Vincenzo Civitali (1523 - 1597) was an Italian Renaissance sculptor, jeweler, and architect, active in his native Lucca.
He was the son of the sculptor and architect Nicolao, and the grandson of the sculptor Matteo. Vincenzo is said to have been sent to Rome to study there.
In Lucca, among the projects attributed to Vincenzo are the Funeral Monument to Guidiccioni in the church of San Francesco and being the sole builder of the Walls of Lucca. The Palazzo Guidiccioni of the same family is also attributed to him. He rebuilt the chapel of the Holiest Sacrament in the Lucca Cathedral.
He was dismissed from a role in building military fortifications by a disagreement with Francesco Paciotto in 1579. He moved to work with Alfonso II d'Este in Ferrara and was asked to design a fort in Monte Alfonso in Garfagnana. He resigned that post and moved in 1588 to help design the fortified walls of Lucca. [1]
Arnolfo di Cambio was an Italian architect and sculptor. He designed Florence Cathedral and the sixth city wall around Florence (1284-1333), while his most important surviving work as a sculptor is the tomb of Cardinal de Braye in S. Domenico, Orvieto.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
The Castello Sforzesco is a medieval fortification located in Milan, northern Italy. It was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city's museums and art collections.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
The Basilica of San Frediano is a Romanesque church in Lucca, Italy, situated on the Piazza San Frediano.
The year 1714 in architecture involved some significant events.
Vincenzo Consani (1818-1888) was a prominent Italian sculptor from the Canova school. Consani's marble masterpiece statue Vittoria (1859) is in the Pitti Palace in Florence.
Domenico Antonio Vaccaro was an Italian painter, sculptor and architect. He created many important sculptural and architectural projects in Naples. His later works are executed in an individualistic Rococo style.
Sant'Eustachio[santeuˈstaːkjo] is a Roman Catholic titular church and minor basilica in Rome, named for the martyr Saint Eustace. It is located on Via di Sant'Eustachio in the rione Sant'Eustachio, a block west of the Pantheon and via della Rotonda, and a block east of Sant'Ivo alla Sapienza and the Via della Dogana Vecchia.
Events from the year 1557 in art.
San Francesco is a former Gothic-style Roman-Catholic church and monastery located in Piazza San Francesco in central Lucca, Tuscany, Italy. Since its restoration, it is home to IMT School for Advanced Studies Lucca, a superior graduate school.
San Procolo is an early Gothic-style, Roman Catholic church and former monastery-hospital located on Via Massimo D'Azeglio #52 in central Bologna, region of Emilia Romagna, Italy.
Bartolomeo Guidiccioni was an Italian Roman Catholic bishop and cardinal. He was one of the closest collaborators of Cardinal Alessandro Farnese, both as Bishop of Parma and afterwards when he became Pope Paul III. He served the pope as Vicar of Rome, and Prefect of the Tribunal of the Signature of Justice, as well as a member of several ad hoc commissions of cardinals. He was Bishop of Teramo (1539–1542) and Bishop of Lucca (1546–1549). He was one of the organizers and leading officers of the Council of Trent.
Roberto Stampa was an Italian architect.
The Palazzo Guidiccioni is a 16th-century urban palace located in Lucca, region of Tuscany, Italy. The Guidiccioni had owned the site in the 8th century. Construction if the building we see today is attributed to Vincenzo Civitali. The palace was acquired by the government in 1822.
Nicolao Civitali was an Italian Renaissance sculptor and architect, active in his native Lucca. He was the son of the sculptor Matteo. His son, Vincenzo Civitali, was also a local engineer and architect.
Pietro Francesco Tagliapietra known as Francesco Paciotto was an Italian military and civil architect, born and died in Urbino.
Alessandro Guidiccioni (1557–1637) was a Roman Catholic prelate who served as Bishop of Lucca (1600–1637).
Francesco Buonamici (1596–1677) was an Italian Baroque architect, painter and engraver who was active in Lucca, Malta, Sicily and Rome during the 17th century. He played a significant role in the introduction of Baroque in Malta.