Ultra-red

Last updated

Ultra-red are a sound art collective founded in 1994 by two AIDS activists, Dont Rhine and Marco Larsen. [1] Both are involved in ACT UP (AIDS Coalition to Unleash Power). [2] Originally based in Los Angeles, the art collective has expanded over the years with members across North American and Europe. Members in Ultra-red range from artists, researchers and organizers from different social movements including the struggles of migration, anti-racism, participatory community development, anti-gentrification, and the politics of HIV/AIDS. [3]

Contents

Artist activists

With an art they describe on their website as "Exploring acoustic space as enunciative of social relations," [4] Ultra-red develop explicitly political art projects, sometimes in the form of radio broadcasts, performances, recordings, or installations. Known for their militant brand of political ambient music along with artist Terre Thaemlitz, Ultra-red are also part of a wave of conceptual artists who combine participatory art with their own commitments to political organizing. Other artists working in a similar vein include Chicago's Temporary Services, Berlin's Kein Collective and, in New York, LTTR. Following their remixes of Thaemlitz' Still Life with Numerical Analysis in 1998, Ultra-red joined Thaemlitz on the German label Mille Plateaux for their first two albums; Second Nature: An Electroacoustic Pastoral (1999) and Structural Adjustments (2000). Through these releases and others, Ultra-red developed a kind of ambient sound activism combining situationist radicalism with the sound research techniques of the acoustic ecology movement. In 2004, Ultra-red launched their own creative commons online label, Public Record, to showcase works of politically engaged ambient music. [3] In addition to Ultra-red, other artists to appear on Public Record include Elliot Perkins (formerly "Phonem"), Sony Mao, Sebastian Meissner (aka Klimek) and The Soft Pink Truth. [5]

Although the group is unapologetic about its Leftist political commitments, the name Ultra-red apparently designates no affiliation with any specific political party or organization.

See also

Related Research Articles

<span class="mw-page-title-main">Drum and bass</span> Type of electronic music

Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.

<span class="mw-page-title-main">Ambient music</span> Music genre

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.

<span class="mw-page-title-main">Diamanda Galás</span> American singer-songwriter, musician, and visual artist (born 1955)

Diamanda Galás is an American musician, singer-songwriter, and visual artist. She has campaigned for AIDS education and the rights of the infected.

New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism. It is used by listeners for yoga, massage, meditation, and reading as a method of stress management to bring about a state of ecstasy rather than trance, or to create a peaceful atmosphere in homes or other environments. It is sometimes associated with environmentalism and New Age spirituality; however, most of its artists have nothing to do with "New Age spirituality," and some even reject the term.

Alternative media are media sources that differ from established or dominant types of media in terms of their content, production, or distribution. Sometimes the term independent media is used as a synonym, indicating independence from large media corporations, but generally independent media is used to describe a different meaning around freedom of the press and independence from government control. Alternative media does not refer to a specific format and may be inclusive of print, audio, film/video, online/digital and street art, among others. Some examples include the counter-culture zines of the 1960s, ethnic and indigenous media such as the First People's television network in Canada, and more recently online open publishing journalism sites such as Indymedia.

<span class="mw-page-title-main">Artivism</span> Art activism

Artivism is a portmanteau word combining art and activism, and is sometimes also referred to as Social Artivism.

<span class="mw-page-title-main">ZKM Center for Art and Media Karlsruhe</span> Cultural institution in Karlsruhe, Germany

The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989 and, since 1997, is located in a former munitions factory in Karlsruhe, Germany. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.

Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates."

<span class="mw-page-title-main">Space music</span> Tranquil, hypnotic subgenre of electronic music

Space music, also called spacemusic or space ambient, is a subgenre of ambient music and is described as "tranquil, hypnotic and moving". It is derived from new-age music and is associated with lounge music, easy listening, and elevator music.

<span class="mw-page-title-main">Murcof</span> Musical artist

Murcof is the performing and recording name of Mexican electronic musician Fernando Corona. Corona was born in 1970 in Tijuana, Mexico and raised in Ensenada. He was for a time a member of the Tijuana-based Nortec Collective of electronic musicians under the Terrestre project name. In 2000, he returned to Tijuana. Since 2006, Corona has been living in Barcelona, Spain.

