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Turntable anti-skating is a feature used in phonograph turntables to prevent skating of the tonearm.
Due to the offset between the cartridge's axis (which is approximately tangential to the disc) and the tonearm's pivot, the force applied (through friction) by the rotating disc to the cartridge tends to draw the tonearm toward the center of the record and distort the balance of the sound and of the wear suffered by the stylus and the vinyl groove. To prevent this, an appropriately-sized opposing force (a rotational torque) is applied at the tonearm. This is accomplished in various ways by dedicated mechanisms, depending on the tonearm's manufacturer, and ranging from a small counterweight adjustable by a knob, to adjustable spring or magnetic mechanisms, usually calibrated in grams of force. [1]
Note that while the angular velocity is, ideally, constant, the peripheral velocity of the moving groove against the stylus is not, varying for instance from approximately 50 cm/s down to 15 cm/s from start to finish of a 33 rpm, 12" (30.48cm) record. The angle of skew of the stylus cartridge with respect to a chord of the circular record (and groove) while the tonearm rests on the record is also variable. Thus, any opposing force applied to the tonearm to counteract skating, if not variable during the playing of the record, is fixed, and at best an average value, only really perfectly in balance with the skating force at just one unique radius from the center of the disk. Yet, anti-skating schemes perform a useful function in minimizing asymmetric wear of styli and grooves, although not eliminating it entirely.
Linear-tracking turntables were invented in part to eliminate the possibility of skating.
A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of recorded sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm that produced sound waves coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.
A cam is a rotating or sliding piece in a mechanical linkage used especially in transforming rotary motion into linear motion. It is often a part of a rotating wheel or shaft that strikes a lever at one or more points on its circular path. The cam can be a simple tooth, as is used to deliver pulses of power to a steam hammer, for example, or an eccentric disc or other shape that produces a smooth reciprocating motion in the follower, which is a lever making contact with the cam. A cam timer is similar, and were widely used for electric machine control before the advent of inexpensive electronics, microcontrollers, integrated circuits, programmable logic controllers and digital control.
A laser turntable is a phonograph that plays standard LP records using laser beams as the pickup instead of using a stylus as in conventional turntables. Although these turntables use laser pickups, the same as Compact Disc players, the signal remains in the analog realm and is never digitized.
A magnetic cartridge, more commonly called a phonograph cartridge or phono cartridge or (colloquially) a pickup, is an electromechanical transducer that is used to play phonograph records on a turntable.
Technics SL-1200 is a series of direct-drive turntables originally manufactured from October 1972 until 2010, and resumed in 2016, by Matsushita Electric under the brand name of Technics. S means "Stereo", L means "Player". Originally released as a high fidelity consumer record player, it quickly became adopted among radio and disco club disc jockeys, thanks to the direct drive, high torque motor design, making it initially suitable for pushbutton cueing and starting of tracks on radio and in dance clubs. Beside these features it had a so called pitchcontrol, which allowed the user to change the turning speed of the record gradually from -8% to +8%. This feature was specifically interesting for DJ's who were mixing two or more records with each other, especially in dance clubs. The turntable is still extremely popular with audiophiles.
The Capacitance Electronic Disc (CED) is an analog video disc playback system developed by Radio Corporation of America (RCA), in which video and audio could be played back on a TV set using a special stylus and high-density groove system similar to phonograph records.
The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.
A record changer or autochanger is a device that plays several phonograph records in sequence without user intervention. Record changers first appeared in the late 1920s, and were common until the 1980s.
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers in such a way as to create the impression of sound heard from various directions, as in natural hearing.
Elektromesstechnik (EMT) is a manufacturer of phonograph turntables and professional audio equipment, including a well-regarded line of artificial reverberation devices beginning with the EMT 140 plate reverb. The company was founded by Wilhelm Franz.
Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD. The process may be divided into several separate steps performed in the following order:
Cook Records was a record label founded by Emory Cook (1913–2002), an audio engineer and inventor. From 1952 to 1966, Cook used his Sounds of our Times and Cook Laboratories record labels to demonstrate his philosophy about sound, recording equipment, and manufacturing techniques.
The conservation and restoration of vinyl discs refers to the preventive measures taken to defend against damage and slow degradation, and to maintain fidelity of singles, 12" singles, EP’s, and LP’s in 45 or 33⅓ rpm 10" disc recordings.
In the field of audio recording, an aluminum disc is a phonograph record made of bare aluminum, a medium introduced in the late 1920s for making one-off recordings. Although sometimes used for making amateur studio or home recordings or in coin-operated "record-your-voice" booths at fairs and arcades, during the first half of the 1930s bare aluminum discs were primarily used to record radio broadcasts for the private transcription disc archives of performers or sponsors.
The Technics SL-10 is a direct-drive, linear tracking automatic turntable, which was produced from 1979 to 1985.
The Volta Laboratory and the Volta Bureau were created in Georgetown, Washington, D.C., by Alexander Graham Bell.
The Numark Pro TT-2, Pro TT-1+, Pro TT-1 and TT-100 were a family of private label, high end, direct drive DJ phonograph turntables sold by Numark during the late 1990s and early 2000s. Only in production for a few years, these models were among the early versions of the "Super OEM" manual DJ turntables made by the Hanpin Electron Co., Ltd. of Taiwan. The Pro TT-1, Pro TT-1+, and Pro TT-2 models incorporated a LCD display on the top plate to show turntable settings which included a unique 12 segment animated element to indicate platter rotation and direction.
The Roksan Xerxes transcription turntable is a record player named after the Persian king Xerxes I and produced by London-based Roksan Audio. Designed by Roksan co-founder, Touraj Moghaddam, the Xerxes is a belt-driven turntable with a solid plinth. Launched in 1985, the sound quality of the product positioned it as a strong competitor against the established industry leader, the Linn Sondek LP12. Many reviewers use the Xerxes as a reference turntable.
The Rega Planar 3, together with its successors, the P3 and RP3, is a well-known budget audiophile turntable by British hi-fi manufacturer, Rega Research available since 1977. It was a belt-drive deck that broke from convention, by employing a solid plinth in lieu of the compliantly suspended chassis or sub-chassis used in many quality turntables since the early 1960s.
The Technics SL-J2 is a quartz-controlled direct-drive fully automatic turntable system produced by Technics between 1984 and 1988. It features a linear tracking tonearm with an optical sensor that allows for the kind of track-skipping more typical of CD players. The sensor also detects the size of the record sitting on the platter, which allows the needle to drop precisely on the first track.