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Vacant Possession | |
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Directed by | Margot Nash |
Written by | Margot Nash |
Produced by | John Winter |
Starring | Pamela Rabe John Stanton Toni Scanlan Tommy Lewis Tony Barry |
Cinematography | Dion Beebe |
Edited by | Veronika Jenet |
Music by | Alistair Jones |
Distributed by | Wintertime Films |
Release date |
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Running time | 95 minutes |
Country | Australia |
Language | English |
Vacant Possession is a 1995 Australian drama film directed and written by Margot Nash and starring Pamela Rabe and John Stanton. The film was nominated for 5 awards at the 1995 Australian Film Institute Awards. [1]
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Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before. [2] [3]
Nominations
The Australian Academy of Cinema and Television Arts Awards, known as the AACTA Awards, are presented annually by the Australian Academy of Cinema and Television Arts (AACTA). The awards recognise excellence in the film and television industry, both locally and internationally, including the producers, directors, actors, writers, and cinematographers. It is the most prestigious awards ceremony for the Australian film and television industry. They are generally considered to be the Australian counterpart of the Academy Awards for the U.S. and the BAFTA Awards for the U.K.
The AACTA Award for Best Film is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote, and celebrate Australia's greatest achievements in film and television". The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1969 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Award for Best Film.
The AACTA Award for Best Direction is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films.
The AACTA Award for Best Actress in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote, and celebrate Australia's greatest achievements in film and television".
The AACTA Award for Best Actor in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1971 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuation of the AFI Award for Best Actor in a Leading Role.
The Australian Film Institute Award for Best Screenplay was an award presented intermittently by the Australian Film Institute (AFI), for an Australian screenplay written directly for the screen or based on previously released or published material. It was handed out at the Australian Film Institute Awards, which are now the AACTA Awards after the establishment of the Australian Academy of Cinema and Television Arts (AACTA), by the AFI. The award was handed out from 1975-1977, 1980-1982, 1990-1992, and again in 2007; two separate awards were created for "Best Adapted Screenplay" and "Best Original Screenplay" and have been presented intermittently from 1978-1979, 1983-1989, 1993-2006, and then from 2008, onwards. The award was first presented at the 1974-75 awards as a film prize which included a cash reward of $A1000.
The Well is a 1997 Australian film directed by Samantha Lang and starring Pamela Rabe, Miranda Otto, Paul Chubb, and Frank Wilson. It is based on the 1986 novel of the same name by Elizabeth Jolley.
The Longford Lyell Award is a lifetime achievement award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is "to identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for technical achievements in feature film, television, documentaries and short films. From 1968 to 2010, the award was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Raymond Longford Award.
Pamela Rabe is a Canadian–Australian actress and theatre director. A graduate of the Playhouse Acting School in Vancouver, Rabe is best known for her appearances in the Australian films Sirens, Cosi and Paradise Road, and for starring as Joan Ferguson in the television drama series Wentworth.
The AACTA Award for Best Lead Actor in a Television Drama is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in Australian feature film, television, documentaries and short films. From 1986 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Lead Actor in a Television Drama.
The Australian Academy of Cinema and Television Arts (AACTA) is a professional organisation of film and television practitioners in Australia. The Academy's aim is "to identify, award, promote, and celebrate Australia's greatest achievements in film and television".
The Inaugural Australian Academy of Cinema and Television Arts Awards, known more commonly as the AACTA Awards, presented by the Australian Academy of Cinema and Television Arts (AACTA), honoured the best Australian and foreign films of 2011 took place on two separate events, in Sydney, New South Wales: the AACTA Awards Luncheon, on 15 January 2012, at the Westin Hotel, and the AACTA Awards Ceremony, on 31 January 2012, at the Sydney Opera House. Following the establishment of the Australian Academy of Cinema and Television Arts, by the Australian Film Institute (AFI), these awards marked the inauguration of the AACTA Awards, but served as a continuum to the AFI Awards, which were presented by the AFI since 1958. The ceremony was televised on the Nine Network.
The AACTA Award for Best Feature Length Documentary, is a non-feature film award presented by the Australian Academy of Cinema and Television Arts (AACTA) to an Australian documentary that is longer than sixty minutes in duration and "is a creative treatment of actuality other than a news, current affairs, sports coverage, magazine, infotainment or light entertainment program. Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards from 2009–2010. A single award for Best Documentary was handed out from 1958–2008, before it was split into three categories: Best Feature Length Documentary, Best Documentary Under One Hour and Best Documentary Series. The award is presented at the AACTA Awards Luncheon, a black tie event which celebrates achievements in film production, television, documentaries and short films.
The AACTA Award for Best Visual Effects or Animation is an award presented by the Australian Academy of Cinema and Television Arts (AACTA) for achievements in visual effects in film, television, documentary and short film. The award was first presented by the Australian Film Institute (AFI) at the Australian Film Institute Awards from 2006 to 2010, prior to the establishment of the Academy. In 2014 the award for Best Visual Effects was renamed Best Visual Effects or Animation. Additionally, this category is now open to any film, television or documentary production, regardless of geography, which has had 100% of its visual effects and animation made in Australia.
The AACTA Award for Best Young Actor is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1991 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Young Actors Award.
The AACTA Award for Best Original Screenplay is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), for an Australian screenplay "written directly and originally for the screen". Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards. It was first handed out in 1978 when the award for Best Screenplay was split into two categories: Best Original Screenplay and Best Adapted Screenplay. The award has since been presented intermittently from 1978-1979, 1983-1987, 1989, 1993-2006, and then from 2008-present.
The Australian Film Institute Award for Best Sponsored Documentary was an award presented by the Australian Film Institute (AFI). It was presented at the Australian Film Institute Awards, which are now the AACTA Awards after the establishment of the Australian Academy of Cinema and Television Arts (AACTA), by the AFI. The award was handed out from 1983-1986.
The Australian Film Institute Award for Best Foreign Film was an award presented by the Australian Film Institute (AFI), for a film made outside of Australia in English or non-English language. It was handed out at the Australian Film Institute Awards, which are now the AACTA Awards after the establishment of the Australian Academy of Cinema and Television Arts (AACTA), by the AFI. The Award was handed out from 1992–2004.
The AACTA Award for Best Adapted Screenplay is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), for an Australian screenplay "based on material previously released or published". Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards. It was first handed out in 1978 when the award for Best Screenplay was split into two categories: Best Original Screenplay and Best Adapted Screenplay. The award has since been presented intermittently from 1978–1979, 1983–1987, 1989, 1993–2003, 2005–2006, and then from 2008–present.
Ben Osmo is an Australian Production Sound Mixer. He is recipient of an Academy Award, three AACTA Awards and an honorary Australian Centenary Medal 2001. He is best known for his works Dead Calm (1989), Strictly Ballroom (1991) and Mad Max: Fury Road, which earned him the Academy Award for Best Sound Mixing at the 88th Academy Awards alongside Chris Jenkins and Gregg Rudloff.