Toro Loco: Sangriento | |
---|---|
Directed by | Patricio Valladares |
Written by | Patricio Valladares Andrea Cavaletto |
Produced by | Cristóbal Braun Mesples Patricio Valladares George Von Knorring Cristián Yáñez Barbieri Francisco Melo |
Starring | Francisco Melo Simon Pesutic Constanza Piccoli Cuentrejo Gonzalo Vivanco Daniel Antivilo Ignacio Muñoz Serge Francois Soto Mauricio Pesutic |
Cinematography | Patricio Valladares |
Edited by | Sebastian Sabelle Patricio Valladares |
Music by | Rocco |
Production companies | Too Much Films Cbra Films Vallastudio Pictures |
Distributed by | Event Film Distribution |
Release date |
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Running time | 96 minutes |
Country | Chile |
Language | Spanish |
Toro Loco: Sangriento a.k.a. Toro Loco: Bloodthirsty is a 2015 Chilean black comedy action film directed and co-written by Patricio Valladares. It features a mixed cast of relatively well-known Chilean actors, including Francisco Melo, Constanza Piccoli, Simon Pesutic, Mauricio Pesutic, Cuentrejo. [1]
A homeless man wanders the land in search of revenge for the murder of his son. This man is a legend, a hitman known as Toro Loco. He soon finds himself trapped in a city drowning in chaos, its people firmly in the grasp of a ruthless drug-peddling kingpin. With a clenched fist and his trademark six-shooter, Toro Loco must battle his way to the top, facing off against an army of tough guys to exact his revenge. [2]
Amelia Bence was an Argentine film actress and one of the divas of the Golden Age of Argentine Cinema (1940–1960).
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Chilean cinema refers to all films produced in Chile or made by Chileans. It had its origins at the start of the 20th century with the first Chilean film screening in 1902 and the first Chilean feature film appearing in 1910. The oldest surviving feature is El Húsar de la Muerte (1925), and the last silent film was Patrullas de Avanzada (1931). The Chilean film industry struggled in the late 1940s and in the 1950s, despite some box-office successes such as El Diamante de Maharajá. The 1960s saw the development of the "New Chilean Cinema", with films like Three Sad Tigers (1968), Jackal of Nahueltoro (1969) and Valparaíso mi amor (1969). After the 1973 military coup, film production was low, with many filmmakers working in exile. It increased after the end of the Pinochet regime in 1989, with occasional critical and/or popular successes such as Johnny cien pesos (1993), Historias de Fútbol (1997) and Gringuito (1998).
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Patricio Valladares is a Chilean film director, screenwriter and comic book writer, best known for his work in horror films, who mixes elements of both arthouse and grindhouse, with an emphasis on modern extreme violence, action and some gore. He is also involved in comics and short movies, and frequently injects black humor or homages to grindhouse movies, along with artistic cinematography, somewhat intellectual dialogue and the occasional surrealism. His serial killers tend to make repeat appearances in his movies.
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The filming began on July 24, 2014, in Chile, and ended in mid-August.
Arsploitation Films has announced from Berlin (EFM) it has closed an all-rights North American deal for Chilean genre specialist Patricio Valladares’ action-comedy. [1]