Vijana Jazz

Last updated

Vijana Jazz Orchestra (also known as Vijana Jazz Band or simply Vijana Jazz) [1] [2] is a Tanzanian muziki wa dansi band that reached its peak of popularity in the 1980s. [2] As with many other dansi bands of the times, it was sponsored by a government institution, namely the Umoja wa Vijana, i.e., the youth wing of Tanzania's ruling party Tanganyika African National Union (TANU) (renamed Chama cha Mapinduzi in 1977). [2] [3]

Contents

History

The band was founded in 1971 by John Ondoro Chacha. In 1978, the Tanzanian government passed a law that allowed bands to purchase foreign instruments (something that had previously been forbidden by the Baraza la Muziki la Taifa, a governative council responsible for the regulation of the music business). Vijana Jazz was one of the first bands to take on this opportunity, and in the 1980s it became extremely popular because of its innovative sound that made use of synthesizers and drum machines. [4]

Popular mitindo (styles) created by Vijana Jazz include sindimba, heka heka, koka koka, watoto wa nyumbani and pamba moto. Some of the most notable musicians that have played in Vijana Jazz are Hamza Kalala, Hemedi Maneti, Issa Chikupele and Manitu Musa.

The band declined in popularity in the early 1990s, partly as a consequence of its leader's sudden death (in 1990). [4]

Partial discography

Note: Vijana Jazz records were published by a variety of labels, including at least Africa79, Ahadi, Ken-Tanza, Moto Moto, and Polydor. [1]

Several muziki wa dansi collections include songs by Vijana Jazz. Some examples are:

Footnotes

  1. 1 2 KenTanza Vinyl Archived 27 October 2010 at the Wayback Machine
  2. 1 2 3 Discography of Tanzanian Music
  3. Kelly Michelle Askew (2002). "Performing the nation: Swahili music and cultural politics in Tanzania". University of Chicago Press.
  4. 1 2 Vijana Jazz


Related Research Articles

Simba Wanyika was a Kenyan based band created in 1971 by Tanzanian brothers Wilson Kinyonga and George Kinyonga, and disbanded in 1994. Simba Wanyika and its two offshoots, Les Wanyika and Super Wanyika Stars, became some of the most popular bands in Kenya. Their guitar-driven sound, inspired by the Soukous guitarist Dr. Nico, combined highly melodic rumba with lyrics sung in Swahili. Simba wa nyika means "Lions of the Savannah" in Swahili.

<span class="mw-page-title-main">Music of Tanzania</span> History of music in Tanzania

As it is in other countries, the music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. Singeli has since the mid-2000ss been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.

<span class="mw-page-title-main">Music of Kenya</span>

The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages.

Joseph Mbilinyi, known for his stage names Mr. II, Sugu and 2-proud, is a Tanzanian politician, human rights activist and rapper. He was also elected to the Tanzanian Parliament in 2010 and then 2015 to 2020.

Bongo Flava is a nickname for Tanzanian music. The genre developed in the 1990s, mainly as a derivative of American hip hop and traditional Tanzanian styles such as taarab and dansi, with additional influences from reggae, R&B, and afrobeats, to form a unique style of music. Lyrics are usually in Swahili or English, although increasingly there has been limited use of words from Nigerian languages due to the influence of afrobeats.

Tanzanian Hip-hop, which is sometimes called Bongo Flava by many outside of Tanzania's hip hop community, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop. There is some debate over whether Bongo Flava, which has emerged as a defined pop movement, can really still be qualified under the overarching term "hip hop" and not a movement unto itself, when it is beginning to develop a distinctive sound that differs from hardcore rap or, for example, the Maasai Hip hop of X Plastaz, who use the tradition of the Maasai tribe as the focal point for their sound and style. Tanzanian hip hop influenced the sound of the Bongo Flava genre. While Tanzanian hip hop retains many of the elements found in hip hop globally in terms of sound and lyricism, Bongo flava, derived from the Swahili word "ubongo", incorporates hip hop, Indian filmi, taraab, muzik wa dansi, and dancehall beats. It all began in the 1980s when Tanzanian teenagers were really interested in the American hip hop scene. At first, they took American beats and rapped to them. As the youth rapped, the hip hop in Tanzania began to develop into a mix of traditional and localized hip hop scene. As a result, it began a wave of interest from other people in Eastern Africa.

