Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. Rock and pop music remained roughly synonymous until the late 1960s, after which pop became associated with music that was more commercial, ephemeral, and accessible.
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
A singer-songwriter is a musician who writes, composes, and performs their own musical material, including lyrics and melodies. In the United States, the category is built on the folk-acoustic tradition, although this role has transmuted through different eras of popular music. Singer-songwriters often provide the sole accompaniment to an entire composition or song, typically using a guitar or piano. In the early 21st century, digital production tools such as GarageBand began to be used by singer-songwriters to compose their music.
A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound.
Much has been learned about early music in Norway from physical artifacts found during archaeological digs. These include instruments such as the lur. Viking and medieval sagas also describe musical activity, as do the accounts of priests and pilgrims from all over Europe coming to visit St Olaf's grave in Trondheim.
Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments of England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when it began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music directly influenced American music such as American folk music, American march music, old-time music, ragtime, blues, country music, and bluegrass. The UK has birthed many popular music genres such as beat music, power pop, psychedelic music, progressive rock and progressive pop, heavy metal, new wave, and electropop to name a few.
The Music of Sweden shares roots with its neighboring countries in Scandinavia, as well as Eastern Europe, including polka, schottische, waltz, polska and mazurka. The Swedish fiddle and nyckelharpa are among the most common Swedish folk instruments. The instrumental genre is the biggest one in Sweden. In the 1960s, Swedish youth sparked a roots revival in Swedish folk culture. Many joined Spelmanslag and performed on mainstream radio and TV. They focused on instrumental polska music, with vocals and influences from other traditional genres becoming more prominent since the 1990s. By 1970, the "dansband" culture also began.
Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by third world music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.
Nilsen is a surname of Norwegian origin, meaning "son of Nils". It refers to:
Åse Maria Kleveland is a Norwegian singer, guitarist, politician and activist.
Dansband, or danseband in Norwegian and Danish, is a Swedish term for a band that plays dansbandsmusik[ˈdânsˌbandsmɵˌsiːk]. Dansbandsmusik is often danced to in pairs. Jitterbug and foxtrot music are often included in this category. The music is primarily inspired by swing, schlager, country, jazz, and rock. The main influence for rock-oriented bands is the rock music of the 1950s and 1960s.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
The Scandinavian ballad tradition is the tradition of Scandinavian poetic singer-songwriters. Within the tradition, the Swedish ballad tradition has been particularly influential, but the tradition also exists in the other Scandinavian countries. This visa tradition should not be confused with traditional "medieval" Swedish ballads, which are representative of a typical tradition of Scandinavian ballads.
Progressive folk was originally a type of American folk music that pursued a progressive political agenda. More recently, the term has also been applied to a style of contemporary folk that draws from post-Bob Dylan folk music and adds new layers of musical and lyrical complexity, often incorporating various ethnic influences.
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.
Alf Cranner was a major Norwegian folk singer, lyricist and painter, considered by many to be the pioneer of the Norwegian folk music wave of the 1960s. The citation for the award of Evert Taube Memorial Fund Grant 1994, to Cranner states: «Det är motiverat att anse honom som sin tids fader för den norska viskonsten». He is known for several popular folk music interpretations and beautiful folk tunes, including these: Å, den som var en løvetann with lyrics by another great Norwegian folk singer and lyricist Alf Prøysen (1914–1970), Bare skrap and Den skamløse gamle damen with lyrics by Klaus Hagerup and Sjømannsvise with the text of Harald Sverdrup. Among Cranner folk songs with his own lyrics is Båt til lyst and Hambo i fellesferien two of the best known. The folk song Din tanke er fri, is Cranner translation of the German Die Gedanken sind frei.
Neopagan music is music created for or influenced by modern Paganism. Music produced in the interwar period include efforts from the Latvian Dievturība movement and the Norwegian composer Geirr Tveitt. The counterculture of the 1960s established British folk revival and world music as influences for American neopagan music. Second-wave feminism created women's music which includes influences from feminist versions of neopaganism. The United States also produced Moondog, a Norse neopagan street musician and composer. The postwar neopagan organisations Ásatrúarfélagið in Iceland and Romuva in Lithuania have been led by musicians.
