Two Down and One to Go

Last updated
Two Down and One to Go
Directed by Frank Capra
Release date
  • May 1945 (1945-05)
Running time
31 minutes
CountryUnited States
LanguageEnglish

Two Down and One to Go was a short propaganda film produced in 1945 directed by Frank Capra; as its title might suggest, its overall message was that the first two Axis powers, Italy and Germany, had been defeated, but that one, Japan, still had to be dealt with.

Contents

Presented by the Secretary of War (Henry Stimson) and narrated by Army Chief of Staff George Marshall, the film is notable for its heavy use of animated graphics, spliced with stock footage. Opening with a fasces being splintered over Italy, and a swastika being exploded over Germany, the film cuts to an Arthur Szyk caricature of Benito Mussolini, Adolf Hitler and Emperor Hirohito, an X being superimposed on the respective dictators, then turning to Tojo. Gen. Marshall informs the audience why the United States had chosen a Europe first strategy for the war, noting the supply lines were far shorter for Europe, and that the US simply did not have the material, in the early stages of the war, to launch an invasion of Japan. He also notes that in the European theatre the US had strong fighting Allies and airbases in England which could help them launch an attack on Germany, while in the Pacific theatre we had "no airbases near Japan, and no strong allies, however brave".

The general ends the film by reminding the audience that the war cannot be won until Japanese military might is "completely crushed".

The Academy Film Archive preserved Two Down and One to Go in 2008. [1] The film is part of the Academy War Film Collection, one of the largest collections of World War II era short films held outside government archives. [2]

See also

Related Research Articles

<span class="mw-page-title-main">Frank Capra</span> Italian-born American film director (1897–1991)

Frank Russell Capra was an Italian-born American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified".

<i>Why We Fight</i> Series of films to motivate US soldiers during World War II

Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.

<span class="mw-page-title-main">Operation Downfall</span> Allied plan to invade mainland Japan, WWII

Operation Downfall was the proposed Allied plan for the invasion of the Japanese home islands near the end of World War II. The planned operation was canceled when Japan surrendered following the atomic bombings of Hiroshima and Nagasaki, the Soviet declaration of war, and the invasion of Manchuria. The operation had two parts: Operation Olympic and Operation Coronet. Set to begin in November 1945, Operation Olympic was intended to capture the southern third of the southernmost main Japanese island, Kyūshū, with the recently captured island of Okinawa to be used as a staging area. In early 1946 would come Operation Coronet, the planned invasion of the Kantō Plain, near Tokyo, on the main Japanese island of Honshu. Airbases on Kyūshū captured in Operation Olympic would allow land-based air support for Operation Coronet. If Downfall had taken place, it would have been the largest amphibious operation in history, surpassing D-Day.

<i>Sportpalast</i> speech Speech by Joseph Goebbels

The Sportpalast speech or Total War speech was a speech delivered by German Propaganda Minister Joseph Goebbels at the Berlin Sportpalast to a large, carefully selected audience on 18 February 1943, as the tide of World War II was turning against Nazi Germany and its Axis allies. The speech is particularly notable as Goebbels almost mentions the Holocaust, when he begins saying "Ausrotten", but quickly changes it to Ausschaltung. This was the same word Heinrich Himmler used on 18 December 1941, when he recorded the outcome of his discussion with Adolf Hitler on the Final Solution, wherein he wrote "als Partisanen auszurotten".

<span class="mw-page-title-main">United States Office of War Information</span> United States government agency created during World War II

The United States Office of War Information (OWI) was a United States government agency created during World War II. The OWI operated from June 1942 until September 1945. Through radio broadcasts, newspapers, posters, photographs, films and other forms of media, the OWI was the connection between the battlefront and civilian communities. The office also established several overseas branches, which launched a large-scale information and propaganda campaign abroad. From 1942 to 1945, the OWI revised or discarded any film scripts reviewed by them that portrayed the United States in a negative light, including anti-war material.

<i>Prelude to War</i> 1942 film by Frank Capra, Anatole Litvak

Prelude to War is the first film of Frank Capra's Why We Fight film series commissioned by the Office of War Information (OWI) and George C. Marshall. It was made to educate American troops of the necessity of combating the Axis powers during World War II based on the idea that those in the service would fight more willingly and ably if they knew the background and the reason for their participation in the war. The film was later released to the general American public as a rallying cry for support of the war.

