Vivi-Tone

Last updated

Vivi-Tone was a musical instrument company formed in partnership by former instrument designer for Gibson Guitar Corporation, Lloyd Loar, Lewis A. Williams, and Walter Moon. The company was incorporated in Kalamazoo, Michigan on November 1, 1933, with executive offices in Detroit. [1] Though the company brought forth many innovative ideas in instrument design, it was ultimately commercially unsuccessful. [2] [3]

Contents

Instruments

Vivi-Tone Acoustic-Electric Guitar (c. 1933), exhibited at the The MET [2016.415a, b] Acoustic-Electric Guitar MET DP-12319-020.jpg
Vivi-Tone Acoustic-Electric Guitar (c.1933), exhibited at the The MET [2016.415a, b]

Vivi-Tone produced guitars, violins, mandolins, an electric keyboard, [4] and at least one amplifier (the so-called "Aggrandizer"). [5] One acoustic guitar design featured a secondary soundboard (the back of the guitar) as well as a primary soundboard (the top of the guitar). This secondary soundboard had f-holes, and was recessed from the rim of the guitar to keep this soundboard away from the player’s body. Another acoustic-electric guitar design from the mid-1930s had essentially a plank body, making it one of the very early examples of a solid body guitar. [6]

Related Research Articles

<span class="mw-page-title-main">Bass guitar</span> Electric plucked string instrument

The bass guitar, electric bass or simply bass, is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music.

<span class="mw-page-title-main">Electric guitar</span> Electrical string instrument

An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.

<span class="mw-page-title-main">Guitar</span> Fretted string instrument

The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.

<span class="mw-page-title-main">String instrument</span> Class of musical instruments with vibrating strings

String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.

<span class="mw-page-title-main">Electric piano</span> Electro-mechanical keyboard musical instrument

An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.

<span class="mw-page-title-main">Gibson ES-150</span> Electric Guitar

The Gibson Guitar Corporation's ES-150 guitar is generally recognized as the world's first commercially successful Spanish-style electric guitar. The ES stands for Electric Spanish, and Gibson designated it "150" because they priced it at around $150. The particular sound of the instrument came from a combination of the specific bar-style pickup and its placement, and the guitar's overall construction. It became famous due in large part to its endorsement by notable guitar players including Charlie Christian. After Gibson introduced it in 1936, it immediately became popular in jazz orchestras. Unlike the usual acoustic guitars in jazz bands of the period, it was loud enough to take a more prominent position in ensembles. Gibson produced the guitar with minor variations until 1940, when the ES-150 designation denoted a model with a different construction and pickup.

<span class="mw-page-title-main">Gibson L-5</span> Guitar

The Gibson L-5 guitar was first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan, under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since. It was considered the premier guitar of the company during the big band era. It was originally offered as an acoustic instrument, with electric models not made available until the 1940s.

<span class="mw-page-title-main">Fender Stratocaster</span> Solid body electric guitar

The Fender Stratocaster, colloquially known as the Strat, is a model of electric guitar designed from 1952 into 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster since 1954. It is a double-cutaway guitar, with an extended top "horn" shape for balance. Along with the Gibson Les Paul, Gibson SG, and Fender Telecaster, it is one of the most-often emulated electric guitar shapes. "Stratocaster" and "Strat" are trademark terms belonging to Fender. Guitars that duplicate the Stratocaster by other manufacturers are sometimes called S-Type or ST-type guitars.

<span class="mw-page-title-main">Archtop guitar</span> Type of steel-stringed acoustic or semi-acoustic guitar

An archtop guitar is a hollow electric or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players.

The Ovation Guitar Company is a manufacturer of string instruments. Ovation primarily manufactures steel-string acoustic guitars and nylon-string guitars, often with pickups for electric amplification. In 2015, it became a subsidiary of Drum Workshop after being acquired from KMCMusicorp.

