Topcon RE Super

Last updated
Topcon RE Super
Topcon RE-Super.jpg
Overview
Type35mm camera
Lens
Lens mount Exakta bayonet
Focusing
FocusManual
Exposure/metering
Exposure 24 × 36 mm on 35mm film

The Topcon RE Super, or Beseler Topcon Super D in USA, was launched by Tokyo Kogaku KK in 1963 and manufactured until 1971, at which point it was upgraded to the Super D and again to Super DM the following year. General sale continued for several years. These later models have a shutter release lock lever on the shutter release collar. It is a professional oriented 35mm SLR camera that had a comprehensive range of accessories available. It has a removable pentaprism viewfinder and focusing screen. It features the Exakta bayonet lens mount for interchangeable lenses. A special accessory shoe is situated at the base of the rewind knob with a standard PC sync. contact next to it. The release button is placed at the right-hand camera front, but there is no mirror-up facility; this was included on the upgraded versions. The standard lens is the RE. Auto-Topcor 1:1.4 f=5.8cm or the slightly slower 1:1.8 version. A battery-operated winder could be attached to the camera base.

Some common features of 35mm SLR photography were first seen on the Topcon RE Super. Among these is the through-the-lens exposure metering. This enabled improved exposure accuracy, especially in close-up macro photography using bellows or extension rings, and in telephotography with long lenses. In addition to this feature, the metering is at full aperture. For this purpose the RE-lenses have an aperture simulator that relays the preset aperture to the exposure meter at full aperture, retaining a bright viewfinder image while determining the correct exposure, avoiding the stop-down method. The meter also works independently of the pentaprism finder, which allows for different viewfinder configurations. The meter cell is actually incorporated in the camera's reflex finder mirror. This was accomplished by milling narrow slits in the mirror surface letting a fraction of the light through to the CdS cell placed just behind it.

Identifying the different models (elsewhere/USA)

All models were available in chrome or black enamel finish.

Tokyo Kogaku KK

Tokyo Kogaku KK launched their first 35mm SLR camera in 1957, about two years before the Nikon F and the Canonflex. This was the Topcon R, with bayonet lens mount from the Exakta Varex camera from Ihagee in Dresden, successor to the Kine Exakta of 1936. It was also inspired by the Zeiss Ikon Contax S as well as the Japanese Miranda T—most obviously the body shape by the former, and the detachable finder prism by the latter. However, it was not until 1963 the Topcon name became famous by introducing the Topcon RE Super, an event that took the entire camera industry by surprise: This camera featured through-the-lens (TTL) exposure metering, at full lens aperture. The RE Super was fully prepared for professional work, supported by a choice of lenses and accessories to complement it. The United States importer was the Charles Beseler Company and it was sold as the Beseler Topcon Super D. [1]

The interchangeable lenses for the RE Super

Camera with array of lenses and filters Artaphot DSC06386 Topcon RE and lenses.jpg
Camera with array of lenses and filters

The following lenses have their own focusing thread:

In addition, a range of special lenses without focusing thread (to be used with bellows or focusing extension tube) were available for macro work:

Related Research Articles

Single-lens reflex camera camera that typically uses a mirror and prism system

A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.

Exakta

The Exakta was a camera produced by the Ihagee Kamerawerk in Dresden, Germany, founded as the Industrie und Handels-Gesellschaft mbH, in 1912. The inspiration and design of both the VP Exakta and the Kine Exakta are the work of the Ihagee engineer Karl Nüchterlein, who did not survive the Second World War.

Asahi Pentax

The Asahi Pentax series, by the Asahi Optical Co., Ltd., was a pivotal development in modern photography. They were the earliest Pentax cameras.

