John Milton Cage Jr. was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Richard Gavin Bryars is an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music.
Another Green World is the third solo studio album by Brian Eno, released by Island Records on 14 November 1975. The album marked a transition from the rock-based music of Eno's previous releases toward the minimalist instrumentals of his late 1970s ambient work. Only five of its fourteen tracks feature vocals, a contrast with his previous vocal albums.
Before and After Science is the fifth solo studio album by Brian Eno, originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Produced by Eno and Rhett Davies, it is the first of Eno's popular music works to be published under his full name.
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
Mercier Philip "Merce" Cunningham was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance.
Robert Wyatt is a retired English musician. A founding member of the influential Canterbury scene bands Soft Machine and Matching Mole, he was initially a kit drummer and singer before becoming paraplegic following an accidental fall from a window in 1973, which led him to abandon band work, explore other instruments, and begin a forty-year solo career.
Taking Tiger Mountain (By Strategy) is the second solo studio album by Brian Eno (mononymously credited as "Eno"), released in November 1974 by Island Records. Unlike his debut album Here Come the Warm Jets, which had featured 16 musicians, this album utilized a core band of five instrumentalists: Eno himself on keyboards and guitar, guitarist Phil Manzanera, bassist Brian Turrington, drummer Freddie Smith, and percussionist Robert Wyatt, and also featured far fewer guests. Manzanera, who had played with Eno in Roxy Music, also participated in the writing and production. To help guide the musicians, Eno and Peter Schmidt developed instruction cards called Oblique Strategies to facilitate creativity during the recording process.
June 1, 1974 is a live album of songs performed at the Rainbow Theatre in London on the titular date. The album is officially attributed to all principal performers Kevin Ayers, John Cale, Brian Eno and Nico, although other well-known musicians, including Mike Oldfield, Robert Wyatt, and Ollie Halsall, also contributed to the concert. Davey 'Crabsticks' Trotter was asked to perform on the Mellotron but was unable to attend due to a previous booking.
Ruth Is Stranger Than Richard is the third solo album by Robert Wyatt.
Nerve Net is the eleventh solo studio album by Brian Eno, released on September 1, 1992 on All Saints Records. It marked a return to more rock-oriented material, mixed with heavily syncopated rhythms, experimental electronic compositions and occasional elements of jazz. The ambient sensibility is still present on several tracks, though it is often darker and moodier than the pieces Eno is best known for.
The Pavilion of Dreams is the second album from minimalist composer Harold Budd and produced by Brian Eno. Billed as "an extended cycle of works begun in 1972," it was recorded in 1976 but not released until 1978 on Eno's label Obscure Records. It was later re-released on Editions EG in 1981.
Credo in Us is a musical composition by the American experimental music composer, writer and visual artist John Cage. It was written in July 1942 and revised in October of that year. In the wake of Pearl Harbor, this piece avoided the populist tendencies of fellow American composers at the time, while the piece's title is thought to be a call to collective unity.
Comicopera is the final album by Robert Wyatt, released on 8 October 2007 and available on both CD and double vinyl formats. The vinyl's fourth side contains no music and has a poem etched into its surface. It is Wyatt's first release on the Domino Records label. It features many other musicians, including Brian Eno, Paul Weller, Gilad Atzmon and Phil Manzanera, and was recorded in Wyatt's house and Manzanera's recording studio. The song "Del Mondo" is a cover from Ko de mondo, the second album of Italian post-punk band Consorzio Suonatori Indipendenti.
The Wonderful Widow of Eighteen Springs is a song for voice and closed piano by John Cage. It was composed in late 1942 and quickly became a minor classic in Cage's oeuvre. The text was a reworked version of a passage from James Joyce's Finnegans Wake.
American avant-garde composer John Cage (1912–1992) began composing pieces for solo prepared piano around 1938–40. The majority of early works for this instrument were created to accompany dances by Cage's various collaborators, most frequently Merce Cunningham. In response to frequent criticisms of prepared piano, Cage cited numerous predecessors. In the liner notes for the very first recording of his most highly acclaimed work for prepared piano, Sonatas and Interludes, Cage wrote: "Composing for the prepared piano is not a criticism of the instrument. I'm only being practical." This article presents a complete list of Cage's works for prepared piano, with comments on each composition. All of Cage's indeterminate works for unspecified forces can also be performed on or with Prepared Piano.
Decay Music is the 1976 debut album by Michael Nyman, released on Brian Eno's Obscure Records music label. The two works on the album, "1-100" and "Bell Set No. 1" (1974) are both built around the musical concept of decay. Both of these experiment with percussive, long decay musical forms. "1-100" is played at half the speed it was recorded. It was written for Peter Greenaway's film of the same title but rejected because it was too long. It was inspired by Frederic Rzewski's Les Moutons de Panurge, which Nyman often played with the Scratch Orchestra.
Machine Music is a 1978 album by John White and Gavin Bryars. The album was the eighth release on Brian Eno's Obscure Records.
Imaginary Landscape No. 2 is a composition for five percussionists by American composer John Cage and the second in the series of Imaginary Landscapes. It was also the first march in the set, the second being Imaginary Landscape No. 4 . It was composed in 1942.
The discography of Robert Wyatt, a retired English musician, consists of eight solo studio albums, six archival/collaborations albums, ten compilation albums, two boxed sets, nine EPs and 15 singles. He has also appeared as a guest musician on a large number of albums by other artists.
