Mark Rothko, born Markus Yakovlevich Rothkowitz, was a Latvian-born American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.
Abstract expressionism was first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism. Alfred Barr was the first to use this term in 1929 for works by Wassily Kandinsky.
Clyfford Still was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues like Jackson Pollock and Mark Rothko, who continued to paint in figurative-surrealist styles well into the 1940s.
Barnett Newman was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense of place that viewers experience with art and incorporate simplistic forms to emphasize this feeling.
The Rothko Chapel is a non-denominational chapel in Houston, Texas, founded by John and Dominique de Menil. The interior serves not only as a chapel, but also as a major work of modern art: on its walls are fourteen paintings by Mark Rothko in varying hues of black. The shape of the building—an octagon inscribed in a Greek cross—and the design of the chapel were largely influenced by the artist. The chapel sits two miles southwest of downtown in the Montrose neighborhood, situated between the building housing the Menil Collection and the Chapel of Saint Basil on the campus of the University of Saint Thomas. About 110,000 people visit the chapel each year.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
The Rothko case was the protracted legal dispute between Kate Rothko, the daughter of the painter Mark Rothko; the painter's estate executors; and the directors of his gallery, Marlborough Fine Art. The revelations in the case of greed, abuses of power and conspiracy by financial interests in the art world were described by the New York Court of Appeals, the highest court of New York state, as "manifestly wrongful and indeed shocking", serving as a cautionary tale for both artists and their gallerists.
Events from the year 1954 in art.
Events from the year 1958 in art.
Herbert Ferber was an American Abstract Expressionist, sculptor and painter, and a "driving force of the New York School."
No. 61 is a 1953 painting by the Russian-American Abstract expressionist artist Mark Rothko. The work was first exhibited at the Museum of Modern Art, New York in 1961 but is now in the collection of the Museum of Contemporary Art, Los Angeles. Similar to Rothko's other works from this period, No. 61 consists of large expanses of color with dark shades. Rust and Blue was a part of the Color Field movement. Rust and Blue also uses layered coloring. Rothko described this as "inner light". Rothko painted in such a way that at times paint can be seen flowing upward across the surface.
Untitled (Black on Grey) is an 1970 acrylic on canvas painting by Mark Rothko, featuring a black rectangle and a grey rectangle.
M. Knoedler & Co. was an art dealership in New York City founded in 1846. When it closed in 2011, amid lawsuits for fraud, it was one of the oldest commercial art galleries in the US, having been in operation for 165 years.
Mark Rothko Art Centre is a multi-functional institution of culture, arts and education, located inside the arsenal building of the Daugavpils fortress in Daugavpils, Latvia. It is a unique in Eastern Europe, in that some original paintings of Mark Rothko are on public display, on loan from the proprietors. He was one of the greatest artists of the 20th century and was categorized by others, but not by himself, as a member of the abstract expressionism movement, specifically color-field painting, for his famous serene few color rectangle large paintings.
No. 6 is a 1951 painting by the Latvian-American abstract expressionist artist Mark Rothko. It was painted in 1951. In common with Rothko's other works from this period, No. 6 consists of large expanses of colour delineated by uneven, hazy shades. In 2014, it became one of the most expensive paintings sold at auction.
No. 10 is a 1958 painting by the Jewish-American Abstract expressionist artist Mark Rothko. It was painted in 1958.
The Ten, also known as The Ten Whitney Dissenters, were a group of New York–based artists active from 1935 to 1940. Expressionist in tendency, the group was founded to gain exposure for its members during the economic difficulty of the Great Depression, and also in response to the popularity of Regionalism which dominated the gallery space its members sought.
No. 3/No. 13 is an 1949 oil on canvas painting of American artist Mark Rothko created in 1949. The painting is composed of symmetrical rectangular blocks of magenta, black and green colors on orange background. No.3/No.13 was also influenced by the loss of Rothko's mother, who died in October 1948. It is held at the Museum of Modern Art, in New York.
