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Turino Vanni (late 14th century) was an Italian painter.
He was an imitator of Taddeo Bartoli.
He is identified as the uncle of Nero and Bernado di Nello (Nello di Vanni), a painter circa 1390, said to be a pupil of Orcagna. [1]
Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian portrait painter of the late Mannerist Florentine school.
Andrea di Cione di Arcangelo, better known as Orcagna, was an Italian painter, sculptor, and architect active in Florence. He worked as a consultant at the Florence Cathedral and supervised the construction of the facade at the Orvieto Cathedral. His Strozzi Altarpiece (1354–57) is noted as defining a new role for Christ as a source of Catholic doctrine and papal authority.
Agnolo Gaddi (c.1350–1396) was an Italian painter. He was born and died in Florence, and was the son of the painter Taddeo Gaddi.
Empoli is a town and comune in the Metropolitan City of Florence, Tuscany, Italy, about 30 kilometres (19 mi) southwest of Florence, to the south of the Arno in a plain formed by the river. The plain has been usable for agriculture since Roman times. The commune's territory becomes hilly as it departs from the river. Empoli is on the main railway line from Florence to Pisa, and is the point of divergence of a line to Siena. Empoli has an enduring tradition as an agricultural centre. It has given its name to a local variety of artichoke.
Taddeo di Bartolo, also known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. He is among the artists profiled in Vasari's biographies of artists or Vite. Vasari claims he is the uncle of Domenico di Bartolo.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
Jacopo da Empoli was an Italian Florentine Reformist painter.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Orazio Riminaldi was an Italian painter who painted mainly history subjects in a Caravaggist style.
The Basilica of San Domenico, also known as Basilica Cateriniana, is a basilica church in Siena, Tuscany, Italy, one of the most important in the city.
Antonio Veneziano, was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419.
Andrea Vanni was an Italian painter of the early Renaissance, active mainly in his native Siena.
Raffaello Vanni was an Italian painter of the Baroque.
The decade of the 1330s in art involved some significant events.
Lorenzo d’Alessandro was an Italian painter and interpreter of late gothic style. He is known by different authorities and authors by different names, including:
The Basilica of Our Lady of Humility or Madonna dell'Umiltà is a Renaissance-style, Roman Catholic Marian basilica in Pistoia, region of Tuscany, Italy.
Cecco di Pietro was an Italian painter of the Pisan School. While his date of birth cannot be confirmed, there is some mention of a Cecco Pierri working with the painter Paolo di Lazzarino in 1350. If this was a reference to di Pietro, then his date of birth can be placed around 1330.
San Torpé is a Roman Catholic church located in Largo del Parlascio #20 in the town of Pisa, region of Tuscany, Italy.