Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies (M.C.). The entertainment, as performed by an ensemble of actors and according to its European origins, is often oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets.
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
Butoh is a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II, butoh arose in 1959 through collaborations between its two key founders, Tatsumi Hijikata and Kazuo Ohno. The art form is known to "resist fixity" and is difficult to define; notably, founder Hijikata Tatsumi viewed the formalisation of butoh with "distress". Common features of the art form include playful and grotesque imagery, taboo topics, and extreme or absurd environments. It is traditionally performed in white body makeup with slow hyper-controlled motion. However, with time butoh groups are increasingly being formed around the world, with their various aesthetic ideals and intentions.
The Apollo Theater is a multi-use theater at 253 West 125th Street in the Harlem neighborhood of Upper Manhattan in New York City. It is a popular venue for black American performers and is the home of the TV show Showtime at the Apollo. The theater, which has approximately 1,500 seats across three levels, was designed by George Keister with elements of the neoclassical style. The facade and interior of the theater are New York City designated landmarks and are listed on the National Register of Historic Places. The nonprofit Apollo Theater Foundation (ATF) operates the theater, as well as two smaller auditoriums at the Victoria Theater and a recording studio at the Apollo.
Canada's contemporary theatre reflects a rich diversity of regional and cultural identities. Since the late 1960s, there has been a concerted effort to develop the voice of the 'Canadian playwright', which is reflected in the nationally focused programming of many of the country's theatres. Within this 'Canadian voice' are a plurality of perspectives - that of the First Nations, new immigrants, French Canadians, sexual minorities, etc. - and a multitude of theatre companies have been created to specifically service and support these voices.
Vancouver, British Columbia, is one of Canada's largest cities and foremost cultural centers.
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque.
Neo-burlesque, or new burlesque, is the revival and updating of the traditional American burlesque performance. Though based on the traditional burlesque art, the new form encompasses a wider range of performance styles; neo-burlesque can include anything ranging from classic striptease to modern dance to theatrical mini-dramas to comedic mayhem.
An Grianán Theatre is the largest theatre in County Donegal. Located in Letterkenny's Port Road district, its current director is Patricia McBride. With a seating capacity of 383, the theatre provides a range of programming including drama, comedy, music, pantomime, and family shows as well as workshops and classes.
The Court Jesters is a professional improv company founded in 1989 and based in Christchurch, New Zealand. It is a subsidiary of the Court Theatre professional theatre company, acting as a second company within the theatre.
Theatre in Omaha has existed since the founding of the city in 1856. Nationally notable actors have come from the city. There are active community theatres, and some theatres and acting companies have reached national prominence.
The Orlando International Fringe Theatre Festival is a 14-day annual arts festival that takes place in Orlando, Florida, every May. The festival features 850 ticketed theatrical performances on indoor and outdoor stages, produced by local, national and international artists. It is an open access performing arts festival, meaning there is no selection committee, and anyone may participate, with any type of performance.
The PuSh International Performing Arts Festival is produced over three weeks each winter on the unceded and traditional territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ first nations, primarily in the territory that was the seasonal and ancestral village of K’emk’emeláy, colloquially known as Vancouver, British Columbia.
New York is a major center for all types of music. Its diverse community has contributed to introducing and spreading many genres of music, including salsa, jazz, folk, rock and roll, and classical. New York's plethora of music venues and event halls serve as popular markers which have housed many noteworthy artists.
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost its popularity, beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s.
Theater in Pittsburgh has existed professionally since the early 1800s and has continued to expand, having emerged as an important cultural force in the city over the past several decades.
Theatre was introduced to Qatar in the mid-20th century, primarily by students who went on to form their own theatrical troupes and production companies throughout the 1970s and 1980s. Most plays are hosted at the Qatar National Theater and the Qatar National Convention Centre.
Trixie Minx is a burlesque dancer, producer, healthcare advocate, and cultural ambassador based in New Orleans, Louisiana. As a performer she is best known for her unique style of striptease combining comedy with classic burlesque. She is well known for her collaborations with musicians and charitable organizations as well as her devotion to preservation and growth of New Orleans arts and culture. She produces multiple New Orleans–based circus art and burlesque shows and designs custom entertainment for both public and private events.
Alice Atherton, was a dancer, comedian, actress, and theatrical performer during the late 19th century.
Dainty Smith is a Toronto-based actor, playwright, and burlesque performer. She is the founder of Les Femmes Fatales: Women of Colour Burlesque Troupe, Canada's first burlesque troupe for Black women and women of colour, femmes and gender non-conforming persons. Her interdisciplinary work engages themes of glamour, afrofuturism, queer thriving, body positivity, and Blackness.
