|Venus in Furs|
|Directed by||Massimo Dallamano|
|Produced by||Alfredo Leone (uncredited)|
|Written by||Inge Hilger|
|Starring|| Laura Antonelli |
|Music by||Gian Franco Reverberi|
Venus in Furs (Italian : Venere in pelliccia) (also known as Devil in the Flesh) is a 1969 Italian erotic drama film directed by Massimo Dallamano. Based on the novel Venus in Furs by Leopold von Sacher-Masoch, the film was first released in 1969 in Germany under the title Venuz im pelz. In Italy, the film did not pass the censorship examination because of the sex scenes deemed too rough and all attempts to overcome the censorship's remarks, with various cut versions, were unsuccessful. The film was eventually released in 1973 under the title Venere nuda, but even this cut version was confiscated after a few days for contempt of decency. In 1975, the film was finally released in Italian cinemas under the title Le malizie di Venere, in a heavily censored version which was altered by a new editing and by the introduction of new scenes filmed by Paolo Heusch, which turned the film plot into a giallo . The new title was a specific reference to lead actress Laura Antonelli's box-office success in Malizia (1973).
Italian is a Romance language of the Indo-European language family. Italian descended from the Vulgar Latin of the Roman Empire and, together with Sardinian, is by most measures the closest language to it of the Romance languages. Italian is an official language in Italy, Switzerland, San Marino and Vatican City. It has an official minority status in western Istria. It formerly had official status in Albania, Malta, Monaco, Montenegro (Kotor) and Greece, and is generally understood in Corsica and Savoie. It also used to be an official language in the former Italian East Africa and Italian North Africa, where it still plays a significant role in various sectors. Italian is also spoken by large expatriate communities in the Americas and Australia. Italian is included under the languages covered by the European Charter for Regional or Minority languages in Bosnia and Herzegovina and in Romania, although Italian is neither a co-official nor a protected language in these countries. Many speakers of Italian are native bilinguals of both Italian and other regional languages.
Massimo Dallamano, sometimes credited as Max Dillman, Max Dillmann or Jack Dalmas, was an Italian director and director of photography.
Venus in Furs is a novella by the Austrian author Leopold von Sacher-Masoch, and the best known of his works. The novel was to be part of an epic series that Sacher-Masoch envisioned called Legacy of Cain. Venus in Furs was part of Love, the first volume of the series. It was published in 1870.
Based on the infamous novel by Leopold Sacher-Masoch, the film follows the perverted passions of a young couple as Severin watches the beautiful Wanda writhing naked amongst furs. Being a peeping tom triggers a whirlpool of emotions due to a childhood episode which punishes voyeurism with pain.
Laura Antonelli was an Italian film actress, who appeared in 45 films between 1964 and 1991.
Renate Kasché is a German actress known for such films as A Black Veil for Lisa, Josefine Mutzenbacher, Lady Frankenstein and Devil in the Flesh.
Werner Pochath was an Austrian film actor. He had been the partner of the ballet director of the Hamburg State Opera John Neumeier.
Leopold Ritter von Sacher-Masoch was an Austrian nobleman, writer and journalist, who gained renown for his romantic stories of Galician life. The term masochism is derived from his name, invented by his contemporary, the Austrian psychiatrist Richard von Krafft-Ebing. Masoch did not approve of this use of his name.
The following outline is provided as an overview of and topical guide to BDSM:
Seduction: The Cruel Woman is a 1985 West German film, directed by Elfi Mikesch and Monika Treut, who both also wrote the screenplay. Wanda is played by Mechthild Großmann. The film was inspired by Leopold von Sacher-Masoch's Venus in Furs.
Sardax is the pseudonym for an English FemDom artist based in London. Sardax’s ink drawings and watercolours were a hobby that has now evolved into two published books, a magazine, limited prints and commissioned pieces. He has also created book covers plus countless book and magazine illustrations in addition to graphic art for logos, on-line banners, flyers and posters. Sardax has a website, www.sardax.com, for devotees of female domination. There is some free content, but the majority is accessible by paid membership only. A search on the web will yield multiple sites with Sardax artwork despite the author’s copyright.
Dominance and submission is a set of behaviours, customs, and rituals involving the submission of one person to another in an erotic episode or lifestyle. It is a subset of BDSM. This form of sexual contact and pleasure has been shown to only please a certain minority of people.
The Legacy of Cain is an unfinished cycle of novellas by the 19th century Austrian author Leopold von Sacher-Masoch. His original plan was to group various novellas into 6 volumes, each of which was titled according to its central theme; those are "Love", "Property", "State", "War", "Work", and "Death". Only the first two volumes, "Love" (1870) and "Property", (1877) were completed. By the middle of the 1880s, Masoch abandoned the grandiose idea of The Legacy of Cain, although some of the novellas intended for the cycle had been published.
Venus in Furs is an 1870 novella by Leopold von Sacher-Masoch.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the 1967 album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism, bondage and submission.
She Killed in Ecstasy is a 1971 West German-Spanish erotic thriller film directed by Jesús Franco. The film's plot borrows elements from previous Franco films Miss Muerte and Venus in Furs. The film's productions staff includes many cast members and nearly the same crew as his previous film Vampyros Lesbos.
Eva von Sacher-Masoch, Baroness Erisso was an Austrian aristocrat, great-niece of utopian humanist author Leopold von Sacher-Masoch (1836–1895) whose father Leopold Johann Nepomuk Ritter von Sacher, combined his own with the von Masoch Slovak aristocratic title of his wife when his loyal services as Commissioner of the Imperial Police Forces in Lemberg were rewarded with a new title, Sacher-Masoch , by the Austrian Emperor.
Venus in Furs is a 1969 Italian supernatural erotic thriller film directed by Jesús Franco and starring James Darren.
Venus with a Mirror is a painting by Titian, now in the National Gallery of Art in Washington, DC, and it is considered to be one of the collection's highlights.
Severin, Séverin or Severinus is a masculine given name. It is derived from Latin severus "severe, serious, strict". It may refer to:
Venus in Furs is a 1995 film by filmmakers and independent art-house Dutch film producers Maartje Seyferth and Victor Nieuwenhuijs and it was their first feature film. The film has been shot on black-and-white 35mm film.
Venus in Furs is a 1967 sexploitation film, directed by Joe Marzano, and starring Barbara Ellen. The script was written by Marzano and Ellen, suggested by the novel of the same name by Leopold von Sacher-Masoch.
Venus in Fur is a 2013 French erotic drama film directed by Roman Polanski. It is based on the play of the same name by American playwright David Ives, which itself was inspired by Leopold von Sacher-Masoch's novel Venus in Furs. It stars Emmanuelle Seigner and Mathieu Amalric, the only actors in the film.
Masochism: Coldness and Cruelty is a 1967 book by Gilles Deleuze, originally published in French as Le Froid et le Cruel, in which the author philosophically examines the work of the late 19th-century Austrian novelist Leopold von Sacher-Masoch. In the Foreword Deleuze states that Masoch has a particular way of "desexualising love while at the same time sexualizing the entire history of humanity". Deleuze attempts to "cut through" the various forms of expression and content that are the artistic creation of Leopold von Sacher-Masoch. He also attempts to develop a problematic of masochism in contradistinction to sadism, concluding that the two forms of 'pornology' are non-communicating, and cannot be integrated into Sadomasochistic entity. Deleuze argues that Masochism is something far more subtle and complex than the enjoyment of pain and that Masochism has nothing to do with Sadism.
|This article related to an Italian film of the 1960s is a stub. You can help Wikipedia by expanding it.|