Praktica trademark

Praktica is a brand of camera manufactured by Pentacon in Dresden in eastern Germany, formerly within the GDR prior to German reunification in 1990. Pentacon is the modern-day successor to Dresden camera firms such as Zeiss Ikon; for many years Dresden was the world's largest producer of cameras. Currently Praktica is the only brand sold by the company; previous brands of the predecessor firms included Zeiss Ikon, Contax, Ica, Ernemann, Exakta, Praktiflex, Pentacon, and many more.

Pentax Auto 110 single-lens reflex camera made by Asahi Pentax that use Kodaks 110 film cartridge

The Pentax Auto 110 and Pentax Auto 110 Super are single-lens reflex cameras made by Asahi Pentax that use Kodak's 110 film cartridge. The Auto 110 was introduced with three interchangeable lenses in 1978. Three more lenses were introduced in 1981, and then the Super model was released in 1982. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created.

Nikon FA camera model

The Nikon FA was an advanced amateur-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from 1983 to 1987. The FA used a titanium-bladed, vertical-travel Nikon-designed, Copal-made focal plane shutter with a speed range of 1 to 1/4000th second plus Bulb and flash X-sync of 1/250th second. It was available in two colors: black with chrome trim and all black. The introductory US list price for the chrome body only was $646. Note that SLRs usually sold for 30 to 40 percent below list price.

Nikon FE 35 mm film single-lens reflex camera

The Nikon FE is an advanced semi-professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nikon in Japan from 1978 to 1983, and was available new from dealer stock until c. 1984. The FE uses a metal-bladed, vertical-travel focal plane shutter with a speed range of 8 to 1/1000 second, plus Bulb, and flash X-sync of 1/125th second. It had dimensions of 89.5 millimetres (3.52 in) height, 142 mm (5.6 in) width, 57.5 mm (2.26 in) depth and 590 grams (21 oz) weight. It was available in two colors: black with chrome trim and all black. As on the FM, its model designation did not appear on the front of the camera, but was engraved as a small "FE" preceding the serial number on the rear of the housing.

Nikon EM

The Nikon EM is a beginner's level, interchangeable lens, 35 mm film, single lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1979 to 1982. The camera was designed for and marketed to the growing market of new women photographers then entering the SLR buyer's market. The EM uses a Seiko MFC-E focal plane shutter with a speed range of 1 to 1/1000 second plus Bulb and flash X-sync of 1/90 second. It is 86 mm (3.4 in) high, 135 mm (5.3 in) wide, 54 mm (2.1 in) deep and weighed 460 grams (16 oz). Unlike most Nikons of the time, it was available only in black. The EM has no full manual exposure mode capability, but instead was intended to be used by inexperienced photographers who could not easily master the intricacies of shutter speeds and f-stops. There were also significant changes to the EM's mechanical and electrical components to reduce its production cost relative to previous Nikon cameras: dimensional tolerances weren't as tight, there were no ball bearings in the film advance mechanism, and no high-quality titanium shutter. The introductory US list price for the body plus normal lens was only $231.

Nikon FG

The Nikon FG is an interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 1986.

Nikon F2 Camera model

The Nikon F2 is a professional-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second plus Bulb and Time, and flash X-sync of 1/80 second. It had dimensions of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black.

Pentax K-mount lens mount used by Pentax and others

The Pentax K-mount, sometimes referred to as the "PK-mount", is a bayonet lens mount standard for mounting interchangeable photographic lenses to 35 mm single-lens reflex (SLR) cameras. It was created by Pentax in 1975, and has since been used by all Pentax 35 mm and digital SLRs and also the MILC Pentax K-01. A number of other manufacturers have also produced many K-mount lenses and K-mount cameras.

History of the single-lens reflex camera

The history of the single-lens reflex camera (SLR) begins with the use of a reflex mirror in a camera obscura described in 1676, but it took a long time for the design to succeed for photographic cameras: the first patent was granted in 1861, and the first cameras were produced in 1884 but while elegantly simple in concept, they were very complex in practice. One by one these complexities were overcome as optical and mechanical technology advanced, and in the 1960s the SLR camera became the preferred design for many high-end camera formats.

