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The Venice Baroque Orchestra is a baroque orchestra founded in 1997 by the Italian conductor and harpsichordist Andrea Marcon, based in Venice, Italy. [1] [ dead link ]
Antonio Lucio Vivaldi was an Italian composer, virtuoso violinist and impresario of Baroque music. Along with Johann Sebastian Bach and George Frideric Handel, Vivaldi ranks amongst the greatest Baroque composers and his influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom.
Pietro Alessandro Gaspare Scarlatti was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.
Venice is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 126 islands that are separated by expanses of open water and by canals; portions of the city are linked by 472 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers. In 2020, around 258,685 people resided in greater Venice or the Comune di Venezia, of whom around 51,000 live in the historical island city of Venice and the rest on the mainland (terraferma). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million.
Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from Italian concerto which means "playing together"—hence concertato means "in the style of a concerto." In contemporary usage, the term is almost always used as an adjective, for example "three pieces from the set are in concertato style."
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of the middle Renaissance, and was one of the major stylistic developments which led directly to the formation of what is now known as the Baroque style. A commonly encountered term for the separated choirs is cori spezzati—literally, "broken choruses" as they were called, added the element of spatial contrast to Venetian music. These included the echo device, so important in the entire baroque tradition; the alternation of two contrasting bodies of sound, such as chorus against chorus, single line versus a full choir, solo voice opposing full choir, instruments pitted against voices and contrasting instrumental groups; the alternation of high and low voices; soft level of sound alternated with a loud one; the fragmentary versus the continuous; and blocked chords contrasting with flowing counterpoint.
Europa Galante is the Italian period-instrument Baroque orchestra founded by violinist Fabio Biondi in 1990 and directed by him.
Francesco Gasparini was an Italian Baroque composer and teacher whose works were performed throughout Italy, and also on occasion in Germany and England.
A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts. Baroque orchestras originated in France where Jean-Baptiste Lully added the newly re-designed hautbois (oboe) and transverse flutes to his orchestra, Les Vingt-quatre Violons du Roi. As well as violins and woodwinds, baroque orchestras often contained basso continuo instruments such as the theorbo, the lute, the harpsichord and the pipe organ.
Johann Georg Pisendel was a German Baroque violinist and composer who, for many years, led the Court Orchestra in Dresden as concertmaster, then the finest instrumental ensemble in Europe. He was the leading violinist of his time, and composers such as Tomaso Albinoni, Georg Philipp Telemann and Antonio Vivaldi all dedicated violin compositions to him.
Rondò Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondò Veneziano pieces. The unusual addition of modern instruments, more suitable for jazz, combined with Reverberi's arrangements and original compositions, have resulted in lavish novel versions of classical works over the years. As a rule in their concert tours, the musicians, mostly women, add to the overall Baroque effect wearing Baroque-era attire and coiffures.
The city of Venice in Italy has played an important role in the development of the music of Italy. The Venetian state—i.e. the medieval Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing. There is music everywhere."
Joseph Abaco was an Italian violoncellist and composer. He was born and baptised in Brussels, the capital of the Spanish Netherlands, on 27 March 1710, and was musically trained by his father, Evaristo Felice dall'Abaco.
L'Orione (Orion) is an opera in three acts and a prologue by the Italian composer Francesco Cavalli with a libretto by Francesco Melosio. It was first performed at the Royal Theatre, Milan, in June 1653 to celebrate the election of Ferdinand IV as King of the Romans. The libretto had originally been written for the Teatro San Moisè, Venice, in 1642. Orione was revived in Santa Fe, New Mexico, in 1983 by the conductor and musicologist Raymond Leppard.
Giuliano Carmignola is an Italian violinist. Born in Treviso, he studied with his father, then with Luigi Ferro at the Venice Conservatory and afterwards with Nathan Milstein and Franco Gulli at the Accademia Chigiana in Siena, Italy and Henryk Szeryng at the Geneva Conservatory. In 1973, he was awarded a prize in the International Paganini Competition in Genoa.
Andrea Marcon is an Italian conductor, organist, harpsichordist, and scholar. In 1997, he founded the Venice Baroque Orchestra. Marcon studied at the Schola Cantorum Basiliensis. He was awarded the Handel Prize in 2021.
Filippo Maria Bressan is an Italian conductor.
Modo Antiquo is an Italian instrumental ensemble dedicated to the performance of Baroque, Renaissance, and Medieval music. It was founded in 1984 by Federico Maria Sardelli. Twice nominated for a Grammy award, the ensemble has an extensive discography, primarily on the Naïve, Brilliant Classics, and Tactus labels and have given the first performances in modern times of several works by Vivaldi. Modo Antiquo's larger ensemble is its Baroque orchestra led by Sardelli. It also has a smaller ensemble devoted to Medieval and Renaissance music led by Bettina Hoffmann.
Romina Basso is an Italian mezzo-soprano with an extensive discography of baroque opera recordings. She is particularly noted for her performances of Vivaldi.
For Giovanni Battista Pergolesi's L'Olimpiade, see L'Olimpiade (Pergolesi)
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