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An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.
Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
Genre is any form or type of communication in any mode with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists.
The Nibelungenlied, translated as The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the Poetic Edda and in the Völsunga saga.
Biblical poetry such as the Song of the Sea and the Song of Deborah may be considered early examples of Jewish epic poetry, though very short by normal epic standards. Both songs are compared by scholars to Canaanite and Assyrian epic poetry.
Oral literature, orature or folk literature is a genre of literature that is spoken or sung as opposed to that which is written, though much oral literature has been transcribed. There is no standard definition, as anthropologists have used varying descriptions for oral literature or folk literature. A broad conceptualization refers to it as literature characterized by oral transmission and the absence of any fixed form. It includes the stories, legends, and history passed through generations in a spoken form.
Heldenbücher is the conventional title under which a group of German manuscripts and prints of the 15th and 16th centuries has come down to us. Each Heldenbuch contains a collection of primarily epic poetry, typically including material from the Theodoric cycle, and the cycle of Hugdietrich, Wolfdietrich and Ortnit. The Heldenbuch texts are thus based on medieval German literature, but adapted to the tastes of the Renaissance.
Dictée is a 1982 book by Korean American author Theresa Hak Kyung Cha. Considered to be Cha's magnum opus, the book, a genre-bending poetry collection, focuses on several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Saint Thérèse of Lisieux, Demeter and Persephone, Cha's mother Hyun Soon Huo, and Cha herself. All these women are linked by their struggles and the way that nations have affected and twisted their lives.
Edward Mendelson is a professor of English and Comparative Literature and the Lionel Trilling Professor in the Humanities at Columbia University. He is the literary executor of the Estate of W. H. Auden and the author or editor of several books about Auden's work, including Early Auden (1981) and Later Auden (1999). He is also the author of The Things That Matter: What Seven Classic Novels Have to Say About the Stages of Life (2006), about nineteenth- and twentieth-century novels, and Moral Agents: Eight Twentieth-Century American Writers (2015).
"Odysseus' Scar" is the first chapter of Mimesis: The Representation of Reality in Western Literature, a collection of essays by German-Jewish philologist Erich Auerbach charting the development of representations of reality in literature. This first chapter examines the differences between two types of writing about reality embodied by Homer's Odyssey and the Old Testament. In the essay, Auerbach introduces his anti-rhetorical position, a position developed further in the companion essay "Fortunata" which compares the Roman tradition of Tacitus and Petronius with the New Testament, as anathema to a true representation of everyday life. Auerbach proceeds with this comparative approach until the triumph of Flaubert, Balzac and "modern realism".
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose, fiction, drama, poetry, and including both print and digital writing. In recent centuries, the definition has expanded to include oral literature, also known as orature much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.
Michael N. Nagler is an American academic, nonviolence educator, mentor, meditator, and peace activist.
Saad Abdulrahman Albazei is a Saudi intellectual who is known for his critiques of Arabic culture and comparative studies that map the East-West cultural and literary relations.
The Story of Sigurd the Volsung and the Fall of the Niblungs (1876) is an epic poem of over 10,000 lines by William Morris that tells the tragic story, drawn from the Volsunga Saga and the Elder Edda, of the Norse hero Sigmund, his son Sigurd and Sigurd's wife Gudrun. It sprang from a fascination with the Volsung legend that extended back twenty years to the author's youth, and had already resulted in several other literary and scholarly treatments of the story. It was Morris's own favorite of his poems, and was enthusiastically praised both by contemporary critics and by such figures as T. E. Lawrence and George Bernard Shaw. In recent years it has been rated very highly by many William Morris scholars, but has never succeeded in finding a wide readership on account of its great length and archaic diction. It has been seen as an influence on such fantasy writers as Andrew Lang. The Story of Sigurd is available in modern reprints, both in its original form and in a cut-down version, but there is no critical edition.
Dietrich von Bern is the name of a character in Germanic heroic legend who originated as a legendary version of the Ostrogothic king Theodoric the Great. The name "Dietrich", meaning "Ruler of the People", is a form of the Germanic name "Theodoric". In the legends, Dietrich is a king ruling from Verona (Bern) who was forced into exile with the Huns under Etzel by his evil uncle Ermenrich. The differences between the known life of Theodoric and the picture of Dietrich in the surviving legends are usually attributed to a long-standing oral tradition that continued into the sixteenth century. Most notably, Theodoric was an invader rather than the rightful king of Italy and was born shortly after the death of Attila and a hundred years after the death of the historical Gothic king Ermanaric. Differences between Dietrich and Theodoric were already noted in the Early Middle Ages and led to a long-standing criticism of the oral tradition as false.
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the mittelhochdeutsche Blütezeit. This was the period of the blossoming of Minnesang, MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court.
Germanic heroic legend is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period. Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.
William Franke is an American academic and philosopher, professor of Comparative Literature at Vanderbilt University. A main exposition of his philosophical thinking is A Philosophy of the Unsayable (2014), a book which dwells on the limits of language in order to open thought to the inconceivable. On this basis, the discourses of myth, mysticism, metaphysics, and the arts take on new and previously unsuspected types of meaning. This book is the object of a Syndicate Forum and of a collective volume of essays by diverse hands in the series “Palgrave Frontiers in Philosophy of Religion”: Contemporary Debates in Negative Theology and Philosophy. Franke's apophatic philosophy is based on his two-volume On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature, and the Arts (2007), which reconstructs in the margins of philosophy a counter-tradition to the thought and culture of the Logos. Franke extends this philosophy in an intercultural direction, entering the field of comparative philosophy, with Apophatic Paths from Europe to China: Regions Without Borders. In On the Universality of What is Not: The Apophatic Turn in Critical Thinking, Franke argues for application of apophatic thinking in a variety of fields and across disciplines, from humanities to cognitive science, as key to reaching peaceful mutual understanding in a multicultural world riven by racial and gender conflict, religious antagonisms, and national and regional rivalries.
Carol Braun Pasternack was a professor of medieval English literature and language at the University of California, Santa Barbara (UCSB) from 1988 to 2013. She chaired the Medieval Studies department, and was also Dean of Summer Sessions at UCSB in 2011–2013.
References
- ↑ Udwin, Victor Morris (1999). Between Two Armies: The Place of the Duel in Epic Culture. E.J. Brill.
- ↑ Timm, Eitel, ed. (1991). Textuality and Subjectivity: Essays on Language and Being. Camden House.
- ↑ Wunderlich, Werner; Mueller, Ulrich; Gentry, Frank, eds. (2000). The Nibelungen Tradition: An Encyclopedia. New York: Garland.
- 1 2 "Victor Morris Udwin" (PDF). Archived from the original (PDF) on 2006-09-04.