Tomb of Leonardo Loredan | |
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General information | |
Type | Tomb |
Location | Basilica of Saints John and Paul |
Address | Campo S.S. Giovanni e Paolo, Castello 6363 |
Town or city | Venice |
Country | Italy |
Completed | 1572 |
Affiliation | House of Loredan |
Technical details | |
Material | Carrara marble |
Design and construction | |
Architect(s) | Girolamo Grappiglia |
Other designers | Girolamo Campagna, Danese Cattaneo |
The tomb of Leonardo Loredan is a monumental 16th-century burial site located in the Basilica of Saints John and Paul in Venice, Italy. Interred in it are Leonardo Loredan (1436 - 1521), 75th Doge of Venice, and his descendant Francesco Loredan (1685 - 1762), 116th Doge of Venice, both members of the Santo Stefano branch of the House of Loredan. [1]
Doge Leonardo Loredan died in Venice on 22 June 1521. [2] The death, which occurred between eight and nine, was kept secret until sixteen at the behest of the children who, during their father's agony, had no regard for transporting furniture and objects from the doge's apartment to their residence. As is customary, the body was subjected to embalming practices. On the morning of June 23, after the body was moved to the Piovego room of the Doge's Palace, the coffin was closed. At the solemn funeral the eulogy was read by the scholar Andrea Navagero, and Pietro Bembo, then abbot and secretary of Pope Leo X, was also present. [3]
Loredan died "with great fame as a prince". [4] He was interred in the Basilica of Santi Giovanni e Paolo, in a simple tomb with a celestial marble headstone without inscription, placed above the steps of the main altar and now no longer existing. [5] In about 1572, and after some disputes between the Loredan heirs and the friars of the church, a funeral monument was erected for him, divided into three parts and adorned with Corinthian columns in Carrara marble, placed to the left of the main altar, with architecture by Girolamo Grappiglia, and adorned with an extremely lifelike statue, an early work by the sculptor Girolamo Campagna, which depicts him in the act of "getting up and boldly throwing himself in defence of Venice against Europe conspired in Cambrai". [6] On its right was the statue of Venice with sword in hand and on the left that of the League of Cambrai, with the shield adorned with the heraldic coats of arms of the opposing powers (these, and the others in the monument were done by Danese Cattaneo, a pupil of Sansovino). [7] [8]
Doge Francesco Loredan died on 19 May 1762. The funeral took place on May 25, and he was buried in the Basilica of Santi Giovanni e Paolo, in Leonardo Loredan's dogal tomb. The funeral cost an impressive sum of around 18,700 ducats. [9] [10]
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a Catholic minor basilica and Dominican conventual church in the Castello sestiere of Venice, Italy.
Domenico Grimani was an Italian nobleman, theologian and cardinal. Like most noble churchman of his era Grimani was an ecclesiastical pluralist, holding numerous posts and benefices. Desiderius Erasmus dedicated his Musica to Grimani.
Leonardo Loredan was a Venetian nobleman and statesman who reigned as the 75th Doge of Venice from 1501 until his death in 1521. As a wartime ruler, he was one of the most important doges in the history of Venice. In the dramatic events of the early 16th century, Loredan's Machiavellian plots and cunning political manoeuvres against the League of Cambrai, the Ottomans, the Mamluks, the Pope, the Republic of Genoa, the Holy Roman Empire, the French, the Egyptians and the Portuguese saved Venice from downfall.
Gregorio Lazzarini was an Italian painter of mythological, religious and historical subjects, as well as portraits. One of the most successful Venetian artists of the day, a prominent teacher, and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen. His own style was somewhat eclectic.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
Girolamo Campagna (1549–1625) was a Northern Italian sculptor.
The House of Loredan is a Venetian noble family of supposed ancient Roman origin, which has played a significant role in shaping the history of the Mediterranean world. A political dynasty, the family has throughout the centuries produced a number of famous personalities: doges, statesmen, magnates, financiers, diplomats, procurators, military commanders, naval captains, church dignitaries, and writers.
Pietro Loredan of the noble Loredan family, was the 84th Doge of Venice, reigning from 1567 to 1570.
Bertuccio Valier or Valiero was the 102nd Doge of Venice from his election on 15 June 1656 until his death in 1658.
Francesco Loredan was a Venetian statesman and magnate who served as the 116th Doge of Venice from 18 March 1752 until his death in 1762. He was a member of the noble House of Loredan, head of its Santo Stefano branch, and the only Doge, as well as the last male, to be awarded the Golden Rose by the Papacy.
Danese Cattaneo was an Italian sculptor and medallist, active mainly in the Veneto region of Italy.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
The House of Loredan-Santo Stefano was a cadet branch of the House of Loredan that existed from the 14th century until 1767. The branch was mainly settled in the Palazzo Loredan in Campo Santo Stefano, which they acquired in 1536 from the Mocenigo family. The progenitor of the branch is considered to be Gerolamo Loredan "dal Barbaro" di S. Vitale (d.~1474), father of Doge Leonardo Loredan and Dogaressa Caterina Loredan. Besides Leonardo, the branch also gave Doge Francesco Loredan.
Caterina Loredan of the noble Loredan family was the Dogaressa of Venice from 1521 to 1523 by marriage to Doge Antonio Grimani.
Loredan is a Venetian surname. The House of Loredan is an aristocratic Venetian family that included various doges of the Republic of Venice, and the surname is almost exclusively associated with the family. The surname most likely originated from the toponym Loreo, which itself originated from its Latin name Lauretum, meaning laurel. Another theory of the origin of the surname, though most likely legendary, is that it comes from the Latin epithet Laureati, given to ancestors of the Loredan family due to their historical glory in ancient Rome and the many victories they achieved in battles. The surname is spelled Loredano or Loredan in Italian, Lauredano or Lauredanus in Latin, and Lorentano (Λορεντάνο) in Greek, though it is also historically found as Lordas (Λορδᾶς) and Lordano (Λορδάνο). The feminine name Loredana, common in Italy and Romania, was likely inspired by the surname.
Francesco Loredan was a Venetian magnate and nobleman of the Loredan family, and an ambassador of the Republic of Venice to Vienna during the peace negotiations between the Ottoman Empire and the Holy League, which resulted in the Treaty of Karlowitz (1699).
Antonio Loredan (1446-1514) was a Venetian nobleman and politician of the Loredan family, and the ambassador to the Papal States, the Kingdom of France and the Holy Roman Empire.
The House of Loredan-Santa Maria is a cadet branch of the noble House of Loredan which has produced many politicians, diplomats, military generals, naval captains, church dignitaries, writers and lawyers, and has played a significant role in the creation of modern opera with the Accademia degli Incogniti, also called the Loredanian Academy. The branch draws its name from the parishes of Santa Maria Formosa and Santa Maria dei Miracoli in Venice, around which it was historically settled. The progenitor of the branch is considered to be the famous admiral and procurator Pietro Loredan (1372-1438) by his sons Giacomo and Polo.
Giovanni Maria Mosca or Giovanni Padovano was an Italian Renaissance sculptor and medallist, active between 1515 and 1573, initially in the Veneto and after 1529 in Poland, where his first name was rendered Jan.
Doge Leonardo Loredan with Four Sons, also Portrait of the Loredan Family, is a large tempera-on-poplar painting by the Italian Renaissance master Giovanni Bellini depicting the noble Loredan family of Venice, namely Leonardo Loredan, Doge of Venice and his four sons, Lorenzo, Girolamo, Alvise, and Bernardo. It was painted in 1507 and is now on display at the Gemäldegalerie, part of the Berlin State Museums.
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