This article needs additional citations for verification .(March 2024) |
+The art of Ukrainian calligraphy dates back to the times of the Trypil culture, the Scythians and Sarmatians, the Cossack period and the George Narbut alphabet, and was replaced by the unified alphabet of the Soviet era.
Since 2000, Vasyl Chebanyk has been researching handwritten letters in historical sources and works of Ukrainian artists and restored Ukrainian traditions of the art of calligraphy, creating the Ukrainian alphabet "Ruthenia".
"Ruthenia" is the general name of fonts and font sets for the Ukrainian alphabet, created in 2000–2021 by Professor Vasyl Chebanyk based on the primary Ukrainian traditions of the Kievan Rus' era and Cossack cursive, which became the project "Graphics of the Ukrainian Language".
The author's goal was to create a state font, which would be based on authentic Ukrainian symbols and perform the role of a national state attribute and a means of self-identification of the nation.
Vasyl Chebanyk received the Shevchenko Prize in 2019 for the project "Graphics of the Ukrainian Language", which includes a total of 60 fonts. [1]
A font is a visual representation of a language with symbols that plastically coincide with the peculiarities of the language melody and, as an organic whole with the language, are nourished by one root from the depths of history.
— Vasyl Chebanyk
The idea of the font came from Vasyl Chebanyk through German scientists. During a meeting in 1971 with Albert Capr, rector of the Higher School of Graphics and Book Arts in Leipzig, he asked Chebanyk why Ukrainians do not develop their alphabet.
Later, Vasyl Chebanyk also learned that in the "Book of Alphabets of All Nations and All Ages" (1880) by Carl Faulmann the "Ruthenian" alphabet is listed separately from the "Russian" alphabet, which became the starting point for his creative searches.
On May 22–26, 2019, the multimedia project "Ruthenia. The animated alphabet of Vasyl Chebanyk" in which all 33 letters of the Ukrainian alphabet were decorated with animations by Olesya Drashkab, Nadiya Antonets, Kyryll Chichkan, Ihor Baranko, Roman Shostya, Oleksiy Chebykin, Ivan Semesyuk and other artists. The artists, inspired by "Ruthenia" by Vasyl Chebanyk, illustrated each individual letter and interpreted it in short animated videos
On August 23 and 24, 2020, was the All-Ukrainian premiere of the film "Ruthenia. The return of the code of the nation". The film explores the history of the emergence of writing on our territory, introduces the viewer to the authentic Ukrainian alphabet "Ruthenia" authored by Vasyl Chebanyk. The director of the picture and co-author of the script is Antonina Gottfried, the producer and co-author of the script is Natalia Yakovleva.
The Cyrillic script, Slavonic script or simply Slavic script is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic, Turkic, Mongolic, Uralic, Caucasian and Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia, and used by many other minority languages.
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the word 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Ruthenia is an exonym, originally used in Medieval Latin, as one of several terms for Kievan Rus'. It is also used to refer to the East Slavic and Eastern Orthodox regions of the Grand Duchy of Lithuania and the Kingdom of Poland, and later the Polish-Lithuanian Commonwealth, corresponding to the territories of modern Belarus, Ukraine, and West European Russia. Historically, the term was used to refer to all the territories of the East Slavs.
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters ⟨æ⟩ and ⟨œ⟩ used in English and French, in which the letters ⟨a⟩ and ⟨e⟩ are joined for the first ligature and the letters ⟨o⟩ and ⟨e⟩ are joined for the second ligature. For stylistic and legibility reasons, ⟨f⟩ and ⟨i⟩ are often merged to create ⟨fi⟩ ; the same is true of ⟨s⟩ and ⟨t⟩ to create ⟨st⟩. The common ampersand, ⟨&⟩, developed from a ligature in which the handwritten Latin letters ⟨e⟩ and ⟨t⟩ were combined.
