Valerie Brooks Samson (born 16 October 1948) is an American composer, ethnomusicologist and performer with a special interest in China. She plays Chinese violin, sheng (bamboo mouth organ), and several other Chinese instruments. [1] [2] [3]
Samson was born in St. Louis, Missouri. [4] She earned a B.A. from Boston University, an M.A. from the University of California (Berkeley), and a Ph.D. at the University of California (Los Angeles); UCLA). [5] Her dissertation was entitled: The Modern Chamber Concerto as Genre: György Ligeti's Chamber Concerto (1969-1970) And Chamber Concerto (Original Composition). [6] Her teachers included Andrew Imbrie, Hugo Norden, Olly Wilson, and Betty Wong. [7]
From 1969 to 1970, Samson was a radio programmer/announcer at station WTBS in Cambridge, Massachusetts. From 1971 to 1972, she was the music director of Picchi Youth Orchestra in Oakland, California. [8] During the 1970s, Samson began playing zhonghu (2-stringed fiddle) with Betty Wong’s Flowing Spring Ensemble and with Lawrence Lui’s Chinese Instrumental Music Association. She performed on the hichiriki with Suenobu Togi’s Gagaku Ensemble at UCLA. [2] In 1977, Samson became an editor at Ear Magazine, a bimonthly publication on the west coast. [9]
In 1985, Samson was awarded the $1,000 John Lennon Award for graduate students in music. This award funded her video documentary about sheng. [10] She studied the development of the erhu as a participant in the 1988-89 National Program for Advanced Research and Study in China. [11]
Samson belongs to the Association for Chinese Music Research (ACMR), Chinoperl (Chinese Oral and Performing Literature), the International Alliance for Women in Music, the Society for Asian Music, and the Society for Ethnomusicology. At UCLA, she taught classes on Chinese music. She researches the changing role of traditional hugin instruments in today’s performance practice. [2] Her publications include:
A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
György Sándor Ligeti was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".
György Kurtág is a Hungarian composer of contemporary classical music and pianist. According to Grove Music Online, with a style that draws on "Bartók, Webern and, to a lesser extent, Stravinsky, his work is characterized by compression in scale and forces, and by a particular immediacy of expression". In 2023 he was described as "one of the last living links to the defining postwar composers of the European avant-garde".
Esa-Pekka Salonen is a Finnish conductor and composer. He was the music director of the San Francisco Symphony and conductor laureate of the Los Angeles Philharmonic, Philharmonia Orchestra in London and the Swedish Radio Symphony Orchestra. He resigned from the San Francisco Symphony in 2024.
Pierre-Laurent Aimard is a French pianist.
Unsuk Chin is a South Korean composer of contemporary classical music, who is based in Berlin, Germany. Chin was a self-taught pianist from a young age and studied composition at Seoul National University as well as with György Ligeti at the Hochschule für Musik und Theater Hamburg.
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I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as "frozen" time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer.
Chen Yi is a Chinese-American composer of contemporary classical music and violinist. She was the first Chinese woman to receive a Master of Arts (M.A.) in music composition from the Central Conservatory of Music in Beijing. Chen was a finalist for the 2006 Pulitzer Prize for Music for her composition Si Ji, and has received awards from the Koussevistky Music Foundation and American Academy of Arts and Letters, as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2010, she was awarded an Honorary Doctorate from The New School and in 2012, she was awarded the Brock Commission from the American Choral Directors Association. She was elected to the American Academy of Arts and Letters in 2019.
Hormoz Farhat was a Persian-American composer and ethnomusicologist who spent much of his career in Dublin, Ireland. An emeritus professor of music, he was a fellow of Trinity College, Dublin. Described by the Irish Times as a "gifted and distinctive composer of contemporary classical music," his compositions include orchestral, concertante, piano and choral music, as well string quartets and chamber works. He also wrote numerous film scores, including that of Dariush Mehrjui's 1969 film The Cow. However, his musicological research dominates his legacy; his writings on the music of Iran—a country which he insisted be called 'Persia'—were pivotal in ethnomusicology, particularly his acclaimed 1990 study The Dastgah Concept in Persian Music.
Junsang Bahk is a celebrated Korean composer, also active in Austria.
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Detlev Müller-Siemens is a German composer and conductor.
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Patsy Rogers is an American composer and teacher who has won several awards and commissions. She is active in the International Alliance for Women in Music (IAWM).