Visual adaptation

Last updated

Visual adaptation is the temporary change in sensitivity or perception when exposed to a new or intense stimulus, and the lingering afterimage that may result when the stimulus is removed. These continuous small adjustments reflect the neural coding process of the visual system, and exist so the brain can attempt to "normalize" the visual experience. [1]

Contents

Research

The aftereffects of exposure to a visual stimulus or pattern causes loss of sensitivity to that pattern and induces stimulus bias. An example of this phenomenon is the "lilac chaser", introduced by Jeremy Hinton. The stimulus here are lilac circles, that once removed, leave green circles that then become the most prominent stimulus. The fading of the lilac circles is due to a loss of sensitivity to that stimulus and the adaptation to the new stimulus. To experience the "lilac chaser" effect, the subject needs to fixate their eyes on the cross in the middle of the image, and after a while the effect will settle in. Visual coding, a process involved in visual adaptation, is the means by which the brain adapts to certain stimuli, resulting in a biased perception of those stimuli. This phenomenon is referred to as visual plasticity; the brain's ability to change and adapt according to certain, repeated stimuli, altering the way information is perceived and processed. [2]

Lilac Chaser from Jeremy Hinton's experiment Lilac-Chaser.gif
Lilac Chaser from Jeremy Hinton's experiment

The rate and strength of visual adaptation depends heavily on the number of stimuli presented simultaneously, as well as the amount of time for which the stimulus is present. Visual adaptation was found to be weaker when there were more stimuli present. Moreover, studies have found that stimuli can rival each other, which explains why higher numbers of simultaneous stimuli lead to lower stimulus adaptation. Studies have also found that visual adaptation can have a reversing effect; if the stimulus is absent long enough, the aftereffects of visual adaptation will subside. Studies have also shown that visual adaptation occurs in the early stages of processing. [3] While longer stimulus durations can induce perceived aftereffects, even short fixations have been shown to induce rapid adaptation that can bias neural responses and perception at subsequent fixations. [4]

Face recognition

Perceptual adaptation plays a big role in identifying faces. In an experiment conducted by Gillian Rhodes, the effect of face adaptation was investigated, along with whether visual adaptation affects the recognition of faces. The experiment found that perceptual adaptation does, in fact, affect face recognition. Individuals tend to adapt to common facial features as early as after five minutes of looking at them. This suggests that humans adapt to common facial features, leaving neural resources and space to identify uncommon characteristics and features, which is how humans identify specific faces on a case-by-case basis. [5]

Perceptual aftereffects for face recognition occur for several different stimuli, including gender, ethnicity, identity, emotion, and attractiveness of a face. The fact that this distinction occurs, implies that face recognition is a process that happens on a higher level and later on in the visual encoding, rather than early on within visual adaptation. The fact that the aftereffects in face recognition in particular are so strong, suggests that it is for the purpose of regulation of how processes work. This provides a sense of constancy in an individual's perception, while adapting to differences and possible versions of a stimulus allows for constancy and stability, and makes it easier to adapt to variations in a stimulus, while recognizing commonalities. These face perception cues are encoded in an individual's brain for extended periods of time, ensuring consistency over the individual's lifespan. A young person would perceive stimuli the same way as an older individual. [6]

Body size adaptation

Visual aftereffects have also been demonstrated in bodies. Individuals who are exposed to images of low fat (or low muscle) bodies have been shown to perceive subsequently-presented bodies as higher fat (or higher muscle) than they really are (and vice versa). [7] Individuals who are less satisfied with their bodies have been shown to direct more visual attention to thin bodies, resulting in stronger adaptation to thin bodies, [8] suggesting that visual adaptation may provide a mechanism for the association between exposure to thin media portrayals of bodies and body size misperception. [9] [10]

Body size adaptation effects are thought to be higher-level aftereffects. [11]

Related Research Articles

<span class="mw-page-title-main">Perception</span> Interpretation of sensory information

Perception is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system. Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves.

An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people.

<span class="mw-page-title-main">Optical illusion</span> Visually perceived images that differ from objective reality

In visual perception, an optical illusion is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immersed in water; an example for a physiological paradox is the motion aftereffect. An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Physical illusions are caused by the physical environment, e.g. by the optical properties of water. Physiological illusions arise in the eye or the visual pathway, e.g. from the effects of excessive stimulation of a specific receptor type. Cognitive visual illusions are the result of unconscious inferences and are perhaps those most widely known.

<span class="mw-page-title-main">Afterimage</span> Image that continues to appear in the eyes after a period of exposure to the original image

An afterimage is an image that continues to appear in the eyes after a period of exposure to the original image. An afterimage may be a normal phenomenon or may be pathological (palinopsia). Illusory palinopsia may be a pathological exaggeration of physiological afterimages. Afterimages occur because photochemical activity in the retina continues even when the eyes are no longer experiencing the original stimulus.

