Two Sisters | |
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Directed by | Scott Pembroke |
Written by | Arthur Hoerl Virginia Terhune Vandewater |
Starring | Viola Dana Rex Lease |
Cinematography | Hap Depew |
Distributed by | Rayart Pictures |
Release date |
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Country | United States |
Languages | Sound (Synchronized) (English Intertitles) |
Two Sisters is a 1929 American sound drama film directed by Scott Pembroke and featuring Boris Karloff. The film is one of the last produced in the sound-on-film process Phonofilm. [1] While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is now considered to be lost. [2]
Two twin sisters are causing confusion for a detective who is pursuing them. One sister is described as good, honest, and sweet, while the other has a tendency towards carrying guns and committing robberies. The detective is having trouble distinguishing between the two sisters and determining which one he is pursuing for what reason, as he has different motives for chasing each one.
Béla Ferenc Dezső Blaskó, known professionally as Bela Lugosi, was a Hungarian–American actor. He was best remembered for portraying Count Dracula in the horror film classic Dracula (1931), Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956.
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
Garrett Elsden Fort was an American short story writer, playwright, and Hollywood screenwriter. He is mostly known for his connections with 1930s horror films, with film historian Gary Don Rhodes describing him as "one of, if not the pre-eminent horror film screenwriters of the classic era." He was a close follower of Meher Baba, and travelled to India while developing a screenplay based on Baba's philosophy.
The Ape is a 1940 American horror film directed by William Nigh. The film is based on Adam Hull Shirk's play The Ape, which was previously adapted by Nigh as The House of Mystery (1934). The film stars Boris Karloff as Dr. Bernard Adrian who is seeking to cure a young woman's polio through experiments involving spinal fluid. Meanwhile, a vicious ape has been terrorising the towns locals, and breaking into Adrian's lab. A battle ensues between the two, leading to Adrian deciding to skin the ape and disguise himself as the beast in order to get more spinal fluid. His previous samples were destroyed in the battle.
Abbott and Costello Meet the Killer, Boris Karloff is a 1949 horror comedy film directed by Charles Barton and starring Abbott and Costello and Boris Karloff.
Corridors of Blood is a 1958 British-American period drama film directed by Robert Day and starring Boris Karloff and Christopher Lee. It was written by Jean Scott Rogers. The original music score was composed by Buxton Orr.
The Ape Man is a 1943 American horror film directed by William Beaudine. The film is based on "They Creep in the Dark" by Karl Brown, which was published in The Saturday Evening Post. It stars Bela Lugosi as Dr. James Brewster who is aided by his colleague Dr. Randall. The doctor manages to transform himself into a ape man hybrid and desperately seeks a cure. Brewster believes that only the injection of human spinal fluid will prove effective as a cure. As Randall refuses to help him, Brewster and his captive gorilla seek involuntary donors.
King of the Wild is a 1931 American pre-Code Mascot movie serial. The complete serial is available on DVD from Alpha Video.
Thomas G. Lingham was an American stage performer and then a film actor during both the silent and early sound eras. He appeared in more than 100 motion pictures between 1914 and 1934, often portraying villains, which in the film industry at that time were also called "heavies". During his 20-year screen career, Lingham was cast in productions for Kalem Company, Signal Film Corporation, Pathé, Universal Pictures, Mascot Pictures, Lone Star Film Company, and for other studios in and around Hollywood.
The Gentleman from America is a 1923 American silent comedy film directed by Edward Sedgwick and featuring Hoot Gibson and Louise Lorraine. It also featured a young Boris Karloff in an uncredited bit part. The screenplay was written by George C. Hull, based on a story by Raymond L. Schrock. The film's tagline was "This might be called the story of a fighting American in sunny Spain - with flashing senoritas and romance in the background! It's something new for Hoot Gibson - but you'll like it, and so will your patrons!" It is considered a lost film.
The Fatal Warning is a 1929 mystery silent film serial directed by Richard Thorpe for Mascot. The film is considered to be a lost film, with no prints known to exist. It co-starred Boris Karloff.
Never the Twain Shall Meet is a 1925 American silent South Seas drama film based on the book by Peter B. Kyne, produced by MGM and directed by Maurice Tourneur, starring Anita Stewart and featuring Boris Karloff in an uncredited bit part. It was remade as talking picture in 1931 at MGM by director W. S. Van Dyke. This is one of Tourneur's many lost and sought after films.
The Bells is a 1926 American silent crime film directed by James Young and starring Lionel Barrymore and Boris Karloff. It was based on an 1867 French stage play called Le Juif Polonais by Erckmann-Chatrian. The play was translated to English in 1871 by Leopold Lewis at which time it was retitled The Bells. The English version of the play was performed in the U.S. in the 19th century by Sir Henry Irving. Le Juif Polonais was also adapted into an opera of the same name in three acts by Camille Erlanger, composed to a libretto by Henri Cain.
The Golden Web is a 1926 American silent mystery film directed by Walter Lang and starring Lillian Rich, Huntley Gordon and Lawford Davidson. The cast also features Boris Karloff before he established himself as a horror star. It is based on the 1910 novel The Golden Web by the British writer E. Phillips Oppenheim. A previous British film adaptation of the novel was produced in 1920.
Burning the Wind is a 1928 American romantic drama film, directed by Herbert Blaché and Henry MacRae, starring Hoot Gibson and featuring Boris Karloff. The film is considered to be lost.
Anne Against the World is a 1929 American drama film directed by Duke Worne and featuring Boris Karloff.
Behind That Curtain is a 1929 American Pre-Code mystery film directed by Irving Cummings and starring Warner Baxter, Lois Moran and Gilbert Emery. It was the first Charlie Chan film to be made at Fox Studios. It was based on the 1928 novel of the same name. Charlie Chan, who is played by the Chinese American E. L. Park, gets one mention early in the film, then makes a few momentary appearances after 75 minutes. Park, in fact, was the first Chinese American to play Charlie Chan on-screen. Producer William Fox chose this film to open the palatial Fox Theatre in San Francisco on June 28, 1929. It was a sound film.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
Voodoo Island is a 1957 American horror film directed by Reginald Le Borg and written by Richard H. Landau. The film stars Boris Karloff, with a cast including Elisha Cook Jr., Beverly Tyler and Rhodes Reason. It is set in the South Pacific and was filmed on Kauai, Hawaii back to back with Jungle Heat. Adam West appears in a small pre-"Batman" uncredited role.
Pals of the Prairie is a 1929 American sound Western film intertwined with the romance of the mayor's daughter Dolores (Joyce) and Franciseo (Renaldo). While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The sound was recorded using the RCA Photophone process and then transferred to sound-on-disc format for those theatres who could only play the sound-on-disc format.