The Georgian scripts are the three writing systems used to write the Georgian language: Asomtavruli, Nuskhuri and Mkhedruli. Although the systems differ in appearance, their letters share the same names and alphabetical order and are written horizontally from left to right. Of the three scripts, Mkhedruli, once the civilian royal script of the Kingdom of Georgia and mostly used for the royal charters, is now the standard script for modern Georgian and its related Kartvelian languages, whereas Asomtavruli and Nuskhuri are used only by the Georgian Orthodox Church, in ceremonial religious texts and iconography.
The Early Cyrillic alphabet, also called classical Cyrillic or paleo-Cyrillic, is an alphabetic writing system that was developed in Medieval Bulgaria in the Preslav Literary School during the late 9th century. It is used to write the Church Slavonic language, and was historically used for its ancestor, Old Church Slavonic. It was also used for other languages, but between the 18th and 20th centuries was mostly replaced by the modern Cyrillic script, which is used for some Slavic languages, and for East European and Asian languages that have experienced a great amount of Russian cultural influence.
The coat of arms of Ukraine is a blue shield with a golden trident. It is colloquially known as the tryzub.
Nastaliq, also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some Indo-Iranian languages, predominantly Classical Persian, Kashmiri, Punjabi (Shahmukhi) and Urdu. It is often used also for Ottoman Turkish poetry, but rarely for Arabic. Nastaliq developed in Iran from naskh beginning in the 13th century and remains widely used in Iran, Afghanistan, India, Pakistan, and other countries for written poetry and as a form of art.
The Ukrainian alphabet is the set of letters used to write Ukrainian, which is the official language of Ukraine. It is one of several national variations of the Cyrillic script. It comes from the Cyrillic script, which was devised in the 9th century for the first Slavic literary language, called Old Slavonic. In the 10th century, it became used in Kievan Rus' to write Old East Slavic, from which the Belarusian, Russian, Rusyn, and Ukrainian alphabets later evolved. The modern Ukrainian alphabet has 33 letters in total: 21 consonants, 1 semivowel, 10 vowels and 1 palatalization sign. Sometimes the apostrophe (') is also included, which has a phonetic meaning and is a mandatory sign in writing, but is not considered as a letter and is not included in the alphabet.
Baturyn is a historic city in Chernihiv Oblast (province) of northern Ukraine. It is located in Nizhyn Raion (district) on the banks of the Seym River. It hosts the administration of Baturyn urban hromada, one of the hromadas of Ukraine. Population: 2,406.
Korean calligraphy, also known as Seoye (Korean: 서예), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja and Hangul.
Zapfino is a calligraphic typeface designed for Linotype by typeface designer Hermann Zapf in 1998. It is based on an alphabet Zapf originally penned in 1944. As a font, it makes extensive use of ligatures and character variations.
The Kufic script is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic, such as square Kufic, floriated Kufic, knotted Kufic, and others. The artistic styling of Kufic led to its use in a non-Arabic context in Europe, as decoration on architecture, known as pseudo-Kufic.
Lettering is an umbrella term that covers the art of drawing letters, instead of simply writing them. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. Lettering is created as an image, with letters that are meant to be used in a unique configuration. Lettering words do not always translate into alphabets that can later be used in a typeface, since they are created with a specific word in mind.
Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
The Klingon scripts are fictional alphabetic scripts used in the Star Trek movies and television shows to write the Klingon language.
The Serbian Cyrillic alphabet is a variation of the Cyrillic script used to write the Serbian language, updated in 1818 by the Serbian philologist and linguist Vuk Karadžić. It is one of the two alphabets used to write modern standard Serbian, the other being Gaj's Latin alphabet.
Suyat is the modern collective name of the indigenous scripts of various ethnolinguistic groups in the Philippines prior to Spanish colonization in the 16th century up to the independence era in the 21st century. The scripts are highly varied; nonetheless, the term was suggested and used by cultural organizations in the Philippines to denote a unified neutral terminology for Philippine indigenous scripts.