Related Research Articles
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone was the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack was not printed on the film itself, but issued separately on phonograph records. The discs, recorded at 33+1⁄3 rpm and typically 16 inches (41 cm) in diameter, would be played on a turntable physically coupled to the projector motor while the film was being projected. It had a frequency response of 4300 Hz. Many early talkies, such as The Jazz Singer (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound".
Famous Studios was the first animation division of the film studio Paramount Pictures from 1942 to 1967. Famous was founded as a successor company to Fleischer Studios, after Paramount seized control of the aforementioned studio after the departure of its founders, Max and Dave Fleischer, in 1942. The studio's productions included three series started by the Fleischers—Popeye the Sailor, Superman, and Screen Songs—as well as Little Audrey, Little Lulu, Casper the Friendly Ghost, Honey Halfwitch, Herman and Katnip, Baby Huey, and the anthology Noveltoons series.
Castle Films was a film company founded in California by former newsreel cameraman Eugene W. Castle (1897–1960) in 1924. Originally, Castle Films produced industrial and advertising films. Then in 1937, the company pioneered the production and distribution of 8mm and 16mm films for home projection. It became a subsidiary of Universal Pictures and was eventually renamed Universal 8 from 1977 before folding in the early 1980s due to competition from home video.
Popeye the Sailor is an American animated series of short films based on the Popeye comic strip character created by E. C. Segar. In 1933, Max and Dave Fleischer's Fleischer Studios adapted Segar's characters into a series of theatrical cartoon shorts for Paramount Pictures. The plotlines in the animated cartoons tended to be simpler than those presented in the comic strips, and the characters slightly different. A villain, usually Bluto, makes a move on Popeye's "sweetie", Olive Oyl. The villain clobbers Popeye until he eats spinach, giving him superhuman strength. Thus empowered, Popeye the sailor makes short work of the villain.
Scope Gem was a marketing series title that Warner Brothers used for documentary film shorts produced in Warnercolor and the wide-screen CinemaScope format. Most of these were travelogues.
Edward M. Newman (1870–1953) was a film producer of many documentary film shorts released by Warner Brothers and edited at Vitaphone studios in Brooklyn, New York in the 1930s. These were mostly of the travelogue genre. He was born in Cleveland, Ohio on March 16, 1870. His parents were Hungarian immigrants. He died in Los Angeles, California on April 16, 1953.
The “Vitaphone Color Parade” was a series of documentary short films produced by Warner Bros.
The name “Technicolor Adventure” was used by Warner Bros. to define its one-reel film shorts that were not part of the Sports Parade, also shot in Technicolor in the 1940s. Most were travelogues or human interest documentary films. Gordon Hollingshead produced most of them, with music scores provided by Howard Jackson.
The Sports Parade was a short film series of Warner Bros. that was regularly shown before the main studio feature, along with another Warner-Vitaphone short, Joe McDoakes comedy and/or Looney Tunes and Merrie Melodies cartoons. The average running time of each film was between nine and eleven minutes.
The Sport Slants and its follow-up “Sports Thrills” were a series of documentary film shorts produced by Warner Brothers and hosted by the top sports caster of the 1930s, Ted Husing.
Vitaphone Varieties is a series title used for all of Warner Bros.', earliest short film "talkies" of the 1920s, initially made using the Vitaphone sound on disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as early as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
Technicolor Special was a common term used for Hollywood studio produced color short films of the 1930s and 1940s that did not belong to a specified series.
The Big V Comedies were two-reel comedy film shorts produced by Warner Bros. and Vitaphone between 1931 and 1938, contemporary of the more famous Hal Roach, Mack Sennett and Columbia Pictures comedies.
Broadway Brevities are two-reel musical and dramatic film shorts produced by Warner Bros. between 1931 and 1943. The series continued as Warner Specials in later years.
The Melody Masters were a series of first-rate big band musical film shorts produced by Warner Brothers, under the supervision of Samuel Sax at their Vitaphone studio in New York between 1931 and 1939, and in Burbank, California with producer Gordon Hollingshead in charge between 1940 and 1946.
Big Time Vaudeville was a series of black-and-white 9- to 10-minute short films resembling the Vitaphone Varieties and also produced by Warner Brothers and Vitaphone. These consisted of four to six vaudeville acts and are historically interesting with many performers rarely seen on film.
The Naggers was a series of 18 film short films produced by Warner Brothers at the Vitaphone studio in Brooklyn, New York. These featured Jack Norworth and Dorothy Adelphi as an arguing husband and wife in a variety of domestic settings. This basic premise predated the popular radio series The Bickersons and many future TV marital comedies.
Warner Featurettes were an imprint for featurettes released by Warner Brothers.
References
- Liebman, Roy (2003). Vitaphone Films – A Catalogue of the Features and Shorts. McFarland & Company. ISBN 9780786412792. (features Vitaphone numbers and brief descriptions)
- Motion Pictures 1912-1939 Catalog of Copyright Entries 1951 Library of Congress
- BoxOffice back issue scans (release date and topic information reprinted in multiple issues)
- Complete Index To World Film listing