Know Your Enemy: Japan is an American World War II propaganda film about the war in the Pacific directed by Frank Capra, with additional direction by experimental documentary filmmaker Joris Ivens. The film, which was commissioned by the U.S. War Department, sought to educate American soldiers about Japan, its people, society and history, and its totalitarian militaristic government. However, the film never realized its full purpose because its completion was delayed by disputes between Hollywood and Washington, and the abrupt end of the Pacific War soon after the film's release in August 1945. The film's first public screening was in 1977 as part of a PBS special.

December 7th is a 1943 propaganda documentary film produced by the US Navy and directed by John Ford and Gregg Toland, about the December 7, 1941 attack on Pearl Harbor, the event which sparked the Pacific War and American involvement in World War II. Toland was also the film's cinematographer. The original version of this film, with a running time of 82 minutes, was not released but was retained by the National Archives. An edited version of 32 minutes length, which removed a long introductory segment and a shorter epilogue, was given limited release to specific audiences but won the Academy Award for Best Documentary in 1944. This is the only film Toland ever worked on for which he received a director credit.

<i>Gracias Amigos</i> 1944 American film

Gracias Amigos was a 1944 propaganda short produced by the Office of the Coordinator of Inter-American Affairs to educate the American public about the contributions of Latin America during World War II.

The Town is a short propaganda film produced by the Office of War Information in 1943. The documentary, depicting the American Midwestern city of Madison, Indiana was filmed by Josef von Sternberg in 1943 and released in 1945.

<i>Blitz Wolf</i> 1942 film

Blitz Wolf is a 1942 American animated propaganda short film produced and distributed by Metro-Goldwyn-Mayer. A parody of the Three Little Pigs told via a World War II perspective, the short was directed by Tex Avery and produced by Fred Quimby. It was nominated for the Academy Award for Best Short Subject: Cartoons but lost to Der Fuehrer's Face, another anti-Nazi World War II parody featuring Donald Duck.

<span class="mw-page-title-main">American propaganda during World War II</span>

During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds.

<span class="mw-page-title-main">British propaganda during World War II</span> Information and media used to influence support for the war effort

Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables.

Between 1941 and 1945, during World War II, Walt Disney was involved in the production of propaganda films for the U.S. government. The widespread familiarity of Disney's productions benefited the U.S. government in producing pro-American war propaganda in an effort to increase support for the war.

The following outline is provided as an overview of and topical guide to World War II:

Tuesday in November was a propaganda short about the 1944 United States presidential election produced by the Office of War information for overseas distribution. It is meant to explain how the democratic process in America works.

<i>The Fight for the Sky</i> 1945 American film

The Fight for the Sky is a short propaganda film commissioned by the US government to highlight the victories of the Allied air forces over Europe prior to the Normandy invasion.

<i>Listen to Britain</i> 1942 British film

Listen to Britain is a 1942 British propaganda short film by Humphrey Jennings and Stewart McAllister. The film was produced during World War II by the Crown Film Unit, an organisation within the British Government's Ministry of Information to support the Allied war effort. The film was nominated for the inaugural Academy Award for Best Documentary Feature in 1943, but lost against four other Allied propaganda films. It is noted for its nonlinear structure and its use of sound.

Christmas Under Fire is a 1941 British short documentary film directed by Harry Watt for the Crown Film Unit of the Ministry of Information. It was conceived as propaganda primarily for an American audience, to raise support for the Allied cause during the Second World War. Produced in the context of German bombings of British cities, it depicts the resilience of British civilians despite the hardships they suffered during Christmas 1940, by showing the continuation of Christmas traditions in the face of the disruptions caused by war. The film is a sequel to London Can Take It!, with the same narrator, Quentin Reynolds. It was nominated for an Academy Award for Best Documentary Short, which was won by Churchill's Island.

<i>Victory Through Air Power</i> (film) 1943 US partly-animated Disney film

Victory Through Air Power is a 1943 American Technicolor animated documentary propaganda film produced by Walt Disney Productions and released by United Artists on July 17, 1943. It is based on the 1942 book Victory Through Air Power by Alexander P. de Seversky. De Seversky appeared in the film, an unusual departure from the Disney animated feature films of the time.

References

  1. "Preserved Projects". Academy Film Archive.
  2. "Academy War Film Collection". Academy Film Archive.