 | |
| Author | Robert Charles Wilson |
|---|---|
| Country | United States |
| Language | English |
| Series | Spin |
| Genre | Science fiction |
| Publisher | Tor Books |
Publication date | July 2011 |
| Pages | 331 (first edition, hardback) |
| ISBN | 978-0-7653-2342-2 |
| Preceded by | Axis |
Vortex is a science fiction novel by American-Canadian writer Robert Charles Wilson, published in July 2011. [1] It is the third book in the Spin series, following the Hugo Award-winning Spin and Axis .
Vortex tells the story of Turk Findley, the protagonist introduced in Axis, who is transported ten thousand years into the future by the mysterious entities called "the Hypotheticals." In this future humanity exists on a chain of planets connected by Hypothetical gateways; but Earth itself is a dying world, effectively quarantined.
Turk and his young friend Isaac Dvali are taken up by a community of fanatics who use them to enable a passage to the dying Earth, where they believe a prophecy of human/Hypothetical contact will be fulfilled. The prophecy is only partly true, however, and Turk must unravel the truth about the nature and purpose of the Hypotheticals before they carry him on a journey through warped time to the end of the universe itself.
The chapters of the book alternate between two timelines: one approximately 40 years following the events of Spin and the other approximately 10,000 years following the events of Axis .
Reviewer David Mead writes that readers will be very pleased with the final adventure:
Wilson provides a hopeful conclusion to a narrative that foresees the death of all life on Earth, first as a result of global climate change and then of the destructive expansion of the dying sun when the Hypotheticals remove the barrier that has protected the planet. In each of the novels of the trilogy, the wondrous events that precipitate the story - the imposition of the barrier, the Archways, the experience of life aboard a gigantic floating archipelago that sails from Equatoria to a ruined Earth - are registered or reported by finely drawn characters. [2]
Alternate history is a subgenre of speculative fiction in which one or more historical events have occurred but are resolved differently than in actual history. As conjecture based upon historical fact, alternate history stories propose What if? scenarios about crucial events in human history, and present outcomes very different from the historical record. Some alternate histories are considered a subgenre of science fiction, or historical fiction.
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
The Berserker series is a series of space opera science fiction short stories and novels by Fred Saberhagen, in which robotic self-replicating machines strive to destroy all life.
Robert Charles Wilson is an American-Canadian science fiction author.
An overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so holistically, treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it flat or hollow, are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost.
Robots and Empire is a science fiction novel by the American author Isaac Asimov, published by Doubleday Books in 1985. It is part of Asimov's Robot series, which consists of many short stories and five novels.
An Alderson disk is a hypothetical artificial astronomical megastructure, like Larry Niven's Ringworld and the Dyson sphere. The disk is a giant platter with a thickness of several thousand miles. The Sun rests in the hole at the center of the disk. The outer perimeter of an Alderson disk would be roughly equivalent to the orbit of Mars or Jupiter. According to the proposal, a sufficiently large disk would have a larger mass than its Sun.
Planetary romance is a subgenre of science fiction in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.
The Man in the Maze is a science fiction novel by American writer Robert Silverberg, originally serialized in the magazine Worlds of If in April and May 1968, and published in bookstores the following year. It tells the tale of a man rendered incapable of interacting normally with other human beings by his uncontrollable psychic abilities. The novel is inspired by Sophocles' play Philoctetes, with the roles of Odysseus, Neoptolemus and Philoctetes played by Boardman, Rawlins, and Muller, respectively.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Asteroids have appeared in fiction since at least the late 1800s, the first one—Ceres—having been discovered in 1801. They were initially only used infrequently as writers preferred the planets as settings. The once-popular Phaëton hypothesis, which states that the asteroid belt consists of the remnants of the former fifth planet that existed in an orbit between Mars and Jupiter before somehow being destroyed, has been a recurring theme with various explanations for the planet's destruction proposed. This hypothetical former planet is in science fiction often called "Bodia" in reference to Johann Elert Bode, for whom the since-discredited Titius–Bode law that predicts the planet's existence is named.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
Spin is a science fiction novel by American-Canadian writer Robert Charles Wilson. It was published in 2005 and won the Hugo Award for Best Novel in 2006. It is the first book in the Spin trilogy, with Axis published in 2007 and Vortex published in July 2011.
The fictional portrayal of the Solar System has often included planets, moons, and other celestial objects which do not actually exist. Some of these objects were, at one time, seriously considered as hypothetical planets which were either thought to have been observed, or were hypothesized to be orbiting the Sun in order to explain certain celestial phenomena. Often such objects continued to be used in literature long after the hypotheses upon which they were based had been abandoned.
Phaeton was the hypothetical planet hypothesized by the Titius–Bode law to have existed between the orbits of Mars and Jupiter, the destruction of which supposedly led to the formation of the asteroid belt. The hypothetical planet was named for Phaethon, the son of the sun god Helios in Greek mythology, who attempted to drive his father's solar chariot for a day with disastrous results and was ultimately destroyed by Zeus.
Axis is a science fiction novel by American-Canadian writer Robert Charles Wilson, published in 2007. It is a direct sequel to Wilson's Hugo Award-winning Spin, published two years earlier. The novel was a finalist for the 2008 John W. Campbell Award.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
A hypothetical military victory of the Axis powers over the Allies of World War II (1939–1945) is a common topic in speculative literature. Works of alternative history (fiction) and of counterfactual history (non-fiction) include stories, novels, performances, and mixed media that often explore speculative public and private life in lands conquered by the coalition, whose principal powers were Nazi Germany, Imperial Japan, and Fascist Italy.
Dying Earth is a subgenre of science fantasy or science fiction which takes place in the far future at either the end of life on Earth or the end of time, when the laws of the universe themselves fail. Themes of world-weariness, innocence, idealism, entropy, heat death of the universe, (permanent) exhaustion/depletion of many or all resources, and the hope of renewal dominate. A related subgenre set in the distant future of entropic decay is called entropic romance.
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