Stimulus modality, also called sensory modality, is one aspect of a stimulus or what is perceived after a stimulus. For example, the temperature modality is registered after heat or cold stimulate a receptor. Some sensory modalities include: light, sound, temperature, taste, pressure, and smell. The type and location of the sensory receptor activated by the stimulus plays the primary role in coding the sensation. All sensory modalities work together to heighten stimuli sensation when necessary.

Visual processing is a term that refers to the brain's ability to use and interpret visual information from the world. The process of converting light energy into a meaningful image is a complex process that is facilitated by numerous brain structures and higher level cognitive processes.

Multisensory integration, also known as multimodal integration, is the study of how information from the different sensory modalities may be integrated by the nervous system. A coherent representation of objects combining modalities enables animals to have meaningful perceptual experiences. Indeed, multisensory integration is central to adaptive behavior because it allows animals to perceive a world of coherent perceptual entities. Multisensory integration also deals with how different sensory modalities interact with one another and alter each other's processing.

Neural adaptation or sensory adaptation is a gradual decrease over time in the responsiveness of the sensory system to a constant stimulus. It is usually experienced as a change in the stimulus. For example, if a hand is rested on a table, the table's surface is immediately felt against the skin. Subsequently, however, the sensation of the table surface against the skin gradually diminishes until it is virtually unnoticeable. The sensory neurons that initially respond are no longer stimulated to respond; this is an example of neural adaptation.

<span class="mw-page-title-main">Filling-in</span> Phenomena in vision

In vision, filling-in phenomena are those responsible for the completion of missing information across the physiological blind spot, and across natural and artificial scotomata. There is also evidence for similar mechanisms of completion in normal visual analysis. Classical demonstrations of perceptual filling-in involve filling in at the blind spot in monocular vision, and images stabilized on the retina either by means of special lenses, or under certain conditions of steady fixation. For example, naturally in monocular vision at the physiological blind spot, the percept is not a hole in the visual field, but the content is “filled-in” based on information from the surrounding visual field. When a textured stimulus is presented centered on but extending beyond the region of the blind spot, a continuous texture is perceived. This partially inferred percept is paradoxically considered more reliable than a percept based on external input..

<span class="mw-page-title-main">Chubb illusion</span> Optical illusion

The Chubb illusion is an optical illusion or error in visual perception in which the apparent contrast of an object varies substantially to most viewers depending on its relative contrast to the field on which it is displayed. These visual illusions are of particular interest to researchers because they may provide valuable insights in regard to the workings of human visual systems.

Stuart M. Anstis is a professor emeritus of psychology at the University of California, San Diego, in the United States.

A sense is a biological system used by an organism for sensation, the process of gathering information about the surroundings through the detection of stimuli. Although, in some cultures, five human senses were traditionally identified as such, many more are now recognized. Senses used by non-human organisms are even greater in variety and number. During sensation, sense organs collect various stimuli for transduction, meaning transformation into a form that can be understood by the brain. Sensation and perception are fundamental to nearly every aspect of an organism's cognition, behavior and thought.

Perceptual learning is learning better perception skills such as differentiating two musical tones from one another or categorizations of spatial and temporal patterns relevant to real-world expertise. Examples of this may include reading, seeing relations among chess pieces, and knowing whether or not an X-ray image shows a tumor.

The N170 is a component of the event-related potential (ERP) that reflects the neural processing of faces, familiar objects or words. Furthermore, the N170 is modulated by prediction error processes.

<span class="mw-page-title-main">Oddball paradigm</span> Psychology research paradigm

The oddball paradigm is an experimental design used within psychology research. The oddball paradigm relies on the brain's sensitivity to rare deviant stimuli presented pseudo-randomly in a series of repeated standard stimuli. The oddball paradigm has a wide selection of stimulus types, including stimuli such as sound duration, frequency, intensity, phonetic features, complex music, or speech sequences. The reaction of the participant to this "oddball" stimulus is recorded.

Chronostasis is a type of temporal illusion in which the first impression following the introduction of a new event or task-demand to the brain can appear to be extended in time. For example, chronostasis temporarily occurs when fixating on a target stimulus, immediately following a saccade. This elicits an overestimation in the temporal duration for which that target stimulus was perceived. This effect can extend apparent durations by up to half a second and is consistent with the idea that the visual system models events prior to perception.

<span class="mw-page-title-main">Visual processing abnormalities in schizophrenia</span>

Visual processing abnormalities in schizophrenia are commonly found, and contribute to poor social function.

