Tremont Row (1830s-1920s) in Boston, Massachusetts, was a short street that flourished in the 19th and early-20th centuries. It was located near the intersection of Court, Tremont, and Cambridge streets, in today's Government Center area. [1] It existed until the 1920s, when it became known as Scollay Square. [2] In 1859 the Barre Gazette newspaper described Tremont Row as "the great Dry Goods Street of Boston." [3]
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Government Center is an area in downtown Boston, centered on City Hall Plaza. Formerly the site of Scollay Square, it is now the location of Boston City Hall, courthouses, state and federal office buildings, and a major MBTA subway station, also called Government Center. Its development was controversial, as the project displaced thousands of residents and razed several hundred homes and businesses.
Scollay Square was a vibrant city square in downtown Boston, Massachusetts. It was named for William Scollay, a prominent local developer and militia officer who bought a landmark four-story merchant building at the intersection of Cambridge and Court Streets in 1795. Local citizens began to refer to the intersection as Scollay's Square, and, in 1838, the city officially memorialized the intersection as Scollay Square. Early on, the area was a busy center of commerce, including daguerreotypist (photographer) Josiah Johnson Hawes (1808–1901) and Dr. William Thomas Green Morton, the first dentist to use ether as an anaesthetic.
Southworth & Hawes was an early photographic firm in Boston, 1843–1863. Its partners, Albert Sands Southworth (1811–1894) and Josiah Johnson Hawes (1808–1901), have been hailed as the first great American masters of photography, whose work elevated photographic portraits to the level of fine art. Their images are prominent in every major book and collection of early American photography.
Austin and Stone's Dime Museum (ca.1880s-1900s) of Boston, Massachusetts, was an entertainment emporium in Scollay Square, established by William Austin and Frank Stone. It featured a freak show as well as dancing girls for entertainment. The freak show and other exhibits such as two-headed animals cost ten cents, while admission to the girlie show cost an additional dime. Performers included William S. Hutchings, the "lightning calculator." Comedian Fred Allen wrote about the Museum in his memoir, Much Ado About Me.
Tremont Street is a major thoroughfare in Boston, Massachusetts.
Josiah Johnson Hawes (1808–1901) was a photographer in Boston, Massachusetts. He and Albert Southworth established the photography studio of Southworth & Hawes, which produced numerous portraits of exceptional quality in the 1840s–1860s.
The New England Art Union was established in Boston, Massachusetts, for "the encouragement of artists, the promotion of art" in New England and the wider United States. Edward Everett, Franklin Dexter, and Henry Wadsworth Longfellow served as officers of the board. The short-lived but lively union ran a public gallery on Tremont Street, and published a journal. Artists affiliated with the union included Chester Harding, Fitz Henry Lane, Alvan Fisher, and other American artists of the mid-19th century.
Court Street is located in the Financial District of Boston, Massachusetts. Prior to 1788, it was called Prison Lane (1634–1708) and then Queen Street (1708–1788). In the 19th century it extended beyond its current length, to Bowdoin Square. In the 1960s most of Court Street was demolished to make way for the construction of Government Center. The remaining street extends a few blocks, near the Old State House on State Street.
Hanover Street is located in the North End of Boston, Massachusetts.
Brattle Street, which existed from 1694 to 1962, was a street in Boston, Massachusetts located on the current site of City Hall Plaza, at Government Center.
Merchants Row in Boston, Massachusetts is a short street extending from State Street to Faneuil Hall Square in the Financial District. Since the 17th century it has been a place of commercial activity. It sits close to Long Wharf and Dock Square, hubs of shipping and trade through the 19th century. Portions of the street were formerly known as Swing-Bridge Lane, Fish Lane, and Roebuck Passage.
Thomas Edwards (1795–1869) was an artist in 19th-century Boston, Massachusetts, specializing in portraits. Born in London and trained at the Royal Academy, he worked in Boston in the 1820s-1850s, and in Worcester in the 1860s.
Pemberton Square in the Government Center area of Boston, Massachusetts, was developed by P.T. Jackson in the 1830s as an architecturally uniform mixed-use enclave surrounding a small park. In the mid-19th century both private residences and businesses dwelt there. The construction in 1885 of the massive John Adams Courthouse changed the scale and character of the square, as did the Center Plaza building in the 1960s.
Cornhill was a street in Boston, Massachusetts, in the 19th and 20th centuries, located on the site of the current City Hall Plaza in Government Center. It was named in 1829; previously it was known as Market Street (1807–1828). In its time, it comprised a busy part of the city near Brattle Street, Court Street and Scollay Square. In the 19th century, it was the home of many bookstores and publishing companies. As of 1969, Cornhill exists as 144 feet along the edge of City Hall Plaza.
The Studio Building (1861–1906) on Tremont Street in Boston, Massachusetts, housed artists' studios, theater companies and other businesses in the 19th century. It "held the true Bohemia of Boston, where artists and literati delighted to gather." Among the tenants were portraitist E.T. Billings, architect George Snell, sculptor Martin Milmore, artists William Morris Hunt, William Rimmer, Phoebe Jenks; gallerist Seth Morton Vose, and many others.
The Castle Square Theatre (1894–1932) in Boston, Massachusetts, was located on Tremont Street in the South End. The building existed until its demolition in 1933.
John Ashton was a merchant and music publisher in Boston, Massachusetts, in the 19th century. He owned a "music & umbrella store" at no.197 Washington Street which sold "all the new and fashionable music" ca.1819-1844. He manufactured and sold musical instruments; tuned pianos; and published and sold sheet music "of marches, waltzes, rondos, variations, quadrilles, gallopades, dances, &c. ... arranged for the band, orchestra, piano forte, guitar, flute, violin, organ &c." Among the composers represented in Ashton's stock: Comer, Joseph Haydn, Knight, Paddon, Russell, Shaw, Webb, Charles Zeuner. The firm "John Ashton & Co." was dissolved on January 1, 1844 with notice that the business will "be continued at the old stand, 197 Washington Street, by E.H. Wade."
Amory Nelson Hardy or A.N. Hardy (1835–1911) was a photographer in Boston, Massachusetts, in the 19th century. Portrait subjects included US president Chester A. Arthur, clergyman Henry Ward Beecher, politician James G. Blaine, abolitionist William Lloyd Garrison, doctor Oliver Wendell Holmes Sr., jurist Oliver Wendell Holmes Jr., writer Julia Ward Howe, labor activist Florence Kelley, suffragist Mary Livermore, philanthropist Isabella Somerset, and suffragist Frances Willard. He also made "electric-light portraits" of roller skaters in 1883.
The Tremont Theatre was a playhouse in Boston, Massachusetts, in the late 19th and early 20th centuries. Henry E. Abbey and John B. Schoeffel established the enterprise and oversaw construction of its building at no.176 Tremont Street in the Boston Theater District area. Managers included Abbey, Schoeffel and Grau, Klaw & Erlanger, Thos. B. Lothan and Albert M. Sheehan.
The Boston Evening Traveller (1845–1967) was a newspaper published in Boston, Massachusetts. It was a daily newspaper, with weekly and semi-weekly editions under a variety of Traveller titles. It was absorbed by the Boston Herald in 1912, and ceased publication in 1967.
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Coordinates: 42°21′37.32″N71°3′39.32″W / 42.3603667°N 71.0609222°W