Nikkormat camera brand

Nikkormat was a brand of cameras produced by the Japanese optics company Nippon Kogaku K. K., as a consumer version of the professional Nikon brand. Nikkormat cameras, produced from 1965 until 1978, were simpler and more affordable than Nikon-branded cameras, but accepted the same lenses as the Nikon F series cameras.

Minolta SR-T 101 35mm SLR camera

The Minolta SR-T 101 is a 35mm manual focus SLR camera with Through-The-Lens exposure metering – TTL for short - that was launched in 1966 by Minolta Camera Co. It was aimed at demanding amateur and semi-professional photographers. The SR-T 101 stayed in production for ten years with only minor changes.

Nikkorex

The Nikkorex nameplate was used for a series of 35 mm film, single-lens reflex cameras sold by Japanese optical manufacturer Nippon Kogaku K.K., as well as a series movie cameras and movie projectors. The models, made by other companies, were designed and marketed as low-cost, feature-reduced equipment for the consumer market.

The Konica F was the first 35 mm SLR camera produced by Konishiroku, released in February 1960. It featured a built-in light metering system to set the correct exposure. The meter utilized a large selenium cell panel on the front of the viewfinder prism to detect light levels. This type sensor cell generates its own small electric current, so the metering system does not require a battery. On the other hand, selenium cells are known to degrade over time, losing accuracy or eventually failing. Many cameras and handheld meters relied upon selenium cells at one time, but they were gradually replaced by CdS and other types of cells that require a battery but tend to give long-term reliability. Between 600 and 1500 total Konica Fs were produced, making it a highly sought-after camera.

Pellicle mirror thin plastic membrane which may be used as a beam splitter or protective cover in optical systems

A pellicle mirror is an ultra-thin, ultra-lightweight semi-transparent mirror employed in the light path of an optical instrument, splitting the light beam into two separate beams, both of reduced light intensity. Splitting the beam allows its use for multiple purposes simultaneously. The thinness of the mirror practically eliminates beam or image doubling due to a non-coincident weak second reflection from the nominally non-reflecting surface, a problem with mirror-type beam splitters.

This article discusses the cameras – mainly 35 mm SLRs – manufactured by Pentax Ricoh Imaging Corp. and its predecessors, Pentax Corporation and Asahi Optical Co., Ltd..

Pentax 6×7

The Pentax 6x7 is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size, made by Pentax. It originally debuted in 1965 as a prototype dubbed the Pentax 220. Since then and with improvements, it was released in 1969 as the Asahi Pentax 6×7, as well as the Honeywell Pentax 6×7 for the North American import market. In 1990, it received a number of minor engineering updates and cosmetic changes and was renamed as the Pentax 67.

Minolta SR-2 35mm SLR camera

The Minolta SR-2 was presented in 1958 as the first 35mm SLR camera from Chiyoda Kogaku. Popular cameras of this type at that time were mainly from Europe but a few from Japan, including the Asahi Pentax, the Miranda T and the Topcon R. The miniature SLR camera concept was conceived in the 1930s at Ihagee in Dresden, resulting in the 1936 Kine Exakta. Influential cameras designs like that of the 1939 KW Praktiflex, the 1949 ZI Contax S, and 1952 the KW Praktina marked the steady progress toward a perfected SLR. Several features of the latter seem to have influenced the design of the SR-2 although dissimilar in many respects. The obvious similarities are the stepped top plate, the carrying strap lugs, the self-timer lever and some general body features.

References

  1. Rudolph Lea (1993). The Register of 35mm Single Lens Reflex Cameras Second Ed. Wittig Books Hückelhoven. ISBN   3-88984-130-9.
  2. Marco Antonetto, Claudio Russo (1997). Topcon Story. Nassa Watch Gallery Collector camera publishing. ISBN   88-87161-00-3.