Tunisian underground music refers to music performed by Tunisian artists that play or compose in a style different from the established Tunisian mainstream (most notably classic Malouf or arab pop). Using the term underground to define a performing arts movement or scene in the Arab world, including Tunisia, takes on a slightly different meaning compared to the one generally understood when used in the western countries. Given that contemporary Tunisian mainstream music includes only a few different musical styles, underground music has come to include any artist or band that sings or composes in a different genre. For example, while there's nothing underground about reggae on the international stage, Tunisian reggae bands may still be considered part of the Tunisian underground scene. The underground music scene in Tunisia is growing fast, and in the past two decades there has been a considerable increase in the number of bands trying out all sorts of musical genres, moving the boundaries of what is considered underground.
The most active scene is arguably that of Tunisian heavy metal bands, most notably Myrath, [1] but also Persona, [2] Nawather , Carthagods and Ymyrgar. [3] Most of these bands sing in English and sometimes include Arabic sentences in the chorus of their songs. While several bands compose their own music, many of them perform covers.
In contrast to Tunisian heavy metal bands, most Tunisian rappers perform in Tunisian (the local Arabic dialect). The Tunisian rap scene is very productive but it is still widely based on self-producing MCs such as Wled Bled Crew (Balti...), T-man (Nizar...), Arab Clan (Karoura...), Warda Crew (Wistar), Zomra (El Castro, A.L.A, ZOUfree, Black T, Djappa Man, Bamboucha), Psyco-M, Vipa , Massi , Katybon , Klay BBJ, Hamzaoui Mohamed Amine, NASTYSH!!T, Slim Larnaaout, AMYNE, WELD EL 15, Kamel Zmen, La Masse, BmG ,Samara, Joujma, Tchiggy , BadBoy 7low, JenJoon plus a growing number of music producers known by their unique sound quality and creativity such as Dj Killer, Dj Momo.
Electronic music also took place in the scene, and many Tunisian DJs and producers are participating not only on the local scene but also on the international one. Since the Electro and trance "craze" gave its fans to Deep House and Tech house and some Techno, Minimal and Dubstep making a larger and open minded scene, which helped to create new concepts that unites the underground scene together.
The Tunisian Underground music scene also contains one of the first underground music labels in the country such as Logo Tunisia Records, M-DMC Records, Underground Source Records.
Dutch hip hop or Nederhop ("Netherhop") is hip hop / rap music created by Dutch speaking musicians in the Netherlands and Flanders (Belgium). Although the first Dutch rappers in Europe typically wrote in the English language, this began to change when Osdorp Posse gained a big following of fans. They were the first to record and release hip hop in the Dutch language, perform for big crowds and to achieve chart success with their albums.
Latin hip hop is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.
Italian hip hop is hip hop music rapped in the Italian language and/or made by Italian artists. One of the first hip hop crews to catch the attention of the Italian mainstream was Bologna's Isola Posse All Star, then and still today produced by Sandro Orru, who had written the soundtrack to the animated Signor Rossi TV series Signor Rossi in the 1970s. The European Music Office's report on Music in Europe claimed that in general, hip hop from the south of Italy tends to be harder than that from the north.
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada, frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
The music of South Africa exhibits a culturally varied musical heritage in conjunction with the multi-ethnic populace. Genres with the greatest international recognition being mbube, isicathamiya, mbaqanga, afrofusion, kwaito, South African pop music, afro house, South African hip hop, Shangaan electro, bacardi house, bolo house, gqom and amapiano.
The Netherlands has multiple musical traditions. Contemporary Dutch popular music is heavily influenced by music styles that emerged in the 1950s, in the United Kingdom and United States. The style is sung in both Dutch and English. Some of the latter exponents, such as Golden Earring and Shocking Blue, have attained worldwide fame.
