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Vanessa Platacis | |
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Born | 1973 |
Notable work | PIXNIT, L’ E’tat, C’test Moi, 4 Pleasant Street: A Retrospective, ¡NO!, Taking Place |
Vanessa Platacis (born 1973) is an American contemporary artist, known for her large scale painting installations and her paintings and performance art. Platacis hand draws and cuts stencils that are used to paint directly onto walls using a variety of spray paint and graffiti techniques. Her work has been featured in galleries and private collections in Boston, Cambridge, Los Angeles, Miami, New Mexico, and France as well as the SCOPE Art Show in Basel, Switzerland. Currently, she lives and works on an island off the coast of Savannah, GA and teaches painting at the Savannah College of Art and Design.
Platacis is an American and received an M.F.A. in studio art from the School of the Museum of Fine Arts at Tufts, Boston, MA and a B.F.A. in painting from New Mexico State University, Las Cruces, NM.
Platacis’ early work from 2005-2010 introduced pattern and decoration into her street art, being strongly influenced by the Pattern and Decoration movement. Her installations are site-specific and are designed to exist only in the space for which they were created so the viewer can engage and interact with the public spaces in new ways.
Platacis' first museum exhibition was in 2008 at the DeCordova Museum and Sculpture Park [1] [2] in Lincoln, MA and a 10 year retrospective of her work titled 4 Pleasant Street: A Retrospective was on view in Cambridge, MA. She has been a guest speaker at the Institute of Contemporary Art, Boston and numerous universities along the east coast and has been a contributing writer to ARTPULSE Magazine.
Platacis’ 2,700 square-foot permanent painting installation Taking Place opened in September, 2019 at the Peabody Essex Museum in Salem, MA. [3] [4] [5] [6]
Platacis worked under the pseudonym PIXNIT, The pseudonym is based on the Latin phrase pinxit, meaning "he/she painted this work," which often accompanied artist signatures on European Late Medieval and Renaissance paintings. In 2007 The Boston Globe ran a feature story about her artwork. [7] Her painting style, combining graffiti with a distinctive stenciling technique, was guerilla art designed to simultaneously beautify and to critique the uses and misuses of the urban environment. [8]
Art critics championed PIXNIT’s work and it was also greatly admired by more wide-ranging viewers. In 2008 she was voted The Best of Boston Graffiti/Street/Performance Artist. [9] Her fans used the catchphrase “That’s so PIXNIT” in reference to a decorative element added to any surface. Platacis ended this body of work by releasing an obituary for PIXNIT claiming that “she was missing and was presumed dead in the spring of 2010 - last seen April 2nd when filmed by a CCTV camera near Pont Alexandre in Paris, France.” Platacis won the New England Art Award for Performance Art in 2010.
In conjunction with the first SCOPE Art Fair in Basel, Switzerland in 2007, [10] PIXNIT created a large-scale (12' x 30') painting installation, designed to challenge assumptions about graffiti in the urban environment. [11] Using a combination of hand-cut stencils and vinyl, the installation critiqued accepted histories relating to beauty and taste.
Co-organized by the Cambridge Arts Council and curator Geoff Hargadon, 4 Pleasant Street: A Retrospective is the first full-scale retrospective of work by Platacis. The 16' x 40' installation included dozens of her most recognizable paintings from her body of work as PIXNIT. The work brings together multi-cultural patterns and a monochromatic color palette to reflect Platacis’ contribution to the history of street art, painting and performance in Boston, Massachusetts.
On January 21, 2017, Platacis attended the 2017 Women's March in Washington D.C., the largest protest in U.S. history. Her performance work during the event, titled "¡NO!" was protest art and led to one of the iconic visual images of the march in addition to being published in dozens of books and magazines including The New York Times and Rolling Stone. [12] The marchers that attended that day went on to win the prestigious PEN/Toni and James C. Goodale Freedom of Expression Courage Award. [13] For Platacis, the performance used public space to address socio-political issues and to bring attention to policies regarding human rights, including women's rights, immigration reform, healthcare reform, reproductive rights, the environment, LGBTQ rights, racial equality, freedom of religion and workers' rights.
Taking Place is a 2,700 sq. ft. painting installation that reimagines some of the Peabody Essex Museum's most beloved objects from their global collections. [3] Platacis' research-based art practice resulted in 210 stencils, all drawn and cut by hand. Organic forms and curvilinear lines emerge as dominant elements across generations and cultures as her labor-intensive contemporary approach to painting connects to the skill and artistry embedded within the historic objects of PEM's collection. The exhibition opened September 2019 and all 210 stencils have been acquired by PEM for the museum's permanent collection.
