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Hans Walter Conrad Veidt was an actor. He attracted early attention for his roles in the films Different from the Others (1919), The Cabinet of Dr. Caligari (1920), and The Man Who Laughs (1928). After a successful career in German silent films, where he was one of the best-paid stars of UFA, Veidt and his new Jewish wife Ilona Prager left Germany in 1933 after the Nazis came to power. The couple settled in Britain, where he took citizenship in 1939. Veidt subsequently appeared in many British films, including The Thief of Bagdad (1940). After emigrating to the United States around 1941, he was cast as Major Strasser in Casablanca (1942), his last film role to be released during his lifetime.
Robert Wiene was a German film director, screenwriter and producer, active during the silent era. He is widely-known for directing the landmark 1920 film The Cabinet of Dr. Caligari and a succession of other expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile.
The Hands of Orlac is a 1924 Austrian silent film directed by Robert Wiene and starring Conrad Veidt, Alexandra Sorina and Fritz Kortner. It is based on the novel Les Mains d'Orlac by Maurice Renard.
The Love Express is a 1931 German musical comedy film directed by Robert Wiene and starring Georg Alexander, Dina Gralla and Joseph Schmidt. No print of the film is known to survive, and it is therefore a lost film. It is based on the operetta Es lebe die Liebe by Alexander Engel and Wilhelm Sterk. It was one of a cycle of operetta films made during the early sound era. A French-language version, Venetian Nights, also directed by Wiene, was released the same year.
Fear is a 1917 German silent horror film written and directed by Robert Wiene and starring Bruno Decarli, Conrad Veidt and Bernhard Goetzke.
Strauss Is Playing Today is a 1928 German silent drama film directed by Conrad Wiene and starring Alfred Abel, Hermine Sterler and Imre Ráday. The film was made at the Tempelhof Studios in Berlin. It portrays the relationship between the father and son Austrian composers Johann Strauss I and Johann Strauss II.
Land Without Women is a 1929 German drama film directed by Carmine Gallone and starring Conrad Veidt, Elga Brink and Clifford McLaglen. It was based on the novel Die Braut Nr. 68 by Peter Bolt. The film is set amongst a community of gold diggers in Western Australia. It was shot at the Staaken and Templehof Studios in Berlin with sets designed by the art directors Hans Sohnle and Otto Erdmann. It was made by the small independent production company Felsom Film using the Tri-Ergon sound-on-film process, the first full-length German-speaking sound film to be released. It was followed a month later by the first all-talking film Atlantik, which had been made in Britain.
Madness (German:Wahnsinn) is a 1919 German silent horror film directed by Conrad Veidt and starring Veidt, Reinhold Schünzel and Grit Hegesa. The film's art direction was by Willi Herrmann.
Nocturne of Love is a 1919 German silent historical film directed by Carl Boese and starring Conrad Veidt and Clementine Plessner. It portrays the life of the composer Frederic Chopin and is known by the alternative title Chopin.
Kurt Brenkendorf was a German stage and film actor.
The Merry-Go-Round is a 1920 German silent film directed by Richard Oswald and starring Asta Nielsen, Conrad Veidt and Eduard von Winterstein. It was adapted from the 1897 play, La Ronde by Arthur Schnitzler.
Unheimliche Geschichten, also known as Grausige Nächte or Eerie Tales, is a 1919 German silent anthology film directed by Richard Oswald and starring Conrad Veidt, Reinhold Schünzel, and Anita Berber. The film is divided into five segments: "The Apparition", "The Hand", "The Black Cat", "The Suicide Club" and "Der Spuk".
The Eyes of the World is a 1920 German silent film directed by Carl Wilhelm and starring Conrad Veidt, Ressel Orla and Anton Edthofer.
The Japanese Woman is a 1919 German silent mystery film directed by Ewald André Dupont and starring Max Landa, Manja Tzatschewa and Conrad Veidt.
The Mexican is a 1918 German silent film directed by Carl Heinz Wolff and starring Ferdinand Bonn and Conrad Veidt. It is a lost film.
The Clan is a 1920 German silent drama film directed by Carl Wilhelm and starring Ressel Orla, Johannes Riemann and Conrad Veidt.
Prostitution is a 1919 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Reinhold Schünzel and Gussy Holl. It was released in two parts Das gelbe Haus and Die sich verkaufen. It was one of several enlightenment films made during the era by Oswald. The physician Magnus Hirschfeld was an advisor on the production. The first part premiered at the Marmorhaus in Berlin.
Willy Gaebel was a German cinematographer active during the silent era. Employed on a number of films at the major studio UFA, he later worked as a still photographer.
Deceiver of the People is a 1921 German silent film directed by Reinhold Schünzel and starring Charles Willy Kayser, Rita Clermont and Margarete Schlegel.
Robert Heymann (1879–1946) was a German screenwriter and film director active during the silent era. He began as a playwright in 1901 and also wrote novels. He worked with the Berlin-based production company Luna Film. For them he directed the four-part Satan's Memoirs, the second most expensive German film made during the First World War. The 1931 film Panic in Chicago was adapted from his novel of the same title. Of Jewish heritage he had to leave Germany following the Nazi takeover.
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- ↑ Jung & Schatzberg p.204
