Two Still Lives in Free Fall is a composition (two pieces) for flute and cello by Juan Maria Solare (Composed in Cologne, Germany, from 8 to 18 June 1998). Duration: 5:30. The piece is dedicated to Tasneem Hanfi and Caroline Stinson.
The piece makes use of extended techniques (for the flute), concretely frullato (flutter tongue), tongued pizzicato and "Pauken-Effekt" (tongue ram). The cello, besides the usual techniques (ranging from sul tasto to sul ponticello, flautato and col legno), uses "tap": "martellato mano sinistra" (martellato left hand: tapping the strings with the fingertips of the left hand.
The violoncello ( VY-ə-lən-CHEL-oh, Italian pronunciation:[vjolonˈtʃɛllo]), normally simply abbreviated as cello ( CHEL-oh), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, tenor clef, alto clef and treble clef used for higher-range passages.
The tin whistle, also known as the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.
Tapping is a playing technique that can be used on any stringed instrument, but which is most commonly used on guitar. The technique involves a string being fretted and set into vibration as part of a single motion. This is in contrast to standard techniques that involve fretting with one hand and picking with the other. Tapping is the primary technique intended for instruments such as the Chapman Stick.
An étude or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material, and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones and those that require wholly unorthodox technique.
Henry Dreyfuss Brant was a Canadian-born American composer. An expert orchestrator with a flair for experimentation, many of Brant's works featured spatialization techniques.
Taps and dies are tools used to create screw threads, which is called threading. Many are cutting tools; others are forming tools. A tap is used to cut or form the female portion of the mating pair. A die is used to cut or form the male portion of the mating pair. The process of cutting or forming threads using a tap is called tapping, whereas the process using a die is called threading.
Sofia Asgatovna Gubaidulina is a Soviet-Russian composer and an established international figure. Major orchestras around the world have commissioned and performed her works. She is considered one of the foremost Russian composers of the second half of the 20th century along with Alfred Schnittke and Edison Denisov.
Pascal Georges Dusapin is a French composer. His music is marked by its microtonality, tension, and energy.
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.
The kaval is a chromatic end-blown oblique flute traditionally played throughout the Balkans and Anatolia. The kaval is primarily associated with mountain shepherds.
A handbell is a bell designed to be rung by hand. To ring a handbell, a ringer grasps the bell by its slightly flexible handle – traditionally made of leather, but often now made of plastic – and moves the arm to make the hinged clapper strike the inside of the bell. An individual handbell can be used simply as a signal to catch people's attention or summon them together, but handbells are also often heard in tuned sets.
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to oratory.
In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without changing hand position too often. A fingering can be the result of the working process of the composer, who puts it into the manuscript, an editor, who adds it into the printed score, or the performer, who puts his or her own fingering in the score or in performance.
Fingering...also stopping...(1) A system of symbols for the fingers of the hand used to associate specific notes with specific fingers....(2)Control of finger movements and position to achieve physiological efficiency, acoustical accuracy [frequency and amplitude] and musical articulation.
Playing the violin entails holding the instrument between the jaw and the collar bone. The strings are sounded either by drawing the bow across them (arco), or by plucking them (pizzicato). The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingers, producing different pitches.
Eight Songs for a Mad King is a monodrama by Sir Peter Maxwell Davies with a libretto by Randolph Stow, based on words of George III. The work was written for the South-African actor Roy Hart and the composer's ensemble, the Pierrot Players. It was premiered on 22 April 1969.
String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki, Witold Lutosławski, George Crumb, and Helmut Lachenmann.
Playing the cello is done while seated with the instrument supported on the floor. The fingertips of the left hand stop the strings on the fingerboard to determine the pitch of the fingered note. The right hand plucks or bows the strings to sound the notes.
Claude Debussy's Six sonatas for various instruments was a projected cycle of sonatas that was interrupted by the composer's death in 1918, after he had composed only half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and piano (1916–1917).
Petals is a piece of spectral music composed by Kaija Saariaho for cello and live electronics. It is one of the works studied in the Edexcel syllabus for the A-Level in Music. It has been recorded both by its dedicatee, Anssi Karttunen, on the Finlandia label and by the cellist Wilhelmina Smith on the Ondine label.