Plot
Somebody's running a takeover on crime lord King Lathrop's (Owen Watson) operation using bogarts in Hannibal Lecter lookalike masks. Clueless, King Lathrop calls private detective Velvet Smooth (Johnnie Hill) for help. With the help of her friends Ria (Elsie Roman), a lawyer, and Frankie (René Van Clief), she infiltrates the criminal underworld to investigate.
Velvet finds this may be an inside job led by King Lathrop's man Calvin (James Durrah). When Velvet reports this to Lathrop, he denies it at first but the problems come closer to Calvin. Hurt by it all, Lathrop fires Calvin. Although Lathrop thinks Calvin masterminded the take-over on his own, Velvet remains unconvinced and seeks further to find out who was the man behind the man.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970s disco. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
This is a list of notable events in music that took place in the year 1954.
This is a list of notable events in music that took place in the year 1953.
Morgan Clyde "Bobby" Robinson was an American independent record producer and songwriter in New York City, most active from the 1950s through the mid-1980s.
The following is a list of players and managers (*), both past and current, who appeared at least in one regular season game for the Chicago White Sox franchise.
The following is a list of players, past and present, who have appeared in at least one competitive game for the Boston Red Sox American League franchise, known previously as the Boston Americans (1901–07).
Like a Version is a weekly segment on Australian youth radio station triple j. It involves Australian and international artists playing two songs live in the triple j studio, one of their own songs and then a cover version, hence the name of the segment. The title is wordplay on the Madonna song "Like a Virgin".
Massimo Corvo is an Italian actor and voice actor.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the Black power movement, and the Black Panthers spurred black artists to reclaim power over their image, and institutions like UCLA to provide financial assistance for students of color to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
2009 HKFC International Soccer Sevens is the 10th staging of this competition. It was held on 29–31 May 2009.
Django Unchained is a 2012 American revisionist Western film written and directed by Quentin Tarantino, starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson, with Walton Goggins, Dennis Christopher, James Remar, Michael Parks, and Don Johnson in supporting roles. Set in the Old West and Antebellum South, it is a highly stylized, heavily revisionist tribute to spaghetti Westerns, in particular the 1966 Italian film Django by Sergio Corbucci. The story follows a slave who trains under a German bounty hunter with the ultimate goal of reuniting with his wife.
JAZZ: The Smithsonian Anthology is a six-CD, box-set released by Smithsonian Folkways that covers the history of jazz. The set includes 111 tracks with representative works from many styles, including big band, dixieland, free jazz, fusion, Latin jazz, swing, and smooth jazz. An accompanying 200-page book includes essays, analysis, and photographs.
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