Arabic music is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Tunisia is a North African country with a predominantly Arabic-speaking population. The country is best known for malouf, a kind of music imported from Andalusia after the Moors expulsion in the 15th century. Though in its modern form, malouf is likely very dissimilar to any music played more than four centuries ago, it does have its roots in Spain and Portugal, and is closely related to genres with a similar history throughout North Africa, including malouf's Libyan cousin, Algerian gharnati and Moroccan ala or Andalusi. During the Ottoman era, malouf was influenced by Turkish music. However, Tunisian repertoires, styles and also instruments remain distinctive – the ʻūd tūnsī is an emblematic case. This is a close relative of the 'uds associated with Algeria and also Morocco.
Pinoy rock, or Filipino rock, is the brand of rock music produced in the Philippines or by Filipinos. It has become as diverse as the rock music genre itself, and bands adopting this style are now further classified under more specific genres or combinations of genres like alternative rock, post-grunge, ethnic, new wave, pop rock, punk rock, funk, reggae, heavy metal, ska, and recently, indie. Because these genres are generally considered to fall under the broad rock music category, Pinoy rock may be more specifically defined as rock music with Filipino cultural sensibilities.
Israeli hip hop refers to hip hop and rap music in Israel. Israeli hip hop artists have mainly emerged from the populations of Mizrahi Jews, Ethiopian Jews, and Israeli-Arabs, though there have also been numerous artists from Israeli Ashkenazi Jews especially Hasidim. Israeli hip hop artists enjoy wide popularity in Israel and have succeeded in appealing to international markets particularly the United States.
Argentine rock is rock music composed or performed by Argentine bands or artists mostly in Spanish.
Mizrahi music refers to a music genre in Israel that combines elements from Europe, the Middle East and North Africa; and is mostly performed by Israelis of Mizrahi Jewish descent. It is usually sung in Modern Hebrew, or literary Hebrew.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
The music of Miami is a diverse and important field in the world of music. The Greater Miami area has long been a hub for diverse musical genres. For example, South Florida has been a hub for Southern Rap. Miami, in particular, is a "hub" for Latin Music in the United States. Miami bass, a prominent hip-hop genre in the late 1980s and early 1990s, got its start in Miami; Luther "Luke Skyywalker" Campbell and his 2 Live Crew were among the more prominent Miami Bass acts, largely because of an obscenity scandal fomented by Broward County, Florida Sheriff Nick Navarro. Moreover, although not a South Florida native, Jimmy Buffett rose to prominence after moving to Key West, Florida and has long been associated with the "South Florida lifestyle". Other notable South Florida-based musical performers include Gloria Estefan, Marilyn Manson, Leslie Grace, Tony Succar, Vanilla Ice, DJ Laz, and Pitbull.
European hip hop is hip hop music created by European musicians. Hip hop is a style of music developed by African American and Caribbean communities in the United States during the mid-1970s, and became a large part of modern pop culture during the 1980s. Due to this success, it has gained worldwide popularity, especially in Europe where many diverse and unique styles of hip hop have been created. This diversity is especially apparent in the forms of hip hop music and culture emanating from settler communities from Europe's former colonies and peripheries.
Hip hop or hip-hop, also known as rap and formerly as disco rap, is a genre of popular music that originated in the early 1970s from the African American community. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "Hip-hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Lebanese Hip Hop is a pioneering movement in Arabic hip hop as Lebanese youth were among the first to be affected by hip hop culture. Arabic hip hop has received Western media attention, but most Lebanese rappers think that there is still a lack of local interest in their music. Hip hop in Lebanon is both an art form and a stage for artists to voice their alternative discourse in the public sphere.
Lotfi Bouchnak is a Tunisian singer, oud player, composer and public figure. He is considered one of the best tenors in the Arab world and has been dubbed as Tunisia's "Pavarotti". He also played in Tunisian TV series and movies including Maktoub, La boîte magique, Halou u mer and El paraíso ya no es lo que era.
Music in Tunisian Arabic has appeared in the 17th century. It has developed a lot since the 19th century and has spread all over Tunisia mainly after the creation of Radio Tunis and Établissement de la radiodiffusion-télévision tunisienne. Nowadays, Tunisian Arabic has become the main language of songs in Tunisia including Tunisian music, Underground music and Opera.
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