equal to those of his father. A violin by Vincenzo Rugeri realized $502,320 on October 3, 2011 at Brompton's Auctions in London. Carlo Bergonzi was a distinguished apprentice of Vincenzo Rugeri.
Richard Tobin was an Irish luthier who crafted violins, violas, cellos and pochettes. He was an exceptionally talented craftsman and was considered the finest scroll carver of his time. Despite his talent, his work was largely uncredited, often branded under the names of his employers and other shops that enlisted him for his sought-after workmanship. Today, his rare instruments command the highest prices of any Irish luthier.
The Le Brun Sradivarius of 1712 is a violin made by Italian luthier Antonio Stradivari of Cremona (1644–1737). It is the only violin from Stradivari’s golden period known to have been owned and played by the violinist Niccolò Paganini. When sold at a Sotheby's auction in London in November 2001 it achieved one of the highest prices ever paid for a violin at auction, and became the most expensive instrument in Europe.
Lorenzo Carcassi was a 1700s Florentine instrument maker. He often worked with his younger sibling and business partner, Tomaso Carcassi.
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