Town and Country (play)

Last updated

Town and Country
Town and Country 1860 play illustration.png
Illustration from 1860 printing, Cumberland's British Theatre series
Written by Thomas Morton
Date premiered10 March 1807
Place premiered Royal Opera House, London
Original languageEnglish
GenreComedy

Town and Country, or Which is Best? is an 1807 play by English playwright Thomas Morton. It was regularly performed in England and America during the 19th century.

Contents

Background

The play debuted at Covent Garden in London on 10 March 1807. Morton obtained a payment of £1,000 from theatre manager Thomas Harris for the script regardless of whether the play was a success, which was a notable sum for its time. John Philip Kemble played the role of Reuben Glenroy and Charles Kemble filled the role of Plastic. [1] [2] [3] [4] [5] [6] Edmund Kean later played the lead role of Reuben Glenroy to great success. [7]

Advertisement for 1888 production at Wallack's Theatre in New York City. The cast included John Gilbert and Rose Coghlan. Wallacks Town and Country 1888.png
Advertisement for 1888 production at Wallack's Theatre in New York City. The cast included John Gilbert and Rose Coghlan.

The play was first performed in the United States in New York City on 2 November 1807 at the Park Theatre, with Thomas A. Cooper as Reuben Glenroy and Ellen Darley as Rosalie Somers. [8] [9]

Legacy

After Morton's death in 1838, The Gentleman's Magazine commented "Mr. Harris was well regarded for his liberality" in paying Morton £1,000 for the play, because "it is one of the stock pieces of every theatre in the kingdom." [10] However, it has also been said that Town and Country was "among the least successful productions" of Morton, but that John Kemble's acting in the role of Reuben Glenroy "is supposed to have saved the piece." [11] T. Allston Brown's 1902 history of the New York stage shows the play being performed in the 1850s and 1860s, [12] [13] though it was revived at Wallack's Theatre as late as 1888. [14] [15] [16]

A much later commentator referred to the "long popular" play as "a rather inane play that lived, I believe, because of the fondness of actors of the Kemble school for the character of Reuben Glenroy." [17] In addition to John Kemble and Edmund Kean, well-known actors who played Reuben Glenroy include Thomas Apthorpe Cooper (New York debut in 1807), Charles Kean (son of Edmund), Junius Brutus Booth, Thomas S. Hamblin, James William Wallack, Lester Wallack, James Edward Murdoch, and George Vandenhoff. [14]

Original London cast (10 March 1807)

Original New York cast (2 November 1807)

Related Research Articles

<span class="mw-page-title-main">James William Wallack</span> 19th-century Anglo-American actor and manager

James William Wallack, commonly referred to as J. W. Wallack, was an Anglo-American actor and manager, born in London, and brother of Henry John Wallack.

<span class="mw-page-title-main">Charles Kemble</span> 18th/19th-century English actor

Charles Kemble was a Welsh-born English actor of a prominent theatre family.

<span class="mw-page-title-main">Stephen Kemble</span> English theatre manager, actor and writer

George Stephen Kemble was a successful English theatre manager, actor, and writer, and a member of the famous Kemble family. He was described as "the best Sir John Falstaff which the British stage ever saw" though he also played title roles in Hamlet and King Lear among others. He published plays, poetry and non-fiction.

<span class="mw-page-title-main">John Philip Kemble</span> 18th/19th-century English actor-manager

John Philip Kemble was a British actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane. His other siblings, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, also enjoyed success on the stage.

The Old American Company was an American theatre company. It was the first fully professional theatre company to perform in North America. It also played a vital role in the theatre history of Jamaica. It was founded in 1752 and disbanded in 1805. It was known as the Hallam Company (1752–1758), the American Company (1758–1785) and the Old American Company (1785–1805). With a few temporary exceptions, the Company enjoyed a de facto monopoly of professional theatre in the United States until 1790.

<span class="mw-page-title-main">George Frederick Cooke</span> English actor

George Frederick Cooke was an English actor. As famous for his erratic habits as for his acting, he was largely responsible for initiating the romantic style in acting that was later made famous by Edmund Kean.

<span class="mw-page-title-main">Thomas Morton (playwright)</span> English playwright

Thomas Morton was an English playwright.

<span class="mw-page-title-main">Mary Ann Duff</span> English tragedienne

Mary Ann Duff was an English tragedienne, in her time regarded as the greatest upon the American stage. She was born in London, England, and died in New York City, United States.

<span class="mw-page-title-main">Kathleen Fitzwilliam</span> English actress and singer

Kathleen Mary Fitzwilliam (1826–1894) was an English actress and singer appearing regularly on the London stage in the mid 19th century.

