Vispop (disambiguation)

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Vispop may refer to:

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<span class="mw-page-title-main">Songwriter</span> Person who writes the words or music to songs

A songwriter is a person who creates musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed among a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers.

<span class="mw-page-title-main">Singer-songwriter</span> Musician who writes, composes, and sings their own material

A singer-songwriter is a musician who writes, composes, and performs their own musical material, including lyrics and melodies. In the United States, the category is built on the folk-acoustic tradition with a guitar, although this role has transmuted through different eras of popular music. Traditionally, these musicians would write and sing songs personal to them. Singer-songwriters often provide the sole musical accompaniment to an entire song. The piano is also an instrument of choice.

Pop-punk is a rock music fusion genre that combines elements of punk rock with power pop or pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes considered interchangeable with power pop and skate punk.

The music of the Philippines includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of Indigenous styles, and various Asian styles, as well as Spanish/Latin American and (US) American influences through foreign rule from those countries.

Noise pop is a subgenre of alternative and indie rock that developed in the mid-1980s in the United Kingdom and United States. It is defined by its mixture of dissonant noise or feedback with the songcraft more often found in pop music. Shoegaze, another noise-based genre that developed in the 1980s, drew from noise pop.

Pop rock is a fusion genre and form of rock music characterized by a strong commercial appeal, with more emphasis on professional songwriting and recording craft, and less emphasis on attitude than standard rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll. It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music.

<span class="mw-page-title-main">Åse Kleveland</span> Norwegian musician, politician and activist (born 1949)

Åse Maria Kleveland is a Norwegian singer, guitarist, politician and activist. She represented Norway in the Eurovision Song Contest 1966 with the entry "Intet er nytt under solen".

<span class="mw-page-title-main">Jukebox musical</span> Musical compiled from existing songs

A jukebox musical is a stage musical or musical film in which a majority of the songs are well-known, pre-existing popular music songs, rather than original music composed for the musical.

Vispop is a music genre which originated from and became popular in the Scandinavian countries in the mid-1960s. The term is derived from the word visa which denotes traditional and popular folk song of Sweden. In Norway the term applied to this type of accompanied singing is visesang. During the 1970s this was among the most popular genres of music in Scandinavia.

<span class="mw-page-title-main">Anugerah Musik Indonesia</span> Annual Indonesian music award

The Anugerah Musik Indonesia, also known as AMI or colloquially AMI Awards, is an annual Indonesian music award ceremony to recognize outstanding achievements in improving the quality and quantity of artists in the mainly Indonesian-language music industry. It has been compared to the American Grammy Awards and British Brit Awards. It provides recognition of the music industry similar to other entertainment ceremonies, such as the Indonesian Television Awards, Festival Film Indonesia, or the Indonesian Movie Actors Awards.

<span class="mw-page-title-main">Ni Rosas Ni Juguetes</span> 2009 single by Paulina Rubio

"Ni Rosas Ni Juguetes" is a song recorded by Mexican recording artist Paulina Rubio for her ninth studio album Gran City Pop (2009). It was written by Claudia Brant, Noel Schajris and Gianmarco Zignago, and produced by Cachorro López. Due to popularity, the song was announced as the second single on July 20, 2009, released official worldwide on August 17, 2009 by Universal Music Latin Entertainment. "Ni Rosas Ni Juguetes" is a Latin pop song with ranchera and hip-hop influences. The song's lyrics discusses Rubio's decision to overcome a relationship and her empowerment.

Punk rap is a subgenre of hip hop music influenced by the rebellious ethos, and sometimes musical characteristics, of punk rock. The genre has been described as being influenced by styles such as trap music, punk rock, heavy metal and lo-fi music.

City pop is a loosely defined form of Japanese pop music that emerged in the late 1970s and peaked in popularity during the 1980s. It was originally termed as an offshoot of Japan's Western-influenced "new music", but came to include a wide range of styles – including funk, disco, R&B, AOR, soft rock, and boogie – that were associated with the country's nascent economic boom and leisure class. It was also identified with new technologies such as the Walkman, cars with built-in cassette decks and FM stereos, and various electronic musical instruments.

Progressive pop is pop music that attempts to break with the genre's standard formula, or an offshoot of the progressive rock genre that was commonly heard on AM radio in the 1970s and 1980s. It was originally termed for the early progressive rock of the 1960s. Some stylistic features of progressive pop include hooks and earworms, unorthodox or colorful instrumentation, changes in key and rhythm, experiments with larger forms, and unexpected, disruptive, or ironic treatments of past conventions.

<span class="mw-page-title-main">Brill Building (genre)</span> Pop genre from New York in the 1960s

Brill Building is a subgenre of pop music that took its name from the Brill Building in New York City, where numerous teams of professional songwriters penned material for girl groups and teen idols during the early 1960s. The term has also become a metonym for the period in which those songwriting teams flourished. In actuality, most hits of the mid-1950s and early 1960s were written elsewhere.

Jude Gitamondoc is a Filipino songwriter, record producer, musical director, and stage director based in Cebu, Philippines. He had won several awards including two Awit Awards, ABS-CBN's Himig Handog TFC Choice Award, StarStudio Reader's Choice Award, Cebu Pop Musical Festival, Golden Screen Awards, and Gawad Urian Award. He had composed, arranged, produced and/or contributed songs for Filipino singers and artists including Regine Velasquez, Piolo Pascual, Toni Gonzaga, KC Concepcion, Gary Valenciano, Eric Santos, Kyla, among others. In addition, he was commissioned in the production of several musical plays both original and adaptations, including the Philippine Daily Inquirer's best musical play of 2017 Gugmang Giatay. He also co-founded the Visayan Pop Songwriting Campaign (Vispop), a yearly songwriting competition for songs written in the Cebuano language.

Visayan Pop Songwriting Campaign, also known as Vispop or Visayan Pop Music Festival, is a Cebuano national songwriting campaign and competition for pop music compositions launched in Cebu City, Philippines on 2012. The competition is under the auspice of Artists and Musicians Marketing Cooperative. From 2013-2017, it was staged in cooperation with the Filipino Society of Composers, Authors and Publishers (FILSCAP). The 2019 edition was organized with the partnership of Sacred Heart School for Boys - Batch 1985 Foundation, but the project was later shelved.

"Vulnerable" is a song by American singer Selena Gomez from her third studio album, Rare (2020), included as the sixth track on the standard version album, and on the deluxe version the eighth track. The track was written by Gomez, Amy Allen, Jordan Johnson, Stefan Johnson, and Jonathan Bellion, with the latter handling production alongside the Monsters & Strangerz.

<span class="mw-page-title-main">Salem Ilese</span> American singer and songwriter

Salem Ilese Davern is an American singer-songwriter best known for her viral singles "Mad at Disney" and "PS5". She has also co-written songs for artists such as Bella Poarch and Demi Lovato and co-wrote K-pop girl group Illit's hit single "Magnetic".

Visayan pop, better known as Vispop, is short for Visayan popular music. Despite its name, it usually refers to popular music in the Cebuano language; pop music sung in other Visayan languages is known by other terms. For instance, a separate pop music movement for Hiligaynon emerged in the late 2010s, called Ilonggo Pop. The genre is popular in the Visayas and parts of Mindanao in which Cebuano is spoken. Bisrock, an abbreviated form of Bisaya rock music, may sometimes overlap with Vispop, as with the band Oh! Caraga. Although many Cebuano-speaking artists from Mindanao consider themselves to be Vispop artists, others prefer to align themselves with the nascent Mindanao Pop or Minpop music movement.