"Vows" | |
---|---|
Dollhouse episode | |
Episode no. | Season 2 Episode 1 |
Directed by | Joss Whedon |
Written by | Joss Whedon |
Production code | 2APK01 |
Original air date | September 25, 2009 |
"Vows" is the premiere of the second season of the American science fiction television series Dollhouse and the show's 14th episode overall. The episode was written and directed by series creator and executive producer Joss Whedon, and aired in the United States on Fox on September 25, 2009. "Vows" follows the first season finale, "Omega", and takes place several months after the events of that episode. Therefore, it is set in the present as opposed to the unaired thirteenth episode, "Epitaph One".
In the episode, Echo is sent on an engagement as a young woman who marries an elusive international arms dealer, played by Jamie Bamber, and Ballard is offered a position as Echo's new handler. Dr. Saunders struggles with the revelation that she is a Doll and gets some surprising revelations from Topher. A U.S. Senator starts an investigation into the Rossum Corporation. The episode was met with mostly positive reviews.
The episode starts with Echo getting an imprint. Paul Ballard is seemingly concerned at whether Echo can handle this, but Topher reassures Ballard everything will be fine. During the imprinting process, Topher experiences glitches with his computer and suspects it is Dr. Saunders who is messing with him and goes to sleep. Adelle and Boyd discuss the dangers of keeping Ballard on staff, but Adelle seems unfazed. Echo is then seen on an engagement and is getting married.
Topher wakes up and finds that there are rats in the cupboard placed in there by Dr. Saunders. Topher calls Dr. Saunders, who accuses Topher of faulty imprinting and Topher quickly rebuffs this saying that his work is perfection and her "mental health" is her fault. Boyd then walks into the room to speak with Dr. Saunders, handing in a report about Victor and his plastic surgery to mend his scars. Dr. Saunders does speak up about how Victor was given the surgery and not her, but says she is fine with it. Boyd asks her out to dinner but Dr. Saunders declines, saying she is scared of open spaces and it is just how she was made. Boyd rebuffs this saying it is an excuse and ultimately we are all a series of excuses.
Echo returns to Paul after spending the night with her "husband". It turns out Ballard is using Echo as an undercover agent to finally put the people away that he missed during his time at the FBI. Echo is then brought in for a check-up and whilst under examination by Dr. Saunders, she recalls an engagement they had together. Echo calls Dr. Saunders Whiskey and they re-account the details that sent Echo to the position of number one doll. In Adelle's office, Senator Perin is investigating the Rossum Corporation for withholding medical advancements. Boyd immediately suspects Ballard, but Ballard disregards the accusations. Adelle then offers Ballard the position of Echo's handler given how much he cares for her, despite how unhealthy it seems. Meanwhile it seems Echo has been found out. There have been photos taken of her and Paul Ballard drawing suspicion towards her.
Dr. Saunders tries to seduce Topher while he is trying to sleep. Dr. Saunders hypothesizes that she was programmed to hate Topher so they would fall in love, in a sense something that is more real than a "love slave". Topher declines Dr. Saunders' sexual advances and in a heated exchange, Topher reveals that he had not programmed her to hate him. He only programmed her to disagree with him so that they would not miss "something" that could potentially hurt the dolls. The decision to hate was made only by Dr. Saunders. Dr. Saunders subsequently breaks down under this information and Topher tries to comfort her. It is revealed Dr. Saunders chose not to find out who she was in "Omega" because she doesn't want to give the body back to the original personality, thereby "dying" as Whiskey/Saunders.
Echo's husband confronts Echo with the picture of her and Paul Ballard. She is struck in the head and this seemingly triggers her past imprints. As she is about to talk herself out of her situation she states that she is Eleanor Penn (from "Ghost"). She is subsequently confused about her state of mind. Echo's husband then goes to make his arms deal, bringing Echo with him. Ballard follows her and calls Topher who notices spikes in her feed and is alarmed that her handler did not call it. Ballard goes in by himself and then accuses Echo of failing the engagement and strikes her several times, trying to make her recall the "fighter" imprint from "Man on the Street". They are able to disable all the guards and stop the arms deal. Dr. Saunders leaves the Dollhouse, leaving only a note for Boyd saying "I'm running out of excuses". Victor's scars have fully healed and he and Sierra are seen holding hands walking together. Echo reveals to Ballard that she can recall her imprints, even hear them, but she knows none of them are her real self and she asks for help from Ballard. He then takes up the offer from Adelle and becomes her new handler.
Material was filmed for this episode featuring Mag (Felicia Day), Zone (Zack Ward) and the child imprinted with Caroline's personality (Adair Tishler), set in the dystopic future of "Epitaph One". [1] The scenes were cut because "Vows" was "long and crowded with information", but the material was eventually used, along with newly shot footage, in the series finale, "Epitaph Two: Return". [1]
Hercules from Ain't It Cool News said that Vows was "funny, suspenseful, sexy and willing to kick around more than a few Very Big Ideas..." and that the episode "roughly triples my investment in this series' fate." [2] Eric Goldman from IGN said "Dollhouse definitely feels stronger now than it did in Season 1, with a more layered story going on..." He went on to praise the Saunders/Whiskey storyline and Amy Acker in particular, saying it "included some of the most emotional and complex material this show has dealt with so far, all of which is terrifically performed by Amy Acker." [3]
When originally broadcast, "Vows" was viewed by 2.56 million viewers, down 41% from the series premiere, but almost on par with the first season finale, which was broadcast in May 2009. It received a 1.0/3 ratings share among adults 18-49. [4]
Dollhouse is an American science fiction television series created by writer and director Joss Whedon under Mutant Enemy Productions. It premiered on February 13, 2009, on the Fox network and was canceled on November 11, 2009. The final episode aired on January 29, 2010. Production wrapped in December 2009, with a total of 27 episodes produced including the original pilot.