<span class="mw-page-title-main">Wallack's Theatre</span> Former theatres in Manhattan, New York

Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater as the successive homes of the stock company managed by actors James W. Wallack and his son, Lester Wallack. During its 35-year lifetime, from 1852 to 1887, that company developed and held a reputation as the best theater company in the country.

<span class="mw-page-title-main">Mary Ann Davenport</span> British Shakespearean actress

Mary Ann Davenport [née Harvey] was a British Shakespearean actress.

<span class="mw-page-title-main">George John Bennett</span> British actor (1800–1879)

George John Bennett (1800–1879) was for nearly 40 years a Shakespearian actor on the London stage, notably Covent Garden and Drury Lane.

<span class="mw-page-title-main">Julia Glover</span> 18th/19th-century Irish actress

Julia Betterton Glover was an Irish-born stage actress well known for her comic roles in the late 18th and 19th centuries.

<span class="mw-page-title-main">Thomas Wignell</span>

Thomas Wignell was an English-born actor and theatre manager in the colonial United States.

<span class="mw-page-title-main">Thomas Abthorpe Cooper</span> American actor

Thomas Abthorpe Cooper was an English actor.

Edmund John Eyre (1767–1816) was an English actor and dramatist.

<span class="mw-page-title-main">Louisa, Countess of Craven</span> English actress

Louisa, Countess of Craven, originally Louisa Brunton (1782–1860) was an English actress.

<span class="mw-page-title-main">Sarah West (actress)</span> British actress (1790–1876)

Sarah West was a British actress.

The Italian Father: A Comedy, in Five Acts (1799) is an American comedic play by William Dunlap, though substantially adapted from Part II of The Honest Whore by Thomas Dekker.

<span class="mw-page-title-main">William Twaits (actor)</span> American actor

William Twaits was a British singer, dancer and actor-manager whose career was mostly in the United States in the early 19th-century.

References

  1. Booth, Michael R. Front Cover Theatre in the Victorian Age, p. 142 (1991)
  2. Universal Pronouncing Dictionary of Biography and Mythology, Vol. II, p. 1773 (3rd Ed. 1901) ("His dramas entitled "Town and Country" and "A Roland for an Oliver" still retain their place on the stage.")
  3. Biographia Dramatica Or a Companion to the Playhouse, Vol. III, p. 345 (1812)("Though not one of Mr. Morton's best productions, it was performed several nights.")
  4. (August 1807). Reviews: The Stage, Monthly Literary Recreations, pp. 143-44 (review)
  5. (March 1807). Account of the new Comedy called... (review), The Lady's Magazine, pp. 150-52
  6. (April 1807). Disascalia -Covent Garden (review), Literary Panorama, p. 93-95
  7. The Life of Edmund Kean, p. 290 (1869)
  8. The Richmond Stage, 1784-1812, p. 283 (1977) ("Town and Country (September 8, 1809), a comedy in five acts by Thomas Morton, was brought out at Covent Garden on 10 March 1807. It was first acted in America in New York on 2 November 1807, and was acted in Charleston ...")
  9. 1 2 Ireland, Joseph Norton Records of the New York Stage: From 1750 to 1860, Volume 1, p. 247
  10. (May 1838). Obituary, The Gentleman's Magazine , pp. 551-52
  11. The Modern Standard Drama: A Collection of the Most Popular Acting Plays (New York 1848)
  12. A History of the New York Stage from the First Performance in 1732 to 1901, p. 266 (Wallacks' 1867; see also p. 171 for 1858 performance and p. 247 for 1862 production)
  13. (16 April 1839) Advertisement, Morning Herald (advertisement for April 1839 performance)
  14. 1 2 (15 March 1888). Entre Nous, The Theatre (on 1888 revival at Wallack's)
  15. Advertisement, New York Tribune (March 12, 1888 performance at Wallack's)
  16. (6 May 1888). A Talk with John Gilbert, New York Tribune (interview with actor John Gibbs Gilbert in 1888: "The public seemed to care least for 'Town and Country', but that, I think, was to a considerable extent the fault of some of the players. All the great actors used to be fond of Reuben Gilroy, Booth, Macready, and Hamblin all played it, and the lines didn't sound mawkish or strained when they delivered them. Modern actors seem to be afraid of the speeches. I played in the piece with some of the greatest of the old tragedians.")
  17. Odell, George. Annals of the New York Stage, p. 294 (1963)
  18. (March 1807). , The Universal Magazine of Knowledge and Pleasure , pp. 247-48, Vol. VII, No. XL (cast and plot summary)