Two Nights in Rome is an 1880 American play by Archibald Clavering Gunter.
Directed to and consumed by the popular masses like all of Gunter's output, it has been described by modern critics as a success, and a "crude but powerful drama." [1]
The play opened at Union Square Theatre in New York on August 16, 1880. [2] The New York Times noted that the plot was complicated and could not be easily summarized, and "while the entertainment cannot be said to be up to the standard of the Union-Square performances during the regular season, it furnishes an average Summer evening's amusement." [2] The summer offering closed on Saturday, September 11, 1880. [3] It subsequently toured, and productions can be found being mounted into the 1910s. [4] [5] [6] [7]
Some asserted that the play seemed to borrow from Forget Me Not by Herman Charles Merivale and Florence Crauford Grove, though assertions of plagiarism were not uncommon in that age, The Critic (New York) noting in 1882 that "there is not one scene in 'Forget-me-not' which cannot be found in older writers." [8]
Alfred Cellier was an English composer, orchestrator and conductor.
Blanche Roosevelt, born Blanche Roosevelt Tucker, was an American opera singer, author and journalist. She is best remembered for creating the role of Mabel in The Pirates of Penzance by Gilbert and Sullivan when that opera premiered on Broadway in 1879.
Benjamin Charles Stephenson or B. C. Stephenson was an English dramatist, lyricist and librettist. After beginning a career in the civil service, he started to write for the theatre, using the pen name "Bolton Rowe". He was author or co-author of several long-running shows of the Victorian theatre. His biggest hit was the comic opera Dorothy, which set records for the length of its original run.
Charles Courtice Pounds, better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies.
Charles Warner was an English stage actor whose career of over forty years spanned the Victorian and Edwardian eras. Warner performed in a variety of styles, from Shakespeare's plays to comedies, but he was best known for his dramatic roles and the emotional intensity of his performances. His most famous character was the alcoholic 'Coupeau' in Charles Reade's melodrama Drink, a part that the actor performed many times during his career. Warner performed in the principal theatres in London during the period 1864 to 1887. He had a successful tour of Australia and New Zealand from December 1887 to June 1890, after which he returned to England. In 1906 Warner travelled to New York where he appeared on stage in several productions. In February 1909 he committed suicide in his Manhattan hotel room.
Alice Julia Burville was an English soprano and actress, best known for her performances in Gilbert and Sullivan operas and other operettas in the 1870s and 1880s.
Caroline Lucreza Brook Hill was an English actress. She began acting as a child in the company of Samuel Phelps and soon joined the company of J. B. Buckstone at the Haymarket Theatre. There she created roles in several new plays, including some by W. S. Gilbert, in whose plays she continued to act later in her career. She played at various London and provincial theatres in the 1870s. Hill married actor Herbert Kelcey in 1883, with whom she had begun to appear on stage. The couple played mostly in New York City in the 1880s, and, mostly in England, Hill continued to act through the 1890s.
Isabelle Urquhart was an American contralto and actress, noted for her performances in comic opera and musical comedy. She was "one of the reigning queens of comic opera".
Henry Bracy was a Welsh opera tenor, stage director and opera producer who is best remembered as the creator of the role of Prince Hilarion in the Gilbert and Sullivan comic opera Princess Ida. Bracy often played the leading tenor role in the works in which he appeared, becoming one of the most popular comic tenors of the Victorian era. His wife, Clara, was an actress.
Sylvia Gerrish was an American musical theatre performer who found success in New York and London in the 1880s and early 1890s. She was known as "The Girl with the Poetical Legs".
Euphemia"Effie" Ellsler was an American actress of stage and screen whose career had its beginnings when she was a child and lasted well into the 1930s. She was best remembered over her early career for playing the title role in Steele MacKaye's hit play Hazel Kirke, and as the self-sacrificing Bessie Barton in Frank Harver's Woman Against Woman. Ellsler remained active during her later years appearing between 1901 and 1936 in at least six Broadway productions and twenty-two motion pictures.
Anna Laura Fish, better known by the stage name Laura Don, was an American actress, stage manager, playwright and artist who died from tuberculosis while still in her early thirties. She wrote the play A Daughter of the Nile, that found its greatest success after her death, and was the mother of the writer Glen MacDonough.
Alma Stuart Stanley was a British actress and vocalist once popular on both sides of the Atlantic Ocean. She was perhaps best remembered as Lady Teazle in Sheridan's The School for Scandal and Aphrodite in George Procter Hawtrey's Atlanta. In a career of more than thirty years she appeared in some sixty plays and made two North American tours. Her later years were spent in reduced circumstances, culminating with her death at a London prison hospital following an arrest for public intoxication.
Laura Joyce Bell was an English-American actress and contralto singer mostly associated with Edwardian musical comedy and light opera.
Marie Jansen was an American musical theatre actress best known for her roles at the end of the 19th century. She starred in a number of successful comic operas, Edwardian musical comedies, and comic plays in New York, Boston, Philadelphia and London during the 1880s and 1890s.
Jennie Lee was a Victorian Era English stage actress, singer and dancer whose career was largely entwined with the title role in Jo, a melodrama her husband, John Pringle Burnett, wove around a relatively minor character from the Charles Dickens novel, Bleak House. She made her stage debut in London at an early age and found success in New York and San Francisco not long afterwards. Lee may have first starred in Jo around 1874 during her tenure at San Francisco's California Theatre, but her real success came with the play's London debut on 22 February 1876 at the Globe Theatre in Newcastle Street. Jo ran for many months at the Globe and other London venues before embarking for several seasons on tours of the British Isles, a return to North America, tours of Australia and New Zealand and later revivals in Britain. Reduced circumstances over her final years forced Lee to seek assistance from an actor's pension fund subsidised in part by proceeds from Royal Command Performances.
Alberta Gallatin was an American stage and film actress active in the late 19th and early 20th centuries. During her near forty-year career she acted in support of the likes of Elizabeth Crocker Bowers, James O’Neil, Edwin Booth, Joseph Jefferson, Thomas W. Keene, Richard Mansfield, Sir Johnston Forbes-Robertson, Minnie Maddern Fiske, Otis Skinner, Maurice Barrymore, Joseph Adler, E. H. Sothern and James K. Hackett. Gallatin was perhaps best remembered by theatergoers for her varied classical roles, as Mrs. Alving in Henrik Ibsen's domestic tragedy Ghosts and the central character in the Franz Grillparzer tragedy Sappho. Counted among her few film roles was the part of Mrs. MacCrea in the 1914 silent film The Christian, an early 8-reel production based on the novel by Hall Caine.
Abbey's Park Theatre or Abbey's New Park Theatre was a playhouse at 932 Broadway and 22nd Street in what is now the Flatiron District of Manhattan in New York City. It opened as the New Park Theatre in 1874, and was in use until 1882 when it burned down and was never rebuilt as a theatre.
Maida Craigen was an American actress and clubwoman.
Louise Paullin, sometimes seen as Louisa Paullin, was an American stage actress.