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Women in Turkey |
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The first Turkish painters appeared no earlier than the mid-19th century during the Ottoman Empire era. (However, there were a few miniaturists before the 19th century.) The first art academy in Turkey was established in the 19th century but was meant only for male art students. [1] Therefore, art remained gender-segregated until 1914, when an art school for women was established, but still, they could work under strict rules since working on nude models of the opposite sex was prohibited. The daughters of the enlightened people in Turkish society were allowed to participate in art privately, and they could not make it a career. Therefore, coming from such families, a girl child could get support from the family but only to practice art as a hobby and not as a profession. [2] The portrayal of female artists in Turkey initially did not intend to show them as skilled people as their male counterparts could have been portrayed. It showed the female artists as people operating in the shadows of male artists and thus could not fit on the same continuum. [2] The first Turkish woman painter was Müfide Kadri. [3] (1889-1912) and the first Turkish woman sculptor was Sabiha Ziya Bengütaş. The first art academy for girls was Sanayi'i Nefise which became co-educational in 1914. [4] During the Turkish Republic-era, art training was promoted by the government, and beginning in 1930 painting courses were added to the curriculum of the schools.
Women’s art in Turkey has thrived lately, and it has gained a lot of praise from women artists. In Turkey, women have taken a leading role in art not because they have been drawn or compelled to make art portraits but because of their individual and experimental attitude that has continued to thrive and made the women come up with artwork that defines the woman’s position in society. Schematic imagery is the tradition of Turkish art. Women have excelled in this art as they try to invent and experiment with new ideas that continue shaping Turkish fine arts. The most influential artist in Turkish art is Tomur Atagok, the most influential artist in Turkish art and particularly her work of the goddess. It is an essential piece of art that shows the power of women as she brings out different portrayals of women. Looking at this work, Atagok brings out a woman with protruding buttocks and large breasts to show the power of women in society. It shows the importance of the female body and brings out the identity of being a woman and the essential role of women in society. [5]
This is a list of female painters from Turkey, listed in alphabetical order by last name.
This is a list of female artists from Turkey working within multiple art disciplines, and listed in alphabetical order by last name.
The history of modern Turkish painting can be traced back to the modernization efforts in the Ottoman Empire during the Tanzimat period, in the 19th century. This article contains a brief history of Turkish painters and art movements from the mid-19th century to the present.
Tomur Atagök is a Turkish painter, musicologist, author and professor.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement. Although women artists have been involved in the making of art throughout history, their work, when compared to that of their male counterparts, has been often obfuscated, overlooked and undervalued. The Western canon has historically valued men's work over women's and attached gendered stereotypes to certain media, such as textile or fiber arts, to be primarily associated with women.
The Mimar Sinan Fine Arts University is a Turkish public university dedicated to higher education in the fine arts. It is located in the Fındıklı neighbourhood of Beyoğlu, Istanbul, Turkey.
Ulrika "Ulla" Fredrica Pasch, was a Swedish rococo painter and miniaturist, and a member of the Royal Swedish Academy of Arts.
Füreya Koral was a pioneering ceramics artist born into a prominent artistic family in Turkey.
Susan Stuart Goodrich Frackelton (1848–1932) was an American painter, specializing in painting ceramics. She was a leader in the Arts and Crafts movement in the United States and author of Tried by Fire, the "most popular handbook for decorators of chinaware", having reached a national audience.
Depictions of tobacco smoking in art date back at least to the pre-Columbian Maya civilization, where smoking had religious significance. The motif occurred frequently in painting of the 17th-century Dutch Golden Age, in which people of lower social class were often shown smoking pipes. In European art of the 18th and 19th centuries, the social location of people – largely men – shown as smoking tended to vary, but the stigma attached to women who adopted the habit was reflected in some artworks. Art of the 20th century often used the cigar as a status symbol, and parodied images from tobacco advertising, especially of women. Developing health concerns around tobacco smoking also influenced its artistic representation.
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery.
Hatice Kumbaraci Gürsöz is a Turkish painter.
Contemporary Turkish Miniature refers to Turkish miniature art in Turkey from the mid-20th century to the present day. Contemporary Turkish miniature art is exactly the same art form as 16th-century Ottoman miniature; however, it is no longer just a book art and had developed into a fully standalone form of art with miniature artists depicting anything in any size they want while still using the same techniques as 16th-century miniature artists.
"The miniature painter of today observes, thinks and depicts in exactly the same way as his 16th century counterpart, but the manner of presentation, the lines and the colours vary in accordance with the individualstyle of the miniature painter himself, and we can see just as important differences between the various artists working today as between the great miniature painters of the past".
The Fine Arts Union is an organisation founded by İstanbul artists in 1909. In addition to the Architecture branch other branches were also available.
Meşher is an art exhibition space on Istiklal Street in Istanbul, Turkey, operated by the private Vehbi Koç Foundation. Meşher was founded in 2019 in the building that formerly housed the Arter. The name Meşher is the Ottoman Turkish word meaning exhibition or exhibition space.
Nihal Güres is a Turkish artist and writer.
Neşe Aybey, also written Neş'e Aybey, was a Turkish painter, miniaturist and academic in the field of miniature art, one of the Traditional Turkish Arts and part of the Ottoman Book Arts. She was the older sister of sculptor Gürdal Duyar.
Yusuf Taktak is a Turkish artist and academic. He was a student of and later taught in Adnan Cokers atelier.
Hüseyin Tahirzade Behzat, or Hossein Taherzadeh Behzad Tabrizi, was an Iranian miniaturist painter, calligrapher, educator, and carpet designer. He is considered one of the most important miniature artists of Iran, and has produced approximately 400 articles and artworks. In the present day his miniatures and carpet designs receive a great amount of attention.