In Swahili culture, most notably in Zanzibar and in some areas of western Kenya, [1] the word unyago refers both to a set of rituals and to the music and dance styles that are traditionally associated with such rituals.
The unyago rituals were practiced to celebrate the coming of age of girls or during weddings. In those rituals, older women would teach the young ones about sex and conjugal life. [2] These rituals would last several days and be accompanied by dances and music.
In modern East Africa, unyago rituals are still occasionally practiced, but unyago dances and music are also performed independent of such rituals, [3] [4] as part of the local folk music. Bi Kidude and Bi Ngwali are two well-known Zanzibari singers who occasionally perform unyago music. [4]
Dance is an art form, often classified as a sport, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves.
As it is in other countries, the music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. Singeli has since the mid-2000s been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.
Korea has produced music from thousands of years, until the modern day. After the division of Korea in 1945, both North and South Korea have produced their own styles of music.
Taarab is a music genre popular in Tanzania and Kenya. It is influenced by the musical traditions of the African Great Lakes, North Africa, the Middle East, and the Indian subcontinent. Taarab rose to prominence in 1928 with the advent of the genre's first star, Siti binti Saad.
Huayno is a genre of popular Andean music and dance. It is especially common in Peru, Western Bolivia, Northern Argentina and Northern Chile, and is practiced by a variety of ethnic groups, especially the Quechua people. The history of Huayno dates back to colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp, siku (panpipe), accordion, saxophone, charango, lute, violin, guitar, and mandolin. Some elements of huayno originate in the music of the pre-Columbian Andes, especially on the territory of the former Inca Empire. Huayno utilizes a distinctive rhythm in which the first beat is stressed and followed by two short beats.
The culture of Nepal encompasses the various cultures belonging to the 125 distinct ethnic groups present in Nepal. The culture of Nepal is expressed through music and dance; art and craft; folklore; languages and literature; philosophy and religion; festivals and celebration; foods and drinks.
Fatuma binti Baraka, popularly known as Bi Kidude, was a Zanzibari-born Tanzanian Taarab singer. She has been called the "queen of Taarab and Unyago music" and was inspired by Siti binti Saad. Born in the village of Kitumba in modern-day Kati District of Unguja South Region and raised the village of Mfagimaringo, Bi Kidude was the daughter of a coconut seller in colonial Zanzibar. Bi Kidude's exact date of birth is unknown and much of her life story is uncorroborated, but she was believed to be the oldest touring singer in the world before her death. In 2005, Bi Kidude received the WOMEX award for her contribution to music and culture in Zanzibar. She was the subject of two documentaries by film maker Andrew Jones.
Calinda is a martial art, as well as a kind of folk music and war dance in the Caribbean which arose in the 1720s. It was brought to the Caribbean by Africans In the transatlantic slave trade and is based on native African combat dances.
The Danza de los Voladores, or Palo Volador, is an ancient Mesoamerican ceremony/ritual still performed today, albeit in modified form, in isolated pockets in Mexico. It is believed to have originated with the Nahua, Huastec and Otomi peoples in central Mexico, and then spread throughout most of Mesoamerica. The ritual consists of dance and the climbing of a 30-meter pole from which four of the five participants then launch themselves tied with ropes to descend to the ground. The fifth remains on top of the pole, dancing and playing a flute and drum. According to one myth, the ritual was created to ask the gods to end a severe drought. Although the ritual did not originate with the Totonac people, today it is strongly associated with them, especially those in and around Papantla in the Mexican state of Veracruz. The ceremony was named an Intangible cultural heritage by UNESCO in order to help the ritual survive and thrive in the modern world. The Aztecs believed that Danza de los Voladores was the symbol of their culture.
Cultural retention is the act of retaining the culture of a specific ethnic group of people, especially when there is reason to believe that the culture, through inaction, may be lost. Many African-American, European and Asian organizations have cultural retention programs in place.
Kagura is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura, indicating the presence of gods in the practice.
Jongmyo jerye (Korean: 종묘제례) or jongmyo daeje (종묘대제) is a traditional rite held for worshipping the deceased Joseon monarchs in Jongmyo Shrine, Seoul, South Korea. It is held every year on the first Sunday of May. The jongmyo rite is usually accompanied with the court music playing (Jerye-ak) and dance called Ilmu or line dance. Jongmyo jerye and jeryeak were designated as the first of South Korea's Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO in 2001.
The Diablada, also known as the Danza de los Diablos, is an Andean folk dance performed in Bolivia the Altiplano region of South America, characterized by performers wearing masks and costumes representing the devil and other characters from pre-Columbian theology and mythology. combined with Spanish and Christian elements added during the colonial era. Many scholars have concluded that the dance is descended from the Llama llama dance in honor of the Uru god Tiw, and the Aymaran ritual to the demon Anchanchu, both originating in pre-Columbian Bolivia
Thidambu Nritham is a Hindu ritual dance performed in Temples of North Malabar in India. It is mainly performed by Namboothiris and rarely other Brahmin, Thiyyar communities like Shivalli, Karhade and Havyaka.
Brave Festival – Against Cultural Exile is an annual Polish music festival launched in 2005 by Song of the Goat Theatre Association. It takes place in Wroclaw, as well as in other cities in Lower Silesia. Since inception, artists from all over the world have been invited to present their musical/cultural traditions. The festival is intended as an opportunity for attendees to speak about where they come from, their values, their traditions and their spirituality. It aims to save and protect forgotten, abandoned and forlorn cultures. Brave Festival also has a project called Brave Kids, which aims is to introduce, integrate and start a collaboration of artistic groups of childs from different continents. Grzegorz Bral is the director of Brave Festival.
Gendang beleq is a dance and music performance from Lombok island, Indonesia. It is a popular performance among the native Sasak people.
The Mising people are a Sino-Tibetan ethnic group inhabiting mostly in the Northeast Indian states of Assam and Arunachal Pradesh. They are part of the greater Tani group of people of India and Tibet Autonomous Region of China.
Yeongsanjae is a Korean Buddhist ceremony which re-enacts Siddhartha Gautama delivering the sermon now known as the Lotus Sutra. The attendees would learn self-discipline from this ceremony, and it consists of various rituals. Primarily preserved and conducted by the Taego Order, the ceremony, which takes place annually on June 6, includes tea ceremonies, decorations, prayers, rites of purification, offerings to Buddha and rites for the dead. There are also many different music that is used in the ceremonies, along with use of certain Martial arts.
The Booger Dance is a traditional dance of the Cherokee tribe, performed with ritual masks. It is performed at night-time around a campfire, usually in late fall or winter.
Arab folk dances, also referred to as Oriental dance, Middle-Eastern dance and Eastern dance, are the traditional folk dances of the Arabs in Arab world. Arab dance has many different styles, including the three main types of folklore, classical, and contemporary. It is enjoyed and implemented throughout the Arab region, from North Africa to the Middle East.