Sierra is a fictional character portrayed by Dichen Lachman in the Fox science fiction series Dollhouse, created by Joss Whedon. Within the series' narrative, Sierra is an "Active" or a "doll", one of a group of men and women who can be programmed with memories and skills to engage in particular assignments; in their default state, Actives are innocent, childlike and suggestible. Before having her memories wiped, Sierra's name was Priya Tsetsang. Although Sierra does not exhibit the same self-awareness that Echo has, she develops feelings such as love in her doll state.
"Epitaph One" is the 13th episode of the first season of the American science fiction television series Dollhouse. The episode originally aired on the Season Pass on demand service from SingTel mio TV in Singapore on June 17, 2009 and later became available on DVD and Blu-ray on July 28, 2009. It is also the first episode of the series to feature Felicia Day, an actress with whom Joss Whedon has worked a number of times prior to Dollhouse.
"Belonging" is the fourth episode of the second season of the American science fiction television series Dollhouse and the show's 17th episode overall. The episode was written by Maurissa Tancharoen and Jed Whedon and directed by Jonathan Frakes, his sole credit in the series. It aired in the United States on Fox on October 23, 2009.
"Echo" is the original unaired pilot episode of the Fox television series Dollhouse. It was officially released on the season one DVD set. It was reshot and many scenes from it were taken and inserted as filler in later episodes. This doesn't consider it canon in terms of the show's mythology; however, many subsequent reviewers have noted that it was a superior pilot than the one aired.
"The Public Eye" is the fifth episode of the second season of the American science fiction television series Dollhouse and the show's 18th episode overall. The episode was written by Andrew Chambliss and directed by David Solomon. It aired in the United States on Fox on December 4, 2009.
"The Left Hand" is the sixth episode of the second season of the American science fiction television series Dollhouse and the show's 19th episode overall. The episode was written by Tracy Bellomo and directed by Wendey Stanzler. It aired in the United States on Fox on December 4, 2009.
"Meet Jane Doe" is the seventh episode of the second season of the American science fiction television series Dollhouse and the show's 20th episode overall. The episode was written by Maurissa Tancharoen, Jed Whedon and Andrew Chambliss and directed by Dwight Little. It aired in the United States on Fox on December 11, 2009.
"A Love Supreme" is the eighth episode of the second season of the American science fiction television series Dollhouse and the show's 21st episode overall. The episode was written by Jenny DeArmitt and directed by David Straiton. It aired in the United States on Fox on December 11, 2009.
"Stop-Loss" is the ninth episode of the second season of the American science fiction television series Dollhouse and the show's 22nd episode overall. The episode was written by Andrew Chambliss and directed by Félix Enríquez Alcalá. It aired in the United States on Fox on December 18, 2009.
"The Attic" is the tenth episode of the second season of the American science fiction television series Dollhouse and the show's 23rd episode overall. The episode was written by Maurissa Tancharoen and Jed Whedon and directed by John Cassaday. It aired in the United States on Fox on December 18, 2009.
"Getting Closer" is the 11th episode of the second season of the American science fiction television series Dollhouse and the show's 24th episode overall. The episode was written and directed by Tim Minear. It aired in the United States on Fox on January 8, 2010.
"The Hollow Men" is the 12th episode of the second season of the American science fiction television series Dollhouse and the show's 25th episode overall. The episode was written by Michele Fazekas, Tara Butters, and Tracy Bellomo, and directed by Terrence O'Hara. It aired in the United States on Fox on January 15, 2010.
"Epitaph Two: Return" is the 13th episode of the second season, the show's 26th episode overall and the series finale of the American science fiction television series Dollhouse. The episode was written by Maurissa Tancharoen, Jed Whedon, Andrew Chambliss, and directed by David Solomon. It aired in the United States on Fox on January 29, 2010.
Victor is a fictional character portrayed by Enver Gjokaj in the Fox science fiction series Dollhouse, created by Joss Whedon. Within the series' narrative, Victor is an "Active" or a "doll", one of a group of men and women who can be programmed with memories and skills to engage in particular assignments; in their default state, Actives are innocent, childlike and suggestible. Before having his memories wiped, Victor's name was Anthony Ceccoli. Although Victor does not exhibit the same self-awareness that Echo has, he develops feelings such as love in his doll state.
"Belle Chose" is the third episode of the second season of the American science fiction television series Dollhouse and the show's 16th episode overall. The episode was written by Tim Minear and directed by David Solomon. It aired in the United States on Fox on October 9, 2009.
The first season of the television series Dollhouse, premiered on February 13, 2009, on Fox and concluded its 12-episode season on May 8, 2009. The season aired on Fridays at 9:00 pm ET. Together with Fringe, Dollhouse was a part of Fox's "Remote-Free TV" initiative to keep people from switching channels during commercial breaks. Therefore, every episode of this season was 47–50 minutes long compared to a usual 40–43 minute length for regular network television.
The second and final season of the television series Dollhouse premiered on September 25, 2009, on Fox and concluded its 13-episode season on January 29, 2010. The season aired on Fridays at 9:00 pm ET.