A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film, for either stills or filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape.
A photograph is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor, such as a CCD or a CMOS chip. Most photographs are created using a smartphone/camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process and practice of creating such images is called photography.
A camera is an optical instrument used to capture an image. At their most basic, cameras are sealed boxes with a small hole that allows light in to capture an image on a light-sensitive surface. Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera, the size of the aperture can be widened or narrowed to let more or less light into the camera, and a shutter mechanism determines the amount of time the photo-sensitive surface is exposed to the light.
In A World History of Photography, Naomi Rosenblum states that a view camera is: "A large-format camera in which the lens forms an inverted image on a ground glass screen directly at the plane of the film. The image viewed is exactly the same as the image on the film, which replaces the viewing screen during exposure." However, Rosenblum didn't give size limits for "large format"; and the book includes view camera formats smaller than 4×5, which are commonly seen as the smallest of the large format cameras.
Photographic paper is a paper coated with a light-sensitive chemical formula, like photographic film, used for making photographic prints. When photographic paper is exposed to light, it captures a latent image that is then developed to form a visible image; with most papers the image density from exposure can be sufficient to not require further development, aside from fixing and clearing, though latent exposure is also usually present. The light-sensitive layer of the paper is called the emulsion. The most common chemistry was based on Silver halide but other alternatives have also been used.
Photographic plates preceded photographic film as a capture medium in photography, and were still used in some communities up until the late 20th century. The light-sensitive emulsion of silver salts was coated on a glass plate, typically thinner than common window glass.
Sheet film is large format and medium format photographic film supplied on individual sheets of acetate or polyester film base rather than rolls. Sheet film was initially supplied as an alternative to glass plates. The most popular size measures 4×5 inches; smaller and larger sizes including the gigantic 20×24 inches have been made and many are still available today.
Large format refers to any imaging format of 9×12 cm or larger. Large format is larger than "medium format", the 6×6 cm or 6×9 cm size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras, and much larger than the 24×36 mm (0.95×1.42 inch) frame of 35 mm format.
In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because the extremely light-sensitive chemicals a camera film must use to capture an image quickly enough for ordinary picture-taking are darkened, rather than bleached, by exposure to light and subsequent photographic processing.
A darkroom is used to process photographic film, to make prints and to carry out other associated tasks. It is a room that can be made completely dark to allow the processing of the light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water.
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white (monochrome) photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.
A contact print is a photographic image produced from film; sometimes from a film negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or photographic paper is placed emulsion side down, in contact with a piece of photographic paper, light is briefly shone through the negative or paper and then the paper is developed to reveal the final print.
Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative, a positive transparency , or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Digital photographs are commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing".
A film holder is a device that holds one or more pieces of photographic film, for insertion into a camera or optical scanning device such as a dedicated film scanner or a flatbed scanner with film scanning capabilities. The widest use of the term refers to a device that holds sheet film for use in large format cameras, but it can also refer to various interchangeable devices in medium format or even 135 film camera systems.
Banquet photography is the photography of large groups of people, typically in a banquet setting such as a hotel or club banquet room, with the objective of commemorating an event. Clubs, associations, unions, circuses and debutante balls have all been captured by banquet photographers.
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film.
Paper texture effects in calotype photography limit the ability of this early process to record low contrast details and textures. A calotype is a photographic negative produced on uncoated paper. An important feature is that a relatively short exposure in a camera produces a latent image that is subsequently made visible by development. Then positive images for viewing are obtained by contact printing. This technique was in use principally from 1840 into the 1850s, when it was displaced by photography on glass. Skilled photographers were able to achieve dramatic results with the calotype process, and the reason for its eclipse may not be evident from viewing reproductions of early work.
The solar camera, or solar enlarger, is an ancestor of the darkroom enlarger, and was used in the mid-to-late 19th century to make photographic enlargements from negatives.