Hearts of Space is an American weekly syndicated public radio show featuring music of a contemplative nature drawn largely from the ambient, new-age and electronic genres, while also including classical, world, Celtic, experimental, and other music selections. For many years, the show's producer and presenter, Stephen Hill, has applied the term "space music" to the music broadcast on the show, irrespective of genre. It is the longest-running radio program of its type in the world. Each episode ends with Hill gently saying, "Safe journeys, space fans ... wherever you are."

Byzar is an American experimental electronic music ensemble, considered one of the founders of the Illbient genre, along with DJ Spooky, Sub Dub, We, and the Soundlab collective, active in the New York experimental dance/electronic music scene during the 1990s.

Terre Thaemlitz is a musician, composer, owner of the record label Comatonse Recordings, and a public speaker. Thaemlitz's work critically combines themes of identity politics – including gender, sexuality, class, linguistics, ethnicity and race – with an ongoing critique of the socio-economics of commercial media production. This diversity of themes is matched by Thaemlitz's wide range of production styles, which include electroacoustic computer music, club-oriented deep house, digital jazz, ambient, and computer-composed neo-expressionist piano solos. Graphic design, photography, illustration, text and video also play a part in Thaemlitz's projects.

Mille Plateaux is a German record label founded in 1994 by Achim Szepanski in Frankfurt, as a sublabel of Force Inc. Music Works. Its releases in the fields of minimal techno, glitch music and other experimental electronic music have a lasting influence.

Olivia Records is a women's music record label founded in 1973 by lesbian members of the Washington D.C. area. It was founded by Ginny Berson, Meg Christian, Judy Dlugacz, Jennifer Woodul, Kate Winter and five other women. Olivia Records sold two million records and produced about 40 albums during its twenty years of operation.

The Vera List Center for Art and Politics is an American nonprofit research organization and public forum for art, culture, and politics, established in 1992. Vera List was an American art collector and philanthropist.

The Boulevard House, now the Southwest Detroit Community House, is located in Southwest Detroit, Michigan and situated right on the Boulevard, in the articulation of Mexicantown, Mexican Village, and Hubbard Farms. It is the University of Michigan's settlement house, providing space for praxis among community scholars, community activists and residents. Since it was established in mid-2012, the Boulevard House has been used to create a place-based space to develop projects, engage community and support social change.

Social practice or socially engaged practice in the arts focuses on community engagement through a range of art media, human interaction and social discourse. While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, new genre public art, socially engaged art, dialogical art, participatory art, and ecosocial immersionism.

<span class="mw-page-title-main">Chris Strouth</span> Musical artist from Minneapolis

Chris Strouth is an American, Minneapolis-based musician, producer, writer and filmmaker who has been active since 1986, most notably as the founder and organizer of 1990s/2000s electronica collective Future Perfect Sound System, and most recently as the bandleader and composer for experimental/electronic band Paris 1919. His behind-the-scenes production work includes Indianapolis multimedia artist Stuart Hyatt's Grammy-nominated album The Clouds. Strouth also gained national attention in 2009 when he received a life-saving kidney transplant from a donor who connected with him on Twitter, which is believed to be the first such transplant arranged entirely through social networking.

References

  1. G Douglas Barrett (2016). After Sound: Toward a Critical Music. Bloomsbury Publishing. pp. 19–38. ISBN   978-1-501-30809-3. LCCN   2016000521.
  2. Carmona, Susana Jiménez (2020-01-22). "Silences and policies in the shared listening: Ultra-red and Escuchatorio". SoundEffects. 9 (1): 116–131. doi: 10.7146/se.v9i1.112931 . ISSN   1904-500X. S2CID   214072826.
  3. 1 2 Der Audioaktivismus von Ultra-red. Klang als Technologie des Raumes. In: Österreichischer Rundfunk ORF (Austrian Broadcasting), premiered 10th Juli 2008 (in German)
  4. See Ultra-red Mission Statement.
  5. Catalogue of Public Records, in: Website of Public Records