Continuous flash suppression (CFS) is an adapted version of the original flash suppression method, first reported in 2004. In CFS, the first eye is presented with a static stimulus, such as a schematic face, while the second eye is presented with a series of rapidly changing stimuli. The result is the static stimulus becomes consciously repressed by the stimuli presented in the second eye. A variant of CFS to suppress a dynamic stimulus is also reported.

Binocular switch suppression (BSS) is a technique to suppress usually salient images from an individual's awareness, a type of experimental manipulation used in visual perception and cognitive neuroscience. In BSS, two images of differing signal strengths are repetitively switched between the left and right eye at a constant rate of 1 Hertz. During this process of switching, the image of lower contrast and signal strength is perceptually suppressed for a period of time.

Interocular transfer (IOT) is a phenomenon of visual perception in which information available to one eye will produce an effect in the other eye. For example, the state of adaptation of one eye can have a small effect on the state of light adaptation of the other. Aftereffects induced through one eye can be measured through the other.

References

  1. Webster, Michael A. (2015-11-18). "Visual Adaptation". Annual Review of Vision Science . 1 (1): 547–567. doi:10.1146/annurev-vision-082114-035509. ISSN   2374-4642. PMC   4742349 . PMID   26858985.
  2. Webster, Michael (19 May 2011). "Re: Adaptation and Visual Coding". Journal of Vision. 11 (5). JOV Journal of Vision: 3. doi:10.1167/11.5.3. PMC   3245980 . PMID   21602298.
  3. Blake, Randolph; et al. (30 January 2006). "Re: Strength of early visual adaptation depends on visual awareness". Proceedings of the National Academy of Sciences. 103 (12): 4783–4788. Bibcode:2006PNAS..103.4783B. doi: 10.1073/pnas.0509634103 . PMC   1400587 . PMID   16537384.
  4. Niemeyer, James E.; Paradiso, Michael A. (2017-02-01). "Contrast sensitivity, V1 neural activity, and natural vision". Journal of Neurophysiology. 117 (2): 492–508. doi:10.1152/jn.00635.2016. ISSN   0022-3077. PMC   5288473 . PMID   27832603.
  5. Rhodes, Gillian (12 May 2010). "Re: Perceptual adaptation helps us identify faces". Vision Research. 50 (10): 963–968. doi: 10.1016/j.visres.2010.03.003 . PMID   20214920.
  6. Clifford, Colin (23 August 2007). "Re: Visual Adaptation: Neural, psychological and computation aspects". Vision Research. 47 (25): 3125–3131. CiteSeerX   10.1.1.331.1993 . doi: 10.1016/j.visres.2007.08.023 . PMID   17936871. S2CID   6711382.
  7. Sturman, Daniel; Stephen, Ian D.; Mond, Jonathan; Stevenson, Richard J; Brooks, Kevin R. (2017-01-10). "Independent Aftereffects of Fat and Muscle: Implications for neural encoding, body space representation and body image disturbance". Scientific Reports. 7 (1): 40392. Bibcode:2017NatSR...740392S. doi:10.1038/srep40392. ISSN   2045-2322. PMC   5223140 . PMID   28071712.
  8. Stephen, Ian D.; Sturman, Daniel; Stevenson, Richard J.; Mond, Jonathan; Brooks, Kevin R. (2018-01-31). "Visual attention mediates the relationship between body satisfaction and susceptibility to the body size adaptation effect". PLOS ONE. 13 (1): e0189855. Bibcode:2018PLoSO..1389855S. doi: 10.1371/journal.pone.0189855 . ISSN   1932-6203. PMC   5791942 . PMID   29385137.
  9. Challinor, Kirsten L.; Mond, Jonathan; Stephen, Ian D.; Mitchison, Deborah; Stevenson, Richard J.; Hay, Phillipa; Brooks, Kevin R. (2017-10-27). "Body size and shape misperception and visual adaptation: An overview of an emerging research paradigm". Journal of International Medical Research. 45 (6): 2001–2008. doi:10.1177/0300060517726440. ISSN   0300-0605. PMC   5805224 . PMID   29076380.
  10. Brooks, Kevin R.; Mond, Jonathan; Mitchison, Deborah; Stevenson, Richard J.; Challinor, Kirsten L.; Stephen, Ian D. (January 2020). "Looking at the Figures: Visual Adaptation as a Mechanism for Body-Size and -Shape Misperception". Perspectives on Psychological Science. 15 (1): 133–149. doi: 10.1177/1745691619869331 . ISSN   1745-6916. PMID   31725353.
  11. Brooks, Kevin R.; Clifford, Colin W. G.; Stevenson, Richard J.; Mond, Jonathan; Stephen, Ian D. (June 2018). "The high-level basis of body adaptation". Royal Society Open Science. 5 (6): 172103. Bibcode:2018RSOS....572103B. doi:10.1098/rsos.172103. ISSN   2054-5703. PMC   6030264 . PMID   30110427.

Further reading