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The Institute of Contemporary Art, Los Angeles, formerly known as the Santa Monica Museum of Art (SMMoA), is a contemporary art museum in Los Angeles, California, United States. As an independent and non-collecting art museum, it exhibits the work of local, national, and international contemporary artists. Until May 2015, the museum was based at the Bergamot Station Arts Center in Santa Monica, California. In May 2016, the museum announced an official name change to the Institute of Contemporary Art, Los Angeles and its relocation to Los Angeles's Downtown Arts District. The museum reopened to the public in September 2017.
Arlene Raven was a feminist art historian, author, critic, educator, and curator. Raven was a co-founder of numerous feminist art organizations in Los Angeles in the 1970s.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Andrew Berardini is an American writer known for his work as a visual art critic and curator in Los Angeles. Described as "the most elegant of all art critic cowboys", Berardini works primarily between genres, which he describes as "quasi-essayistic prose poems on art and other vaguely lusty subjects."
Terry Wolverton is an American novelist, memoirist, poet, and editor. Her book Insurgent Muse: Life and Art at the Woman's Building, a memoir published in 2002 by City Lights Books, was named one of the "Best Books of 2002" by the Los Angeles Times, and was the winner of the 2003 Publishing Triangle Judy Grahn Award, and a finalist for the Lambda Literary Award. Her novel-in-poems Embers was a finalist for the PEN USA Litfest Poetry Award and the Lambda Literary Award.
Samiya A. Bashir is an American lesbian poet and author. Much of Bashir's poetry explores the intersections of culture, change, and identity through the lens of race, gender, the body and sexuality. She is currently associate professor of creative writing at Reed College in Portland, Oregon.
Diane Ward is a U.S. poet initially associated with the first wave of Language poetry in the 1970s and has actively published into the 21st century, maintaining a presence in various artistic communities for many decades. Born in Washington, DC where she attended the Corcoran School of Art, Ward currently lives in Santa Monica, California where she taught poetry in public schools to 1st through 5th graders for many years.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Camomile Hixon is an American visual artist whose primary medium is glitter and paint on canvas. Her works range from large-scale installations and environments to The Search for the Missing Unicorn, an interactive street art project that has reached over 120 countries.
Suzanne Muchnic is an art writer who was a staff art reporter and art critic at the Los Angeles Times for 31 years. She has also written books on artists, collectors, and museums.
"Where We At" Black Women Artists, Inc. (WWA) was a collective of Black women artists affiliated with the Black Arts Movement of the 1960s and 1970s. It included artists such as Dindga McCannon, Kay Brown, Faith Ringgold, Carol Blank, Jerri Crooks, Charlotte Kâ (Richardson), and Gylbert Coker. Where We At was formed in the spring of 1971, in the wake of an exhibition of the same name organized by 14 Black women artists at the Acts of Art Gallery in Greenwich Village. Themes such as the unity of the Black family, Black female independence and embodiment, Black male-female relationships, contemporary social conditions, and African traditions were central to the work of the WWA artists. The group was intended to serve as a source of empowerment for African-American women, providing a means for them to control their self-representation and to explore issues of Black women's sensibility and aesthetics. Like AfriCobra, a Chicago-based Black Arts group, the WWA was active in fostering art within the African-American community and using it as a tool of awareness and liberation. The group organized workshops in schools, jails and prisons, hospitals, and cultural centers, as well as art classes for youth in their communities.
Jennifer Pastor is an American sculptor and Professor of Visual Arts at the University of California Irvine. Pastor examines issues of space encompassing structure, body and object orientations, imaginary forms, narrative and progressions of sequence.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Aria Dean is an American artist, critic, and curator. Until 2021, Dean served as Curator and Editor of Rhizome. Her writings have appeared in various art publications including Artforum, e-flux, The New Inquiry, Art in America, and Topical Cream. Dean has exhibited internationally at venues such as Foxy Production and American Medium in New York, Chateau Shatto in Los Angeles, and Arcadia Missa in London. Dean also co-directs As It Stands LA, an artists project space that opened in 2015. Dean lives and works in New York City and Los Angeles. She is represented by Greene Naftali.
Lynn Zelevansky is an American art historian and curator. Formerly Henry Heinz II Director of the Carnegie Museum of Art, she is currently based in New York City. Zelevansky curated "Love Forever: Yayoi Kusama" (1998) and "Beyond Geometry: Experiments in Form" (2004) for Los Angeles County Museum of Art from 1995 to 2009. While working at MoMA (1987-1995), she curated “Sense and Sensibility: Women Artists and Minimalism in the Nineties” (1994), that institution’s first all-female exhibition. AICA awarded it "Best Emerging Art Exhibition New York."
Anna Sew Hoy is an American sculptor based in Los Angeles, California. She utilizes sculpture, ceramics, public art and performance to connect with our environment, and to demonstrate the power found in the fleeting and handmade. Her work has been at the forefront of a re-engagement with clay in contemporary art, and is identified with a critical rethinking of the relationship between art and craft.
Jeanine Oleson is an American interdisciplinary artist working with images, materials and language that she forms into complex and humorous objects, performance, film, video, sound, and installation. Oleson's work explores themes including audience, language, land/site, music, and late Capitalist alienation
Caitlin Cherry is an African-American painter, sculptor, and educator.
Moki Cherry was a Swedish interdisciplinary artist and designer who worked in textiles, fashion design, woodworks, painting, collage, ceramics and set design. Her practice traversed the worlds of art, music and theater with diverse influences such as Indian art and music, Tibetan Buddhism, fashion, traditional folk arts and dress, abstraction, cartoons and Pop art. From 1977 she split her time living between Tågarp, Sweden and Long Island City in New York, USA. Moki collaborated with her husband, the American jazz trumpeter, Don Cherry, throughout her lifetime – they performed in concerts as Organic Music, where her artworks were also displayed, and ran workshops for children. Her designs also appeared on Don's album covers and as costumes worn by him in concert.