Mars Needs Women is a 1968 independently made American made-for-television science fiction film from Azalea Pictures. The film was produced, written, and directed by self-proclaimed schlock artist/auteur Larry Buchanan, and stars Tommy Kirk, Yvonne Craig, and Byron Lord. The film was released in first-run syndication by American International Pictures without a theatrical release.
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Free, White and 21 is a 1963 movie by self-proclaimed "schlockmeister" director Larry Buchanan. It was based on the true story of the controversial trial of a black man accused of raping a white woman in Dallas, Texas in the 1960s. The title is a version of the archaic American idiomatic phrase "free, white, and twenty-one", which means "beholden to no one".
Larry Buchanan, born Marcus Larry Seale Jr., was a film director, producer and writer, who proclaimed himself a "schlockmeister". Many of his extremely low-budget films have landed on "worst movie" lists or in the public domain, but all at least broke even and many made a profit. Most of his films were made for television and were never shown theatrically.
Ski Party is a 1965 American teen musical comedy film directed by Alan Rafkin and starring Frankie Avalon and Dwayne Hickman. It was released by American International Pictures (AIP). Ski Party is considered as a beach party film spin-off, with a change of setting from the beach to the ski slopes – although the final scene places everyone back at the beach.
Joseph Patrick Cranshaw was an American character actor known for his distinctive look and deadpan humor. He is best known for one of his last roles, that of Joseph "Blue" Pulaski, a fraternity brother, in the 2003 hit comedy Old School. Some sources state that this role gave him "pop-culture status".
Bandolero! is a 1968 American Western film directed by Andrew V. McLaglen and starring James Stewart, Dean Martin, Raquel Welch and George Kennedy. The story centers on two brothers on the run from a posse, led by a local sheriff who wants to arrest the runaways and free a hostage that they took along the way. They head into the wrong territory, which is controlled by "Bandoleros".
In the Year 2889 is a 1969 American made-for-television horror science fiction film from American International Pictures about the aftermath of a future nuclear war. The film stars Paul Petersen, Quinn O'Hara, Charla Doherty, Neil Fletcher and Hugh Feagin. AIP commissioned low-budget cult film auteur Larry Buchanan to produce and direct this film as a color remake of Roger Corman's 1956 film Day the World Ended.
The Eye Creatures is a 1967 American made-for-television comedy horror science fiction film about an invasion by a flying saucer and its silent, shambling alien occupants.
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.
The Loch Ness Horror is a 1981 independent monster movie directed by Larry Buchanan. The film was written by Buchanan and Lyn Schubert.
Beyond the Time Barrier is a 1960 American science fiction film. It was released in September 1960 on a double bill with The Angry Red Planet. It starred Robert Clarke and directed by Edgar G. Ulmer. Ulmer's wife Shirley acted as a script editor while their daughter Arianne Arden appeared as a Russian pilot. It was one of two low budget sci-fi films shot back-to-back in Dallas, Texas by Ulmer. The combined filming schedule for both films was only two weeks.
It's Alive! is a 1969 American monster movie directed by Larry Buchanan and distributed by American International Pictures. The story concerns a mad farmer who tries to feed a stranded couple to a dinosaur he keeps in a cave.
Creature of Destruction is a 1967 American made-for-television film produced and directed by Larry Buchanan. It is an uncredited color remake of the 1956 movie The She Creature directed by Edward L. Cahn.
Curse of the Swamp Creature is a 1968 American-made for television horror science fiction film directed by Larry Buchanan. Although Buchanan was producing low-budget 16mm color remakes of American International Pictures sci-fi movies for television distribution around this time, he claimed this was an original even though it bears more than a few striking similarities to the 1957 AIP film Voodoo Woman.
The 27th Annual Annie Awards were held on November 6, 1999.
A Bullet for Pretty Boy is a 1970 American action film from director Larry Buchanan. It stars Fabian Forte as gangster Pretty Boy Floyd and co-stars Jocelyn Lane in her final performance before retiring from acting in 1971.
Five Little Peppers in Trouble is a 1940 American black and white comedy-drama film. It was the fourth and final Five Little Peppers film.
Common Law Wife is a 1963 American exploitation film shot in Texas.
The Trial of Lee Harvey Oswald is a 1964 American legal drama/historical fiction film directed by Larry Buchanan. It is the first speculative trial drama about Lee Harvey Oswald, the assassin of U.S. President John F. Kennedy and murderer of Dallas police officer J. D. Tippit. Produced in Dallas only a few months after the assassination and Oswald's murder by Jack Ruby, the film attempts to simulate Oswald's trial if he had lived. The prosecution asserts that Oswald committed the crime for political reasons based in his Marxist beliefs, while his attorney presents an insanity defense, claiming that he had suffered from untreated paranoid schizophrenia since adolescence. As the viewer acts as a juror, with the judge and attorneys looking straight into the camera and talking directly to the unseen "jury" several times, no verdict is given. Dallas criminal defense attorney Charles W. Tessmer appears after the film to summarize its contents and to encourage viewers to debate among themselves.