<span class="mw-page-title-main">Culture of Tanzania</span> History and present of cultural life in Tanzania

Following Tanganyika's independence (1961) and unification with Zanzibar (1964), leading to the formation of the state of Tanzania, President Julius Nyerere emphasised a need to construct a national identity for the citizens of the new country. To achieve this, Nyerere provided what has been regarded by some commentators as one of the most successful cases of ethnic repression and identity transformation in Africa.

Imani Sanga is Professor of Music in the Department of Creative Arts, formerly called Department of Fine and Performing Arts, in the College of Humanities at the University of Dar es Salaam, Tanzania. He teaches courses in Ethnomusicology, Philosophy of Music, Composition and Choral Music. And he conducts the university choir.

<span class="mw-page-title-main">Swahili culture</span> Culture of the Swahili people in Africa

Swahili culture is the culture of the Swahili people inhabiting the Swahili coast. This littoral area encompasses Tanzania, Kenya, and Mozambique, as well as the adjacent islands of Zanzibar and Comoros and some parts of Malawi. They speak Swahili as their native language, which belongs to the Bantu language family. Graham Connah described Swahili culture as at least partially urban, mercantile, literate, and Islamic.

Muziki wa dansi, or simply dansi, is a Tanzanian music genre, derivative of Congolese soukous. It is sometimes called Swahili jazz because most dansi lyrics are in Swahili, and "jazz" is an umbrella term used in Central and Eastern Africa to refer to soukous, highlife, and other dance music and big band genres. Muziki wa dansi can also be referred to as Tanzanian rumba, as "african rumba" is another name for soukous.

Baraza la Muziki la Taifa was a national council created in 1974 by the government of the newly independent Tanzania. Its purpose was to regulate the music business in the country, in the context of a wider programme intended to create a solidified national identity. This, in turn, was a crucial element in Ujamaa, President Julius Nyerere's version of african socialism. Similar institutions were founded to rule over other aspects of the nation's culture, including the nationwide adoption of Swahili language and the development of Tanzanian art (BASATA). The overall idea was to build a new popular culture for the workers and peasants of the country, free from the heritage of colonialism and bourgeoisie culture.

The Cuban Marimba Band was an influential Tanzanian big band from the city of Morogoro. It was founded in 1948 by Salum Abdullah, who had previously formed the Morogoro Jazz Band. For about twenty years, Cuban Marimba was one of the most popular muziki wa dansi bands in Tanzania.

The Dar es Salaam Jazz Band was a Tanzanian big band from Dar es Salaam that was one of the prominent muziki wa dansi bands between the 1960s and 1970s. It was led by Michael Enoch, who would later play in many other major dansi bands. Although Enoch did originally play guitar in the band's first years, he would later be known mostly as a saxophone and trumpet player.

International Orchestra Safari Sound was a popular muziki wa dansi Tanzanian band from 1985 to 1992.

DDC Mlimani Park Orchestra has been one of the most popular Tanzanian muziki wa dansi bands.

Morogoro Jazz Band, also known as K.Z. Morogoro Jazz Band, was a seminal muziki wa dansi band from Morogoro, Tanzania. The band originally played live at the clubs and bars of Morogoro and became very popular in the 1960s and 1970s, receiving considerable airplay from Tanzanian radio stations. The leader of the band was guitarist Mbaraka Mwinshehe, who dropped out of school to join the band in 1965. Coincidentally, the band was formed the same year Mwinsheshe was born, in 1944. The original lineup of the band featured Makala Kindamile, Joseph Thomas, Seif Ally, Daudi Ally and Shaabana Mwambe. Salim Abdullah, who would later found Cuban Marimba Band, was also an early member of the band.

Orchestra Maquis Original is a Tanzanian muziki wa dansi band, originally from DR Congo. Founded in 1970 and still in activity, it is one of the most long-lived dansi bands.

Msondo Ngoma is an influential and long-lived Tanzanian muziki wa dansi band. Having been established in 1964, it is the oldest active dansi band in Tanzania.

Orchestra Safari Sound (OSS) was a major Tanzanian muziki wa dansi band in the 1970s. Along with Orchestra Maquis Original, OSS contributed to the evolution of dansi, introducing a slower-paced and more melodic style that further differentiated dansi from its ancestor genre, the Congolese soukous. The band was led by Ndala Kasheba, one of the most popular musicians in Tanzanian pop music.

Tabora Sound Band, formerly known as Tabora Jazz, is a seminal Tanzanian muziki wa dansi band based in Tabora and led by guitarist Shem Ibrahim Karenga. In the 1970s, their song Dada Asha was a major hit in Tanzania and East Africa. They disbanded in the late 1970s but were later reformed by Karenga.