<span class="mw-page-title-main">Lloyd Loar</span> Mandolin designer and luthier

Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, including the F-5 model mandolin and L-5 guitar. In his later years he worked on electric amplification of stringed instruments, and demonstrated them around the country. One example, played in public in 1938 was an electric viola that used electric coils beneath the bridge, with no back, able to "drown out the loudest trumpet."

<span class="mw-page-title-main">Pickguard</span>

A pickguard is a piece of plastic or other material that is placed on the body of a guitar, mandolin or similar plucked string instrument. The main purpose of the pickguard is to protect the guitar's finish from being scratched by the nails of the picking hand, as it was included on guitars not played with a plectrum. The pick does not normally contact that part of the guitar when used correctly.

<span class="mw-page-title-main">Acoustic-electric guitar</span> String instrument

An acoustic-electric guitar is an acoustic guitar fitted with a microphone or a magnetic or piezoelectric pickup. They are used in a variety of music genres where the sound of an acoustic guitar is desired but more volume is required, especially during live performances. The design is distinct from a semi-acoustic guitar, which is an electric guitar with the addition of sound chambers within the guitar body.

<span class="mw-page-title-main">Acoustic guitar</span> Fretted string instrument

An acoustic guitar is a musical instrument in the string family. When a string is plucked its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. The original, general term for this stringed instrument is guitar, and the retronym 'acoustic guitar' distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.

The Gibson ES series of semi-acoustic guitars are manufactured by the Gibson Guitar Corporation.

John D'Angelico was a luthier from New York City, noted for his handmade archtop guitars and mandolins. He founded the D'Angelico Guitars company, where other notable luthiers like Jimmy D'Aquisto served as apprentices.

The Gibson Advanced Jumbo was an acoustic flattop guitar made by the Gibson Guitar Corporation. Introduced in 1936, is still considered a classic. Only 300 guitars were produced before Gibson replaced it with the Gibson J-200 Super Jumbo, but these guitars are still prized by collectors and musicians today.

<span class="mw-page-title-main">Resonator mandolin</span>

A resonator mandolin or "resophonic mandolin" is a mandolin whose sound is produced by one or more metal cones (resonators) instead of the customary wooden soundboard. These instruments are sometimes referred to as "Dobro mandolins," after pioneering instruments designed and produced by the Dopyera Brothers, which evolved into a brand name. The trademark "Dobro" is currently the property of the Gibson Guitar Corporation. When Gibson acquired the trademark in 1993, they announced that they would defend their right to its exclusive use.

<span class="mw-page-title-main">Gibson Brands</span> American guitar manufacturer

Gibson Brands, Inc. is an American manufacturer of guitars, other musical instruments, and professional audio equipment from Kalamazoo, Michigan, and now based in Nashville, Tennessee. The company was formerly known as Gibson Guitar Corporation and renamed Gibson Brands, Inc. on June 11, 2013.

<span class="mw-page-title-main">D'Angelico Guitars</span> American musical instrument manufacturer

D'Angelico Guitars of America is an American musical instrument manufacturer based in Manhattan, New York. The brand was initially founded by master luthier John D'Angelico in 1932, in Manhattan's Little Italy. In 1999, Steve Pisani, John Ferolito Jr., and Brenden Cohen purchased the D'Angelico Guitars trademark. Cohen serves as the brand's President and CEO. Original D'Angelico guitars are collector's items and have been used by musicians including Pete Townshend, Eric Clapton, Drake Bell, Bucky Pizzarelli, Chet Atkins, and Chuck Wayne. The D'Angelico Mel Bay New Yorker model was featured on the cover of the Mel Bay Publications' guitar method books for decades.

References

  1. Wheeler, Tom (1982). American guitars: an illustrated history.” Harper & Row. p. 357.
  2. Denyer, Ralph (1998). “The guitar handbook.” Alfred A. Knopf. p. 46.
  3. Bonds, Ray (ed.) (2006). “The illustrated directory of guitars.” Barnes & Noble/Salamander Books, p. 262.
  4. Bonds, Ray (ed.) (2006), pp. 261-62.
  5. Wheeler, Tom (1982). p. 358.
  6. Wheeler, Tom (1982). p. 357.

See also