Virgile (film)

Last updated

Virgile
Virgile (film).png
Directed by Carlo Rim
Written by
Produced by Jules Borkon
Starring
Cinematography André Thomas
Edited by Monique Kirsanoff
Music by Georges Van Parys
Production
company
Champs-Élysées Productions
Distributed byDiscifilm
Release date
  • 18 November 1953 (1953-11-18)
Running time
91 minutes
CountryFrance
LanguageFrench

Virgile is a 1953 French comedy film directed by Carlo Rim and starring Robert Lamoureux, Yves Robert and Fernand Sardou. [1]

Contents

The film's sets were designed by the art director Robert Clavel.[ citation needed ]

Main cast

Related Research Articles

<span class="mw-page-title-main">School for Advanced Studies in the Social Sciences</span> French higher education institution

The School for Advanced Studies in the Social Sciences is a graduate grande école and grand établissement in Paris focused on academic research in the social sciences. It is regarded as one of the most prestigious institutions of graduate education in France. The school awards Master and PhD degrees alone and conjointly with the grandes écoles École Normale Supérieure, École Polytechnique, and École pratique des hautes études.

Fernand Sardou was a French singer and actor.

<i>The Little Theatre of Jean Renoir</i> 1970 film

The Little Theatre of Jean Renoir is a 1970 television film written and directed by Jean Renoir. The last completed work by Renoir, it consists of three short films: The Last Christmas Dinner, The Electric Floor Waxer and A Tribute to Tolerance.

<i>Marguerite de la nuit</i> 1955 film

Marguerite de la nuit is a 1955 French language motion picture fantasy drama directed by Claude Autant-Lara, and written by Ghislaine Autant-Lara and Gabriel Arout (adaptation), based on novel by Pierre Dumarchais. The film stars Michèle Morgan and Yves Montand.

<span class="mw-page-title-main">Robert Lamoureux</span> French actor

Robert Lamoureux was a French actor, screenwriter and film director. He appeared in more than 30 films between 1951 and 1994. He starred in the film The Adventures of Arsène Lupin, which was entered into the 7th Berlin International Film Festival. He was married to the actress Magali Vendeuil.

<i>The Red Rose</i> (1951 film) 1951 film

The Red Rose is a 1951 French comedy film directed by Marcello Pagliero and starring Françoise Arnoul, Yves Deniaud and Dora Doll. The film's sets were designed by the art director Maurice Colasson. It features a series of musical sketches, and attracted roughly half a million spectators at the French box office.

<i>Service Entrance</i> (1954 film) 1954 film

Service Entrance is a 1954 French comedy drama film directed and written by Carlo Rim and starring Etchika Choureau, Danielle Darrieux and Robert Lamoureux. It was shot at the Billancourt Studios in Paris and at the Louvre Museum. The film's sets were designed by the art director Serge Piménoff.

Papa, Mama, the Maid and I is a French comedy film from 1954, directed by Jean-Paul Le Chanois, written by Marcel Aymé, starring Robert Lamoureux and Louis de Funès.

<i>Radio Surprises</i> 1940 film

Radio Surprises is a 1940 French comedy film directed by Marcel Aboulker and starring Marguerite Moreno, Armand Bernard and Grégoire Aslan. It is a revue show. It was shot at the Epinay Studios in Paris. The film's sets were designed by the art director Marcel Magniez.

<i>Barry</i> (1949 film) 1949 film

Barry is a 1949 French historical drama film directed by Richard Pottier and Karl Anton and starring Pierre Fresnay, Simone Valère and Pauline Carton. The film's sets were designed by the art director Roland Quignon. It is set in the Napoleonic era.

<i>An Idiot in Paris</i> 1967 French film

An Idiot in Paris is a 1967 French comedy film directed by Serge Korber and starring Dany Carrel, Jean Lefebvre and Bernard Blier.

<span class="mw-page-title-main">Salle Gaveau</span> Classical venue in Paris

The Salle Gaveau, named after the French piano maker Gaveau, is a classical concert hall in Paris, located at 45-47 rue La Boétie, in the 8th arrondissement of Paris. It is particularly intended for chamber music.

<i>The Terror with Women</i> 1956 film

The Terror with Women is a 1956 comedy film directed by Jean Boyer and starring Noël-Noël, Jacqueline Gauthier and Yves Robert. It is an adaptation of the 1882 short story Ce cochon de Morin by Guy de Maupassant.

<i>My Wife, My Cow and Me</i> 1952 film

My Wife, My Cow and Me is a 1952 French comedy film directed by Jean Devaivre and starring Erminio Macario, Irène Corday and Annette Poivre.

<i>Irresistible Catherine</i> 1957 film

Irresistible Catherine is a 1957 French comedy film directed by André Pergament and starring Michel Auclair, Marie Daëms and Fernand Sardou.

<i>First on the Rope</i> 1944 film

First on the Rope is a 1944 French drama film directed by Louis Daquin and starring Irène Corday, André Le Gall and Lucien Blondeau. It is an adaptation of the 1941 novel of the same title by Roger Frison-Roche. It was a faithful adaptation of the novel, which began shooting in June 1943 during the German Occupation of France. Despite being directed by Daquin, a French Communist, it was considered to demonstrate a Pétainist ideology possibly even containing elements of Nazism.

<i>Their Last Night</i> 1953 film

Their Last Night is a 1953 French crime drama film directed by Georges Lacombe and starring Jean Gabin, Madeleine Robinson and Robert Dalban. It was shot at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Léon Barsacq.

<i>The Affair of the Poisons</i> (film) 1955 film

The Affair of the Poisons is a 1955 French-Italian historical drama film directed by Henri Decoin and starring Danielle Darrieux, Viviane Romance and Paul Meurisse. The film is adapted from the 1907 play of the same title by Victorien Sardou. It was shot in Technicolor at the Boulogne Studios in Paris. The film's sets were designed by the art director Jean d'Eaubonne. The film is set against the backdrop of the real Affair of the Poisons in seventeenth century France, and demonstrates a darker tone than many more nostalgic depictions of the past.

References

  1. Krautz p.268

Bibliography