Type | Self-executing |
---|---|
Signed | June 24, 1995 |
Location | Rome, Italy |
Effective | July 1, 1998 [1] |
Condition | 5 ratifications (Art. 12) |
Parties | 51 [1] |
Depositary | Italian Government |
Language | Authoritative in English and French |
UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects (Rome, 1995) is the international treaty on the subject of cultural property protection. It attempts to strengthen the main weaknesses of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. The UNIDROIT Convention seeks to fight the illicit trafficking of cultural property by modifying the buyer's behaviour, obliging him/her to check the legitimacy of their purchase.
The Convention states that if a cultural property was stolen it must be returned (Chapter II, Art. 3.1). [2] Any possessor of a stolen cultural object required to return it might be compensated only if he/she can prove due diligence at the time of the purchase and that he/she neither knew nor ought reasonably to have known that the objects was stolen (Chapter II, Art. 4.1 ).
To assess the legitimacy of the object's origin, art market players can use international and national databases dedicated to cultural property protection, for instance, the INTERPOL Stolen Works of Art Database [3] collects information about stolen cultural property and issues identification numbers to cultural objects.
Whereas Chapter II of the Convention deals with stolen cultural objects, Chapter III contemplates the export of cultural property in violation of national export restrictions. A State Party can request the competent Court of another Contracting State to order the return of a cultural object illegally exported from its territory if the removal of the object caused detriment in one of the ways listed under Article 5.3. Again, the burden of proof is on the possessor to demonstrate that he/she "neither knew nor ought reasonably to have known at the time of acquisition that the object had been illegally exported" (Art. 6.1).
These rules apply equally to cultural objects inherited or received as gifts. Either an heir or a beneficiary has the same responsibility as a buyer. Therefore, museums and other public institutions must carry out checks over the origin of donated objects. [4]
The UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property (1970 UNESCO Convention) and the UNIDROIT Convention are compatible and complementary. As distinct from the UNESCO Convention, the UNIDROIT Convention focuses on the recovery of cultural property. The UNIDROIT Convention establishes conditions for claims of restitution/return of stolen or illegally exported cultural objects respectively.
Although the UNIDROIT Convention follows key terminology of the 1970 UNESCO Convention, cultural goods do not need to be defined as such by the State.
Furthermore, the term "cultural property" is replaced by a more comprehensive "cultural object", but the list of their categories remains the same. The concept of "illicit export" is replaced by "illegal export", which references a prohibitive law rather than a general forbiddance.
The Convention regulates the time period that an affected party may bring a claim for the restitution of stolen cultural property or the return of those illegally exported. Such a claim may be brought in three years from the time when the claimant or the requesting State knew the location of the cultural property and the identity of the possessor and in 50 years since the time of the theft, the export or from the date on which the object should have been returned (Art. 3.3 and art. 5.5 ). However, there are exceptions to this rule for stolen objects. Cultural objects that form an integral part of an identified monument or archaeological site, or which belong to a public collection are not subject to time limitation other than a period of three years (Art. 3.4). In addition, a Contracting State may declare that a claim warrants an extended time limit of 75 years or longer if so stated in its national law (Art. 3.5). [5]
The UNIDROIT Convention is not a retroactive treaty. Its provisions only apply to cultural property stolen or illegally exported after the Convention entered into force (Art. 10). [5] However the UNIDROIT Convention "does not in any way legitimise any illegal transaction of whatever which has taken place before the entry into force of this Convention" and does not "limit any right of a State or other person to make a claim under remedies available outside the framework" of the Convention (Art. 10.3). [5]
The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as the World Intellectual Property Organization, Interpol, and the World Customs Organization in order to carry out its international public service missions, which include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. Members of the ICOM get the ICOM membership card, which provides free entry, or entry at a reduced rate, to many museums all over the world.
UNIDROIT is an intergovernmental organization whose objective is to harmonize private international law across countries through uniform rules, international conventions, and the production of model laws, sets of principles, guides and guidelines. Established in 1926 as part of the League of Nations, it was reestablished in 1940 following the League's dissolution through a multilateral agreement, the UNIDROIT Statute. As of 2023 UNIDROIT has 65 member states.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
A war trophy is an item taken during warfare by an invading force. Common war trophies include flags, weapons, vehicles, and art.
The antiquities trade is the exchange of antiquities and archaeological artifacts from around the world. This trade may be illicit or completely legal. The legal antiquities trade abides by national regulations, allowing for extraction of artifacts for scientific study whilst maintaining archaeological and anthropological context. The illicit antiquities trade involves non-scientific extraction that ignores the archaeological and anthropological context from the artifacts.
