Volker Straebel (born 1969) is a German musicologist and composer and performer of experimental music.
Straebel grew up in Berlin (West) where he was born. He studied musicology, philosophy and library science at the Technische Universität Berlin and the Humboldt-Universität zu Berlin (Magister Artium). As music journalist, among others for Der Tagesspiegel (1996–2001) and the Berliner Seiten der Frankfurter Allgemeine Zeitung (2001–2002), he documented contemporary music and sound art in Berlin. [1] In 2002–14 he was curatorial advisor to the festival MaerzMusik of the Berliner Festspiele. Between 2009 and 2014, he was head of the Electronic Studio at the Audio Communication Department of the Technische Universität Berlin. [2] 2015 Straebel took over as head of the Master's programme Sound Studies at the Universität der Künste Berlin, which he fundamentally reformed in 2017 as Sound Studies and Sonic Arts. [3] In 2020, he was named Dean of The Herb Alpert School of Music and Richard Seaver Distinguished Chair in Music at the California Institute of the Arts (CalArts). [4]
Straebel researches and publishes on the history and aesthetics of experimental music and sound art. He is also active in these fields as a composer and performer.
Alvin Augustus Lucier Jr. was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media.
Nicolas Collins is a composer of mostly electronic music, a sound artist and writer. He received his BA and MA from Wesleyan University, and his PhD from the University of East Anglia. Upon graduating from Wesleyan, he was a Watson Fellow.
Heinz-Klaus Metzger was a German music critic and theorist.
Aribert Reimann is a German composer, pianist and accompanist, known especially for his literary operas. His version of Shakespeare's King Lear, the opera Lear, was written at the suggestion of Dietrich Fischer-Dieskau, who sang the title role. His opera Medea after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary Lied in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work.
The Berliner Festspiele are a series of festivals, art exhibitions, and other cultural events organized all year long by a common organization in Berlin. Events are held at the Haus der Berliner Festspiele, a pre-existing theatre devolved to that purpose in 2001, as well as at the Martin-Gropius-Bau and other venues.
Aleksander Kolkowski is a British musician and composer whose work combines instruments and machines from the pioneering era of sound recording and reproduction to make live mechanical-acoustic music. He lives and works in London, England.
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements.
Oliver Martin Schneller is a German composer and saxophonist.
Stefan Goldmann is a German-Bulgarian DJ and composer of electronic music. His work has been described as intelligent minimal techno.
Ulrich Krieger is a German contemporary composer, performer, improviser and experimental rock musician based in Los Angeles.
Mark Andre is a French composer living in Germany. He was known as "Marc André," his birth name, until 2007, when he formally revised the spelling. He lives in Berlin. Andre's compositions durch (2006), ...auf... III (2007), and Wunderzaichen (2014) received multiple votes in a 2017 Classic Voice poll of the greatest works of art music since 2000.
Berlin Atonal is an annual festival for sonic and visual art in two distinct stages. It first took place between 1982 and 1990, relaunching in 2013 under new direction and continuing to the present day. The festival presents contemporary, interdisciplinary projects at the intersection of sound art, visual and media art, installation and performance, with an emphasis on commissioned work and world premieres. Apart from the annual event, Berlin Atonal has presented other satellite events such as The Long Now, New Assembly in Tokyo, and has collaborated with Deutsches Symphonie-Orchester, Dark Mofo and Berliner Festspiele.
Hildegard Kleeb is a Swiss pianist.
Albrecht Riethmüller is a German musicologist.
Hermann Danuser is a Swiss-German musicologist.
Gösta Neuwirth is an Austrian musicologist, composer and academic teacher. He studied in Vienna and Berlin, where he wrote a dissertation on harmony in Franz Schreker's Der ferne Klang. He has taught at universities and music schools including the Musikhochschule Graz, University of Graz, Universität der Künste Berlin and University of Freiburg. His compositions include a string quartet and a chamber opera.
Helga de la Motte-Haber is a German musicologist focusing on the study of systematic musicology.
Mathias Spahlinger is a German composer. His work takes place in a field of tension between the most diverse musical influences and styles: between Renaissance music and Jazz, between musique concrète and Webernian minimalism, between noise, improvisation and notation, between aesthetic autonomy and political consciousness, Spahlinger's works carry out conflicts for which there are no fixed models.
Matthias Osterwold is a German culture manager.
The MaerzMusik Festival for Contemporary Music, is an event of the Berliner Festspiele and has been held annually since 2002 in March at the Haus der Berliner Festspiele and other venues. It is the successor festival to the Musik-Biennale Berlin and is considered one of the most important festivals for Neue Musik in Germany. The artistic director of MaerzMusik is Berno Odo Polzer.