Vincenzo de' Rossi (b. Fiesole, 1525. d. Florence, 1587) was an Italian sculptor.
Vincenzo de' Rossi (b. Fiesole, 1525. d. Florence, 1587) was an Italian sculptor.
Rossi was mentored by Baccio Bandinelli.
Many of Rossi's works historically were incorrectly attributed to Michelangelo, such as Dying Adonis. [1]
Some of his most famous works were his sculptures of the Twelve Labours of Hercules, of which he only completed seven. [2] [1] Six of these sculptures are located in at the Palazzo Vecchio. [2] The seventh labour, Hercules with Atlas, is located at the Villa di Poggio Imperiale.
His statue "St. Joseph with Christ as a Child" resides in the Pantheon in Rome. [3]
Bartolomeo Ammannati was an Italian architect and sculptor, born at Settignano, near Florence. He studied under Baccio Bandinelli and Jacopo Sansovino and closely imitated the style of Michelangelo.
Florence is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 360,930 inhabitants in 2023, and 984,991 in its metropolitan area.
David is a masterpiece of Renaissance sculpture, created from 1501 to 1504 by the Italian artist Michelangelo. With a height of 5.17 metres, the David was the first colossal marble statue after antiquity, a precedent for the 16th century and beyond. David was originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in the public square in front of the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. In 1873, the statue was moved to the Galleria dell'Accademia, Florence, and in 1910 replaced at the original location by a replica.
Baccio Bandinelli, was an Italian Renaissance sculptor, draughtsman, and painter.
The Boboli Gardens is a historical park of the city of Florence that was opened to the public in 1766. Originally designed for the Medici, it represents one of the first and most important examples of the Italian garden, which later served as inspiration for many European courts. The large green area is a real open-air museum with statues of various styles and periods, ancient and Renaissance that are distributed throughout the garden. It also has large fountains and caves, among them the splendid Buontalenti grotto built by the artist, architect, and sculptor Bernardo Buontalenti between 1536 and 1608.
The Farnese Hercules is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.
The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
Santi di Tito was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo, was a former barracks and prison, now an art museum, in Florence, Italy.
Piazza della Signoria is a w-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio. It is the main point of the origin and history of the Florentine Republic and still maintains its reputation as the political focus of the city. It is the meeting place of Florentines as well as the numerous tourists, located near Palazzo Vecchio and Piazza del Duomo and gateway to Uffizi Gallery.
The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.
Hercules and Cacus is an Italian Renaissance sculpture in marble to the right of the entrance of the Palazzo Vecchio in the Piazza della Signoria, Florence, Italy.
Judith and Holofernes (1457–1464) is a bronze sculpture by the Italian Renaissance sculptor Donatello at the end of his career. It is located in the Hall of Lilies, in the Palazzo Vecchio, Florence, Italy. A copy stands in one of the sculpture's original positions on the Piazza della Signoria, in front of the Palazzo Vecchio.
Piazza della Repubblica is a city square in Florence, Italy. It was originally the site of the city's forum; then of its old ghetto, which was swept away during the improvement works, or Risanamento, initiated during the brief period when Florence was the capital of a reunited Italy—work that also created the city's avenues and boulevards. At that time, the Loggia del Pesce from the Mercato Vecchio was also moved to Piazza Ciompi. The square's Giubbe Rosse cafe has long been a meeting place for famous artists and writers, notably those of Futurism.
Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece. It is located in the Loggia dei Lanzi in the Piazza della Signoria in Florence, Italy. The second Florentine duke, Duke Cosimo I de' Medici, commissioned the work with specific political connections to the other sculptural works in the piazza. When the piece was revealed to the public on 27 April 1554, Michelangelo's David, Bandinelli's Hercules and Cacus, and Donatello's Judith and Holofernes were already installed in the piazza.
The Genius of Victory is a 1532–1534 marble sculpture by Michelangelo, produced as part of a design for the tomb of Pope Julius II. It is 2.61 m high and is now in the Salone dei Cinquecento of the Palazzo Vecchio in Florence.
The Fountain of Neptune in Florence, Italy, is situated in the Piazza della Signoria, in front of the Palazzo Vecchio. The fountain was commissioned by Cosimo I de' Medici in 1559 to celebrate the marriage of Francesco de' Medici I to Grand Duchess Joanna of Austria. Cosimo I de' Medici was the Duke of Florence from 1537-1569 and responsible for a vast number of architectural and artistic elements in Florence that still exist today.
Hercules slaying Antaeus, c. 1460, is a painting by the Florentine artist Antonio del Pollaiuolo. It is small at 6 x 3 1/2 inches, painted in egg tempera on a panel of wood. It is now in the Uffizi gallery, Florence.
Hercules and the Hydra is a c. 1475 tempera grassa-on-panel painting by Antonio del Pollaiuolo, forming a pair with the same artist's Hercules slaying Antaeus. Both works are now in the Galleria degli Uffizi in Florence. It measures 17 cm by 12 cm, small like all his surviving mythological paintings. It is assumed that both these are miniature copies by the artist of two out of the three enormous paintings on canvas of the Labours of Hercules commissioned from Antonio and Piero del Pollaiuolo by Piero di Cosimo de' Medici for the Sala Grande of the Palazzo Medici in the 1460s, which have now been lost.
Florence Triumphant over Pisa is an Italian Renaissance sculpture by Giambologna, existing in two versions, as well as a small wax modello. The first is a full-size modello in gesso (plaster) executed in 1565, still in the Palazzo Vecchio Florence, for which it was created. The Victoria and Albert Museum in London has a small wax study, and a small model in clay.
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