Salem is a historic coastal city in Essex County, Massachusetts, United States, located on the North Shore of Greater Boston. Continuous settlement by Europeans began in 1626 with English colonists. Salem was one of the most significant seaports trading commodities in early American history. Prior to the dissolution of county governments in Massachusetts in 1999, it served as one of two county seats for Essex County, alongside Lawrence.
The Peabody Essex Museum (PEM) in Salem, Massachusetts, US, is a successor to the East India Marine Society, established in 1799. It combines the collections of the former Peabody Museum of Salem and the Essex Institute. PEM is one of the oldest continuously operating museums in the United States and holds one of the major collections of Asian art in the United States. Its total holdings include about 1.3 million pieces, as well as twenty-two historic buildings.
Montserrat College of Art is a private, non-profit art college located in Beverly within Essex County of Massachusetts. The school is accredited by both the New England Commission of Higher Education and the National Association of Schools of Art and Design.
Frank Weston Benson, frequently referred to as Frank W. Benson, was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his best known paintings depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.
OSGEMEOS are identical twin street artists Otavio Pandolfo and Gustavo Pandolfo. They started painting graffiti in 1987 and their work appears on streets and in galleries across the world.
Benjamin Pickman Jr. was a U.S. Representative from Massachusetts.
John Fekner is an American artist known for his spray painted environmental and conceptual outdoor works.
Blek le Rat is a French graffiti artist. He was one of the first graffiti artists in Paris, and has been described as the "Father of stencil graffiti".
The Essex Institute Historic District is a historic district at 134-132, 128, 126 Essex Street and 13 Washington Square West in Salem, Massachusetts. It consists of a compact group of properties associated with the Essex Institute, founded in 1848 and merged in 1992 into the Peabody Essex Museum. Listed by increasing street number, they are: the Crowninshield-Bentley House, the Gardner-Pingree House, the John Tucker Daland House, and the Phillips Library. The John Ward House, which fronts on Brown Street but shares the 132 Essex Street address, is another National Historic Landmark within the district. The Andrew Safford House at 13 Washington Square West, built in 1819, was said to be the most expensive home in New England at the time.
Ange-Joseph Antoine Roux, "Antoine Roux" (1765–1835) was a French fine art painter who specialised in maritime painting, sometimes referred to as marine art.
The Essex Institute (1848–1992) in Salem, Massachusetts, was "a literary, historical and scientific society." It maintained a museum, library, historic houses; arranged educational programs; and issued numerous scholarly publications. In 1992 the institute merged with the Peabody Museum of Salem to form the Peabody Essex Museum.
Christopher Wool is an American artist. Since the 1980s, Wool's art has incorporated issues surrounding post-conceptual ideas.
The Phillips Library of the Peabody Essex Museum (PEM) is a rare books and special collections library. It is made up of the collections of the former Peabody Museum of Salem and the Essex Institute. Both had libraries named for members of the Phillips family.
Charles Osgood (1809–1890) was an American artist from Salem, Massachusetts, who also worked briefly in Boston and New York City. Examples of his work are in the American Antiquarian Society, Historic New England, Harvard University, Massachusetts Historical Society, and Peabody Essex Museum.
Michele Felice Cornè (1752–1845) was an artist born in Elba who settled in the United States. He lived in Salem and Boston, Massachusetts; and in Newport, Rhode Island. He painted marine scenes, portraits, and interior decorations such as fireboards and murals.
Anila Quayyum Agha is a Pakistani–American cross-disciplinary artist. Agha explores social and gender roles, global politics, cultural multiplicity, and mass media within drawing, painting, and large-scale installations. In 2014, Agha's piece Intersections won the international art competition, Artprize, twice over with the Public Vote Grand Prize and the Juried Grand Prize in a tie with Sonya Clark, the first time in Artprize's history.
Vasundhara (Vas) Prabhu is the Director of Education at the Farnsworth Art Museum located in Rockland, Maine. She has over 42 years of experience in museum education where she has worked to increase diversity within the field and has been nationally recognized for her pioneering work in education programs particularly family guides and in exhibition interpretation and education oriented spaces within the museum viewing experience.
D.Y. Begay is a Navajo textile artist born into the Tóʼtsohnii Clan and born from the Táchiiʼnii Clan.
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