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Kinshasa, formerly named Léopoldville until 30 June 1966, is the capital and largest city of the Democratic Republic of the Congo. Once a site of fishing and trading villages along the Congo River, Kinshasa is now one of the world's fastest-growing megacities. Kinshasa's 2024 population was estimated at 17,032,322. It is the most densely populated city in the DRC, the most populous city in Africa, the world's fourth-most-populous capital city, Africa's third-largest metropolitan area, and the leading economic, political, and cultural center of the DRC. Kinshasa houses several industries, including manufacturing, telecommunications, banking, and entertainment. The city also hosts some of DRC's significant institutional buildings, such as the Palais du Peuple, Palais de la Nation, Court of Cassation, Constitutional Court, Cité de l'Union Africaine, Palais de Marbre, Stade des Martyrs, Immeuble du Gouvernement, Kinshasa Financial Center, and multiple federal departments and agencies.
Congolese music is one of the most influential music forms of the African continent. Since the 1930s, Congolese musicians have had a huge impact on the African musical scene and elsewhere. Many contemporary genres of music, such as Kenyan Benga and Colombian Champeta, have been heavily influenced by Congolese music. In 2021, Congolese rumba joined other living traditions such as Jamaican reggae music and Cuban rumba on UNESCO's "intangible cultural heritage of humanity" list.
Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
Zaïko Langa Langa is a Congolese rumba band formed in Kinshasa, in December 1969. Established by D.V. Moanda, Henri Mongombe, Marcellin Delo and André Bita, the band evolved from the Orchestre Bel Guide National, which is seen as Zaïko's predecessor.
Antoine Christophe Agbepa Mumba, known professionally as Koffi Olomidé, is a Congolese singer-songwriter, dancer, producer, and founder of Quartier Latin International. Often referred to as the "King of Ndombolo", he is noted for his explosive high notes, deep baritone, and offbeat voice. Agbepa is considered one of the most significant figures in 20th-century Congolese and African popular music. His lyrics often explore themes of love, politics, technology, success, infidelity, religion, chicanery, and disillusionment. Through his music and stage performances, he introduced the slower style of soukous known as tcha tcho and popularized a flamboyant fashion subculture called La Sape, alongside Papa Wemba.
Marie-Claire Mboyo Moseka, known professionally as M'bilia Bel, is a Congolese singer and songwriter. Dubbed the "Queen of African Rumba" and "Queen Cleopatra", she is regarded as one of the most influential figures in 20th-century Congolese and African popular music. Her music is a blend of traditional Congolese rumba, soukous, rap, and zouk, with lyrics that often delve into themes of love, politics, hedonism, militancy, jealousy, sentimentality, and education.
Pascal-Emmanuel Sinamoyi Tabu, better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of Orchestre Afrisa International, as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history." He was dubbed "the African Elvis" by the Los Angeles Times. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s.
Ndombolo, also known as dombolo, is a genre of dance music originating in the Democratic Republic of the Congo. Derived from soukous in the 1990s, with fast-paced hip-swaying dance rhythms, often accompanied by upbeat, percussion-driven music, the style became widespread in the mid-1990s and the subsequent decade, dominating dancefloors in central, eastern, and western Africa. It inspired West African popular music, coupé-décalé, Kuduro, and East African dance music.
Pascal Lokua Kanza, known professionally as Lokua Kanza, is a Congolese singer, songwriter, arranger, producer, philanthropist, and multi-instrumentalist. He is known for his soulful, folksy sound, which is atypical of the dancefloor-friendly African rumba music. He sings in French, Swahili, Lingala, Portuguese, English, and Wolof. He was a member of the coaching panel of the Voice Afrique Francophone from 2016 to 2017.
Jean Baptiste Emeneya Mubiala Kwamambu was a Congolese singer.
Antoine Wendo Kolosoy, known as Papa Wendo, was a Congolese musician. He is considered the "doyen" of Congolese rumba, a musical style blending traditional Kongolese rhythm and son cubano.
Noël Ngiama Makanda, known professionally as Werrason, is a Congolese singer-songwriter, composer, producer, philanthropist, and the bandleader of Wenge Musica Maison Mère. He was a co-founding member of Wenge Musica, a musical group that played a pivotal role in the development of the ndombolo dance music genre during the 1990s.
Barbara Kanam Mutund, known professionally as Barbara Kanam, is a Congolese singer-songwriter, music producer, actress, philanthropist, and currently serves as the Director General of the Cultural Promotion Fund of the Democratic Republic of the Congo. She sings in French, Swahili, Lingala, and English.
Georges Kiamuangana Mateta, known professionally as Verckys, was a Congolese saxophonist, composer, producer, bandleader, and record executive. A significant figure in the evolution of 20th-century Congolese and African popular music, he is referred to as "Verckys", "Vévé", "the man with the iron lungs" and "Wazola Nzimbu". Kiamuangana was the second Congolese artist to establish and independently manage a record label, Éditions Vévé, through which he brought many Congolese musicians to prominence, including Zaïko Langa Langa, Koffi Olomide, Empire Bakuba, Afrisa International, OK Jazz, Langa Langa Stars, Victoria Eleison, Historia Musica, Orchestre Kiam, and others.
Fally Ipupa N'simba, known professionally as Fally Ipupa, is a Congolese musician and dancer. Often referred to as the "Prince of Rumba", he is noted for his tenor vocals as well as his blend of contemporary and traditional Congolese music genres, including Congolese rumba, soukous, and ndombolo. His lyrics often cover themes of romance, suffering, and joy.
Innocent Didace Balume, known professionally as Innoss'B, is a Congolese singer-songwriter, rapper, percussionist, dancer, and philanthropist. Often referred to as the "Jeune Leader", he is renowned for pioneering the AfroCongo music genre, an eclectic fusion of Congolese rumba, indigenous folklore, and ndombolo.
Candy Nkunku, known professionally as Cindy Le Coeur, is a Congolese recording artist, singer, and dancer. She is a member of the Congolese band Quartier Latin International, formed and led by prolific musician Koffi Olomide.
Hervé Gola Bataringe, known professionally as Ferré Gola, is a Congolese singer-songwriter, dancer, and record producer. Revered as "Jésus de Nuances", he is known for his "warm tenor" and is considered a significant figure in the evolution of fifth-generation Congolese rumba. His lyrics predominantly revolve around themes of love, social support, and interpersonal relationships.
Héritier Bondongo Kabeya, known professionally as Héritier Watanabe or simply Héritier Wata, is a Congolese singer, songwriter, dancer, producer, and bandleader. He is the founder of the Kinshasa-based orchestra Team Wata. An influential figure in fifth-generation Congolese rumba, Kabeya began singing at 10 years old and soon joined JB Mpiana's Wenge BCBG for practice and public appearances, seeking membership but was eventually repudiated.
Honoré Monzuluku Mombele known professionally as NonoMonzuluku, was a Congolese composer and musician. He made significant contributions to Congolese music, particularly through his role as an atalaku in the influential band Zaïko Langa Langa.
References
- ↑ "Bébé Tshianda de retour sur scène avec son maxi single " Yele "". Digital Congo (in French). 12 July 2019. Retrieved 12 November 2020.
- 1 2 3 "Tshanda Sangwa : " Je suis un enfant de scène "". Mediacongo.net (in French). 21 July 2008. Retrieved 12 November 2012.
- 1 2 "Musique: que devient Bébé Tshanda ?". Adiac Congo (in French). 18 June 2020. Retrieved 12 November 2020.