Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal. The picture recreates a despoiling scene in a Roman circus where dead gladiators are stripped of weapons and garments. Together with other works of the Spanish Academy, the Spoliarium was on exhibit in Rome in April 1884.
Fernando Cueto Amorsolo was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," he was the first-ever to be recognized as a National Artist of the Philippines. He was recognized as such for his "pioneering use of impressionistic technique" as well as his skill in the use of lighting and backlighting in his paintings, "significant not only in the development of Philippine art but also in the formation of Filipino notions of self and identity."
Félix Resurrección Hidalgo y Padilla was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano López Jaena, although he neither involved himself directly in that movement, nor later associate himself with the First Philippine Republic under Emilio Aguinaldo.
The baro’t saya or baro at saya is a traditional dress ensemble worn by women in the Philippines. It is a national dress of the Philippines and combines elements from both the precolonial native Filipino and colonial Spanish clothing styles. It traditionally consists of four parts: a blouse, a long skirt, a kerchief worn over the shoulders, and a short rectangular cloth worn over the skirt.
España y Filipinas is a series of oil on wood paintings by Filipino painter, ilustrado, and revolutionary activist, Juan Luna. It is an allegorical depiction of two women together, one a representation of Spain and the other of the Philippines. The painting, also known as España Guiando a Filipinas, is regarded as one of the “enduring pieces of legacy” that the Filipinos inherited from Luna.
Las Damas Romanas, also known as The Roman Maidens, The Roman Women, or The Roman Ladies, is an oil on canvas painted by Juan Luna in the style of the Neo-Classicism, one of the most famous Filipino painters of the Spanish period in the Philippines. It was painted by Luna when he was a student of the school of painting in the Real Academia de Bellas Artes de San Fernando in Madrid, Spain in 1877. Alejo Valera, a Spanish painting teacher, took Luna as an apprentice and brought him to Rome where Luna created Las Damas Romanas in 1882. Skilled in the style of the Academy he was the first Filipino painter to win international recognition in Europe and the US.
The Death of Cleopatra, also known simply as Cleopatra, is an 1881 oil painting on canvas by the Filipino painter Juan Luna, currently on display at the Museo del Prado in Madrid, Spain. Depicting the death of Cleopatra, the last active ruler of Ancient Egypt, the painting was painted during Luna's stay in Rome, and later won a silver medal during the 1881 National Exposition of Fine Arts in Madrid, which was also his first art exposition.
The Blood Compact is an 1886 “historic and historical' painting by Filipino painter Juan Luna.
La Bulaqueña, literally "the woman from Bulacan" or "the Bulacan woman", also sometimes referred to as Una Bulaqueña, is the Spanish title of an 1895 painting by Filipino painter and revolutionary activist Juan Novicio Luna. Bulacan is a province in the Philippines in Luzon island and its residents are called Bulaqueños, also spelled as Bulakenyos in the Filipino language. It is a "serene portrait", of a Filipino woman wearing a María Clara gown, a traditional Filipino dress that is composed of four pieces, namely the camisa, the saya, the pañuelo, and the tapis. The name of the dress is an eponym to María Clara, the mestiza heroine of Filipino hero José Rizal's novel Noli Me Tangere. The woman's clothing in the painting is the reason why the masterpiece is alternately referred to as María Clara. It is one of the few canvases done by Luna illustrating Filipino culture. The painting is displayed at the National Museum of Fine Arts.
The Parisian Life, also known as Interior d'un Cafi, is an oil on canvas impressionist painting made by Filipino painter and revolutionary activist Juan Luna in 1892. The painting presently owned by the Government Service Insurance System is currently exhibited at the National Museum of Fine Arts after the state pension fund transferred management of its collection to the National Museum in March 2012.
Las Virgenes Cristianas Expuestas al Populacho or The Christian Virgins Exposed to the Populace is a famous 1884 history painting by Filipino painter, reformist, and propagandist Félix Resurrección Hidalgo. The painting is alternately known as The Christian Virgins Exposed to the Rabble, Jovenes Cristianas Expuestas al Populacho, Christian Virgins Presented to the Populace, The Christian Virgins Being Exposed to the Populace, and Christian Virgins Exposed to the Mob.
The Battle of Lepanto is a painting by Filipino painter and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. Painted by Luna in 1887, the masterpiece is about the Battle of Lepanto of October 7, 1571. The painting features Don Juan of Austria in battle while at the bow of a ship. It is one of the “huge epic canvasses” painted by Luna. The painting is also known as The Battle of Lepanto of 1571.
The Chula series or Chula studies is a succession of paintings created by Filipino painter and revolutionary activist Juan Luna about the so-called "chulas" or working-class women of Madrid, Spain. Luna is well known for illustrating "striking and commercially lucrative" depictions of "women of the streets" of Madrid. Exemplars of these are Luna's Una Chula I and Una Chula II paintings.
The Biblioteca Museu Víctor Balaguer is located in Vilanova i la Geltrú and was founded in 1884 by Víctor Balaguer so as to thank the city for its support during his politician career. Since 2000 the museum is part of the National Art Museum of Catalonia and the library is part of the National Library of Catalonia.
Ang Mestisa is a well-known Tagalog-language novel written by Filipino novelist Engracio L. Valmonte in 1920. Published in two parts, the novel was divided into two books entitled Ang Mestisa Unang Bahagi and Ang Mestisa Ikalawang Bahagi. The novel was published in Manila, Philippines by the Imprenta Ilagan y Compañia in 1921. It was printed by the Imprenta Nacional during the American period in Philippine history. Later on, the novel was adapted as a zarzuela.
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in human communities, such as their own.
Maria de la Paz Pardo de Tavera y Gorricho was a Philippine mestiza and wife of Filipino painter Juan Luna. Though born in the Philippines, she and her family moved to Paris some time after her father Félix's death in 1864. She had two children with Luna: Andrés and María de la Paz, though the latter died when she was three years old.
The La Pintura is a painting by Félix Resurrección Hidalgo done in the style of Impressionism. The painting depicts a woman holding an paintbrush while turning back to the viewer, as she gazes towards an unfinished canvas. Hidalgo's La Pintura was subsequently sold for a world record of the artist of PHP78.256 million at a Salcedo Auctions' Important Philippine Art sale in the Philippines on September 21, 2019.
The Philippines Exposition was a colonial exhibition held in El Retiro, Madrid, in 1887, in order to boost commercial and economic relations between the archipelago of the Philippines and the metropolis.
