The writer John Vlahos modeled his young protagonist, the seemingly deaf-mute hired hand Ben, on the story of a real-life counterpart in Iowa, as recounted to him by the episode's producer, Norman Felton.[a] Shortly after the script was completed, it was seen by a fellow client of Vlahos's agent, actress Helen Hayes, who saw the work as a great fit for her adopted son, James MacArthur.[5]
The episode marked a reunion of sorts for Ames and O'Brien, once again cast as father and daughter, just as they had been 14 years before (alongside Mary Astor and Judy Garland, respectively), in MGM's Meet Me in St. Louis.[6] For Frances Farmer, cast as the devoted but charitable mother (and surprisingly strong-willed wife[7]), it represented arguably the most substantive and impactful of the less-than-handful of TV appearances made near the tail end of her screen career.[8][9][10]
Reception
Time Magazine is mixed in its assessment of the play as a whole but wholehearted in praising what is deemed a breakout performance by 20-year-old James MacArthur,[b] credited here for all but single-handedly raising the level of this final-season installment of an undeniably storied but by-then-sputtering anthology series.
Fledgling actor James MacArthur, 20, turned 'The Tongues of Angels' into one of the best hours of Studio One since the rating-rickety show deserted Manhattan for Hollywood last January. [...] MacArthur caught the withdrawn dignity and explosive rage of a troubled teen-ager who was befriended and helped by a farm girl (Margaret O'Brien). His acting persevered over a plot that did wonders for the hero’s stammer but never overcame its own.[11]
In a brief but glowing review, New York Times critic J.P. Shanley rated the drama "an impressive return to professionalism" following the "series of excursions into mediocrity" that had characterized Studio One's West-Coast incarnation thus far. After summarizing the episode's plot and praising all parties involved in its production, Shanley doubled down on his initial point.
With 'Tongues of Angels,' 'Studio One in Hollywood' has conquered the blight that seemed to infect the series since it moved from New York to the West Coast. Its recovery was exciting and gratifying.[12]
Notes
↑Shortly before the episode's debut an article was published, penned by the playwright himself, explaining that drawing inspiration from eminently sympathetic, real-life protagonists was standard operating procedure for Vlahos.[4]
↑A point stressed, with bias duly acknowledged, by MacArthur's "utterly amazed" adoptive mom, Helen Hayes:
It was extraordinary. I feel self-conscious talking about him, but I'm not ever biased about acting. There was no possible element of accident in this performance. It was an awful challenge, and he showed he is a real actor.[11]
References
↑Connelly, Mike (February 20, 1958). "Rambling Reporter". The Hollywood Reporter. p.2. ProQuest2338297166. TV City Tidings: Frances Farmer's first tele-starring stint will be in 'Tongues of Angels' on 'Studio One' in Hollywood, St. Patrick's Day.
↑"Today's Best TV". The Cincinnati Enquirer. March 17, 1958. p.51. "10 p. m., STÚDIO ONE: Margaret O'Brien, James MacArthur and Olan Soule star in a story of a girl who seeks friendship with a deaf mute."
↑Eichler, Alan (December 7, 2017). "Tongues of Angels--Frances Farmer, Margaret O'Brien, James MacArthur, 1958 TV". YouTube. "Don't set your mind against it; now let me finish! I've been talkin' to Dr. Longworth about you, and he says, oftentimes, there's lots can be done for deaf mutes—special hearing aids, and operations ... who knows?"
↑Vlahos, John (March 16, 1958). "Expressing Joy and Hope Are Goal of His TV Plays". The Kansas City Star. p.5F. "I write because I enjoy writing, and I enjoy writing because I always write about people I have liked or loved."
↑"TV Pilot Program Forecast". The Virginia-Pilot. March 17, 1958. p.12. "The idea for tonight's story came from producer Norman Felton, who told Vlahos about a boy he'd heard of in Iowa who stuttered so badly he made believe he was mute, From this fragment, Vlahos fashioned his. play. His agent also happens to be Helen Hayes' agent, and Miss Hayes saw the script and felt it would be right for her son, James MacArthur. So he'll be the boy..."
↑Green, Stanley; Schmidt, Elaine (1999). Hollywood Musicals, Year by Year. Milwaukee, WI: Hal Leonard. p.130. ISBN0-634-00765-3. "Meet Me in St. Louis was made into one of Metro's most acclaimed and successful musicals [...] On screen, the Smith family consists of father Alonzo (Leon Ames) and mother Anna (Mary Astor), two teenage daughters, [...] two younger daughters, Agnes (Joan Carroll) and Tootie (Margaret O'Brien)"
↑Eichler, "Tongues of Angels--Frances Farmer, Margaret O'Brien, James MacArthur, 1958 TV". YouTube. c. 4:15 – 4:40. "Jenny: We could put up a cot or something. Oh, please, Dad. Sarah: Why not? Cyrus: Well now, I'm not gonna take in a total stranger, someone I never saw before in my life, just because you two let him play on your sympathy. Sarah: (to Ben) N-now, you wait. (to Cyrus) It's not as if he'd be livin' in the same house as us... Cyrus: I don't care; we don't know one thing about him–" Sarah (interrupting): Cyrus Walker, where is your charity? Judge not lest ye be not judged. Cyrus: Oh, now, don't start quoting Scripture at me, Sarah. You know I can't fight you there. Sarah: All right, then. Let him stay.
↑Graham, Sheila (March 3, 1958). Hollywood Today; "Graham (Continued from Page 14)". Hollywood Citizen-News. p.15. "Farmer co-stars with Margaret O'Brien and James MacArthur on Studio One's 'Tongue of Angels' March 17. 'But it has nothing to do with St. Patrick's Day,' Frances assured me."
↑Fireman, Judy (1977). TV Book: The Ultimate Television Book. New York: Workman Publishing Company. p.151. ISBN0-517-347849. "Leon Ames, Frances Farmer, and James MacArthur (Helen Hayes's son) star in "Tongue of Angels." The story of a young boy afflicted with a serious speech impediment is one of the last episodes of Studio One. which goes off the air in 1958 after nine years on CBS."
12"Review: Studio One in Hollywood". Time Magazine. March 31, 1958. pp.41–42. "As a chronic stutterer who masqueraded as a deaf mute to avoid speaking, fledgling actor James MacArthur, 20, turned The Tongues of Angels into one of the best hours of Studio One since the rating-rickety show deserted Manhattan for Hollywood last January."
↑Shanley, J.P. (March 18, 1958). "Television Review: Hollywood 'Studio One' in Impressive Return". The New York Times. p.59. ProQuest114605693.
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