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Tone-Lok Effects are guitar effects pedals from a (now discontinued) product line, introduced by Ibanez in 1999. [1] [ when? ] In contrast with other guitar pedals, they included a "Lok" feature, engaged for each adjustment by pressing down on its corresponding potentiometer's control knob.
AP7 Analog Phaser [2]
AW7 Autowah
CF7 Stereo Chorus/Flanger
DE7 Delay/Echo
DS7 Distortion
FZ7 Fuzz
LF7 Lo Fi
PH7 Phaser
PM7 Phase Modulator
SH7 Seventh Heaven
SM7 Smashbox
TC7 Tri Mode Chorus
TS7 Tubescreamer
WD7 Weeping Demon
WD7JR Weeping Demon Junior
PD7 Phat-Hed Bass Overdrive
SB7 Synthesizer Bass
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
Ibanez is a Japanese guitar brand owned by Hoshino Gakki. Based in Nagoya, Aichi, Japan, Hoshino Gakki were one of the first Japanese musical instrument companies to gain a significant foothold in import guitar sales in the United States and Europe, as well as the first brand of guitars to mass-produce the seven-string guitar and eight-string guitar. Ibanez manufactures effects, accessories, amps, and instruments in Japan, China, Indonesia, and the United States. As of 2017 they marketed nearly 165 models of bass guitar, 130 acoustic guitars, and more than 300 electric guitars. After Gibson and Fender, Ibanez is considered the third biggest guitar brand.
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.
Boss is a manufacturer of effects pedals for electric guitar and bass guitar. It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards. In more recent times, Boss expanded their product range by including digital studios, rhythm machines, samplers and other electronic music equipment. They also are now manufacturing solid-state amplifiers and speaker heads such as the Waza and the Katana. Both feature multi-effects units meant to emulate Boss' classic effects pedals.
Fredrik Carl Thordendal is a Swedish musician, best known as the lead guitarist and backing vocalist for the extreme metal band Meshuggah, of which he is a founding member. Along with Meshuggah's rhythm guitarist Mårten Hagström, Thordendal was rated No. 35 by Guitar World in the top 100 greatest heavy metal guitarists of all time.
Morley Pedals is the name of a guitar effects pedal company, famous for manufacturing wah-wah pedals and other treadle type effects for guitar. Morley pedals use electro-optical circuitry rather than a potentiometer to control the effect. The foot treadle controls a shutter inside the pedal that in turn controls the amount of light reaching a photoresistor. The advantage to this system is that there are no potentiometers in the signal path to wear out and become "scratchy sounding" over time. Electro-optical circuitry is used throughout the classic Morley pedal line, which includes or has included volume pedals, delay pedals, chorus and phaser pedals, and many others.
Electro-Harmonix is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of guitar effects pedals introduced in the 1970s and 1990s. EHX also made a line of guitars in the 1970s.
Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device.
Seymour Duncan is an American company best known for manufacturing guitar and bass pickups. They also manufacture effects pedals which are designed and assembled in United States. Guitarist and luthier Seymour W. Duncan and Cathy Carter Duncan founded the company in 1976, in Santa Barbara, California.
The following outline is provided as an overview of and topical guide to guitars:
The Ibanez Tube Screamer is a guitar overdrive pedal, made by Ibanez. The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar.
MXR is a New York–based manufacturer of effects pedals from Rochester. The company was co-founded in 1972 by Keith Barr and Terry Sherwood and incorporated as MXR Innovations, Inc. in 1974. The MXR trademark is now owned by Jim Dunlop.
A guitar technician is a member of a music ensemble's road crew who maintains and sets up the musical equipment for one or more guitarists. Depending on the type and size of band, the guitar tech may be responsible for stringing, tuning, and adjusting electric guitars and acoustic guitars, and maintaining and setting up guitar amplifiers and other related electronic equipment such as effect pedals.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
Bass effects are electronic effects units that are designed for use with an electric bass and a bass amplifier, or for an upright bass and a bass amp or PA system. Bass effects are commonly available in stompbox-style pedals, which are metal or plastic boxes with a foot-operated pedal switch or button which turns the effect on and off. Most pedals also have knobs to control the tone, volume and effect level. Some bass effects are available in 19" rackmount units, which can be mounted in a road case. As well, some bass amplifiers have built-in effects, such as compression, overdrive or chorus.
Maxon is the brand name used by the Nisshin Onpa company of Japan for its line of effects pedals designed for guitar and bass.
Source Audio is a guitar effects pedal company based near Boston, Massachusetts. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug-in style desktop interface. They are also the creators of the Hot Hand Wireless Effects Controller, a device worn around the finger that uses an accelerometer to send expression signal to an effect like an envelope filter. Source Audio mainly uses DSP to create their effects, and are known to program their own processor chips.
Keeley Electronics is an American manufacturer of effect units for electric guitars. The company, founded by Robert Keeley and operating from Oklahoma City, Oklahoma, started with the Keeley Compressor pedal along with modifications for effects by Boss and Ibanez.
Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound characterized by a growling, buzzy tone.
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