The Association for Research into Crimes against Art (ARCA) is a non-governmental civil society organisation (CSO) that conducts scholarly research and training within the discipline of combatting cultural property crime. Established in 2009 with the aim of exploring the gaps in the international legal framework which addresses art and antiquities crimes. ARCA was founded by Dr. Noah Charney, an art and art crime historian, as well as a published author.
The Carabinieri Command for the Protection of Cultural Heritage, better known as the Carabinieri T.P.C., is the branch of the Italian Carabinieri responsible for combatting art and antiquities crimes and is viewed as an experienced and efficient task force.
Art and culture law refers to legal aspects of the visual arts, antiquities, cultural heritage, and the art market and encompasses the safeguarding, regulation, and facilitation of artistic creation, utilization, and promotion. Practitioners of art law navigate various legal areas, including intellectual property, contract, constitutional, tort, tax, commercial, immigration law, estates and wills, cultural property law, and international law to protect the interests of their clients.
The UNESCO 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property is an international treaty to combat the illegal trade in cultural items. It was signed on 14 November 1970 and came into effect on 24 April 1972. As of February 2024, 143 states have ratified the convention.
The Cultural Heritage Center of the American Bureau of Educational and Cultural Affairs specializes in the protection and preservation of the world's ancient and historic monuments and archeological sites.
Geneva Freeport is a warehouse complex in Geneva, Switzerland, for the storage of art and other valuables and collectibles. It is the oldest and largest freeport facility, and the one with the most artworks, with 40% of its collection being art with an estimated value of US$100 billion.
George Ortiz (1927–2013) was a collector who assembled what is considered to be one of the "finest collection of antiquities in private hands".
Deaccessioning is the process by which a work of art or other object is permanently removed from a museum's collection to sell it or otherwise dispose of it.
"The Spoils of War—World War II and Its Aftermath: The Loss, Reappearance, and Recovery of Cultural Property" was an international symposium held in New York City in 1995 to discuss the artworks, cultural property, and historic sites damaged, lost, and plundered as a result of World War II. The three-day event was sponsored by the Bard Graduate Center for Studies in the Decorative Arts to commemorate the 50th anniversary of the end of the war. The conference was organized by Elizabeth Simpson, an archaeologist and professor at the Bard Graduate Center.
The Commission to Preserve National Monuments of Bosnia and Herzegovina, abbr. KONS, is Bosnia and Herzegovina commission (agency) which declares and registers national heritage monuments/sites, including natural/urban/architectural assembles, immovable and movable heritage of historical and cultural importance to Bosnia and Herzegovina, as an institution at state level. The sites of exclusively natural heritage are not subject of Annex 8 and the KONS.
The Convention on Cultural Property Implementation Act is a United States Act of Congress that became federal law in 1983. The CCPIA implemented the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. It restricts the importation of some archaeological and ethnological materials into the United States from other State Parties to the Convention.
The Dutch: Nationaal Museum van Wereldculturen (NMVW) is an overarching museum organisation for the management of several ethnographic museums in the Netherlands, founded in 2014. It consists of the Tropenmuseum in Amsterdam, the Afrika Museum in Berg en Dal, and the Museum Volkenkunde in Leiden. The National Museum of World Cultures works in close cooperation with the Wereldmuseum in Rotterdam. It is also part of nation-wide Dutch organisations for research into provenance studies and projects of restitution of cultural heritage to countries of origin, like the former Dutch colony in today's Indonesia.
The Pennsylvania Declaration was a statement of ethics issued by the University of Pennsylvania Museum of Archaeology and Anthropology on April 1, 1970. It affirmed that the Penn Museum would no longer acquire objects that lacked provenance or collection histories. The declaration aimed to distinguish the Penn Museum's collection practices from illegal antiquity trading while maintaining trust with countries where the university engaged in field research. This declaration marked the first time that a museum had taken formal steps to guarantee the ethical acquisition of materials and to deter looting and illicit antiquities trading. Froelich Rainey, director of the Penn Museum, presented the declaration at the meeting of the United Nations Educational, Scientific, and Cultural Organization (UNESCO), in conjunction with the issue of its treaty known as the 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property.
The Restitution of African Cultural Heritage. Toward a New Relational Ethics is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English translation.
Folarin Olawale Shyllon was a historian recognised for his contributions to the history of black people in Britain and his work on heritage law and protection of cultural heritage.